Daniele Pitavy-Souques was a European powerhouse of Welty studies.
In this collection of essays, Pitavy-Souques pours new light on
Welty's view of the world and her international literary import,
challenging previous readings of Welty's fiction, memoir, and
photographs in illuminating ways. The nine essays collected here
offer scholars, critics, and avid readers a new understanding and
enjoyment of Welty's work. The volume explores beloved stories in
Welty's masterpiece The Golden Apples, as well as "A Curtain of
Green," "Flowers for Marjorie," "Old Mr. Marblehall," "A Still
Moment," "Livvie," "Circe," "Kin," and The Optimist's Daughter, One
Writer's Beginnings, and One Time, One Place. Essays include
"Technique as Myth: The Structure of The Golden Apples" (1979), "A
Blazing Butterfly: The Modernity of Eudora Welty" (1987), and
others written between 2000 and 2018. Together, they reveal and
explain Welty's brilliance for employing the particular to discover
the universal. Pitavy-Souques, who briefly lived in and often
revisited the South, met with Welty several times in her Jackson,
Mississippi, home. Her readings draw on the visual arts, European
theorists, and styles of modernism, postmodernism, surrealism, as
well as the baroque and the gothic. The included essays reflect
Pitavy-Souques's European education, her sophisticated
understanding of intellectual theories and artistic movements
abroad, and her passion for the literary achievement of women of
genius. The Eye That Is Language: A Transatlantic View of Eudora
Welty reveals the way in which Welty's narrative techniques broaden
her work beyond southern myths and mysteries into a global
perspective of humanity.
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