The Spot is an old blacksmith shed in which three men tweeze
apart the intricacies of a botched bank robbery.
The Spot is a park on the Hudson River, where two lovers sense
their affair is about to come to an end.
The Spot is at the bottom of Niagara Falls, where the body of a
young girl floats as if caught in the currents of her own tragic
story.
The Spot is in the ear of a Manhattan madman plagued by a noisy
upstairs neighbor .
The Spot is a suburban hospital room in which a young father
confronts his son's potentially devastating diagnosis.
The Spot is a dusty encampment in Nebraska where a gang of inept
radicals plot a revolution.
The Spot draws thirteen new stories together into a masterful
collection that shows David Means at his finest: at once comically
detached and wrenchingly affecting, expansive and concise, wildly
inventive and firmly rooted in tradition. Means's work has earned
him comparisons to Flannery O'Connor ("London Review of Books"),
Alice Munro, Bob Dylan, Jack Kerouac ("Newsday"), Hemingway,
Sherwood Anderson ("Chicago"" Tribune"/NPR), Denis Johnson
("Entertainment Weekly"), Poe, Chekhov, and Carver ("Milwaukee
Journal Sentinel"), but the spot he has staked out in the American
literary landscape is fully and originally his own.
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