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Books > Fiction > Special features > Short stories
Brian Fredericks, ’n aangrypende nuwe stem, skryf met nege kortverhale ’n wêreld oop in die Cape Flats. Hy werp lig op ’n komplekse wêreld waar die grens tussen reg en verkeerd heeltyd verskuiwe, maar bowenal het hy ’n sonderlinge insig in die feilbaarheid maar ook die broosheid van menswees. Karakters kry lewe op papier, en maak jou opnuut kyk na die wêreld om jou en in jou. Met dié bundel kortverhale vestig Fredericks hom as baanbreker in die Afrikaanse kortkuns.
A collection of three thrilling, pulse-pounding stories about a private investigator in a small town on the Hudson River in upstate New York. Sometimes figuring out the truth means going to the point of no return. For Mitchum, returning isn't something he concerns himself with. HIDDEN: Rejected by the Navy SEALs, Mitchum is content to be his small town's unofficial private eye, until his beloved 14-year-old cousin is abducted. Now he'll call on every lethal skill to track her down – but nothing is what it seems... MALICIOUS: Mitchum's brother has been charged with murder. Nathaniel swears he didn't kill anyone, but word on the street is that he was involved with the victim's wife. Now, Navy SEAL dropout Mitchum will break every rule to expose the truth – even if it destroys the people he loves. MALEVOLENT: Mitchum has never been more desperate. One by one his loved ones have become victims of carefully staged attacks. There's only one way to stop the ruthless mastermind intent on destroying everyone around him – to go on the most dangerous hunt of his life.
'n Splinternuwe, skitterende versameling kortverhale deur Nataniël. 20 in Afrikaans en 8 in Engels. Skreeusnaaks, aangrypend, wys, onvoorspelbaar en -- soos altyd -- hoogs vermaaklik. Soos gewoonlik delf hy goud uit sy kinderjare -- oor sy ouers, sy ouma -- maar daar is ook fantastiese en fantasmagoriese verhale oor sy lewe as sanger op plattelandse dorpies, oor 'n vreemdeling wat hom een aand in sy huis help om sy vrese te besweer, en hoe 'n mens jou eerste reus oorwin . . .
Hierdie versameling stories en besinnings uit die immergewilde skrywer se “Woorde wat wip”-rubriek wat tweeweekliks in Rapport verskyn, sal lesers met selfs die stroefste hallelujagesigte opkikker. In hierdie boek kry jy insae in hoe stories rondom woorde gevorm word. Herman kies telkens ’n woord en bou ’n storie om dit. Die inhoud val uiteen as ’n tipe abecedarium – speelse inskripsies volgens die letters van die alfabet, dikwels met woorde wat nie meer alledaags gebruik word nie of die gevaar loop om in onbruik te raak. Al gewonder wat ’n huilboerboom, meelwurms, kofia, ietsjoebeentjie, sandkombers of kamdebooharpuisbos is? In hierdie boek word dié woorde, en vele meer, geaktiveer as spilpunte waarom heerlike stories verweef is. Ideaal vir proe-proe lees op enige plek waar jy jou sit of lê die lekkerste kry.
This anthology marks the 55th anniversary of the historic 1962 Makerere Conference of African Literature in Uganda bringing together post-independence African writers many of whom would go on to play major roles in defining Africa’s literary history. One of them wrote; “we were amazed that fate had entrusted us with the task of interpreting a continent to the world.” Those who gathered included the Nigerian Nobel Laureate Wole Soyinka, Chinua Achebe, Christopher Okigbo, JP Clark, Kofi Awoonor, Frances Ademola, Cameron Doudu, Lewis Nkosi, Dennis Brutus, Ezekiel Mphahlele, Bloke Modisane, the African American writer Langton Hughes et al. Fifty-five years on, many have joined the ancestors but there are a few survivors who attended the launch of this Anthology at SOAS in London on 28th October 2017.
From the world's bestselling thriller writer – three pulse-pounding stories in one book!
THE FAMILY LAWYER with Robert Rotstein
NIGHT SNIPER with Christopher Charles
THE GOOD SISTER with Rachel Howzell Hall
Nearly a decade after his last volume of short stories was published, Jeffrey Archer returns with his eagerly-awaited, brand-new collection TELL TALE, giving us a fascinating, exciting and sometimes poignant insight into the people he has met, the stories he has come across and the countries he has visited during the past ten years. Find out what happens to the hapless young detective from Naples who travels to an Italian hillside town to find out Who Killed the Mayor? and the pretentious schoolboy in A Road to Damascus, whose discovery of the origins of his father's wealth changes his life in the most profound way. Revel in the stories of the 1930's woman who dares to challenge the men at her Ivy League University in A Gentleman and A Scholar while another young woman who thumbs a lift gets more than she bargained for in A Wasted Hour. These wonderfully engaging and always refreshingly original tales prove not only why Archer has been compared by the critics to Dahl and Maugham, but why he was described by The Times as probably the greatest storyteller of our age.
Kainsmerk is ’n versameling stories wat meestal as kortverhale en vervolgverhale in tyd- skrifte verskyn het. In hierdie verhale vertel Annelie Botes van mense wat as brose wesens dikwels ’n teken van vervloeking (Kainsmerk) in hul siele ronddra wat hulle vir die wêreld wil verberg. Lesers maak kennis met verskeie karakters wat telkens op die Damaskuspad beland as gevolg van die seerkry wat hulle ervaar. ’n Boervrou se ouderlingman verrinneweer haar en sy begin drink, en droom van die dag dat sy haar man se lyk in die put op die werf afgooi. ’n Ander boervrou bou ’n padstal en werk haar tot eelte, terwyl sy haar man afskeep. Totdat sy op ’n dag tydens ’n vloed op die dak van die padstal vasgekeer word. Nog ’n plaasvrou het geen behae in haar huwelik nie. Een nag beleef sy en haar man ’n plaasaanval en is hulle nét op mekaar aangewese. ’n Vrou wat tronkstraf uitgedien het vir diefstal, beland as huishoudster by ’n hoogaangeskrewe man met ’n rare obsessie. ’n Mevrou- dominee gaan soek rus en heling in ’n grot op haar geboorteplaas. Hierdie is maar enkele van die karakters waarmee Botes Suid-Afrikaanse tydskriflesers deur die jare meegevoer het. Nou word dié juwele vir die eerste keer byeengebring in een band. As spesiale bonus is die immergewilde “Duiwelsbrood”, wat geruime tyd reeds uit druk is, ook in Kainsmerk opgeneem.
Internasionaal gevierde misdaadskrywer Deon Meyer se bundel tydskrifverhale Bottervisse in die jêm het in 1997 verskyn. Nou is dié lekkerleesverhale in ’n splinternuwe, hersiene gedaante te kry, mét vyf verhale wat nog nooit voorheen gebundel is nie, onder andere "Die ballade van Robbie de Wee". Elke verhaal ontlok ’n gevoel van deernis met die karakters, of ’n uitbundige skaterlag. En die romantiek bly nie agterweë nie. Van eerste tot laaste krul die leser se tone van pure leesplesier.
Die kortverhale in hierdie bundel beeld op treffende en insiggewende wyse, en plek-plek met die gebruik van sprokies, die karakter Mia se grootwordervarings uit – in Kaapstad en op die familieplaas op Ladismith, van 12-jarige kind tot ’n jong moeder. Dit beeld ook op fyn en sensitiewe wyse uit hoe Mia worstel met ’n erflas van alkoholisme en depressie. Daar is die komplekse verhoudings binne die familie: met haar ma, haar pa, en, soos sy ouer word, met mans. Die verhale beeld haar vrese uit, haar seksuele ontwaking en haar pogings om ’n sinvolle, gelukkige verhouding met iemand te hê. Dis aparte verhale, maar saam beeld dit Mia se lewe uit en word dit byna iets soos ’n Bildungsroman. Onderliggend in die verhale is die helende krag wat “storie” en verbeelding in Mia en haar pa se lewe speel: dit is ook haar redding uit die erflas van depressie.
n Langverwagte versameling van Hennie Aucamp se beste kortverhale. Aucamp was by uitstek 'n kortverhaalskrywer, en is in 1982 met die Hertzogprys vir sy prosawerk bekroon. Hierdie versameling bevat sy eie keuse uit die vele kortverhale waarmee hy lesers oor die dekades heen geraak en vermaak het. Die keuse is so interessant soos die verhale self - daar is voorspelbare bekende verhale, en ook minder bekendes waarvoor hy 'n spesiale toegeneentheid gehad het. Saamgestel deur Johann de Lange.
“This apricot tree has multiple souls that fill me with wonder every morning and enchant me by afternoon. This tree has bitter-sweet memories, just like the fruit it bears.” If the apricot trees of Soweto could talk, what stories would they tell? This short story collection provides an imaginative answer. Imbued with a vivid sense of place, it captures the vibrancy of the township and surrounds. Told with satirical flair, life and death are intertwined in these tales where funerals and the ancestors feature strongly; where cemeteries are places to show off your new car and catch up on the latest gossip. Populating these stories is a politician mesmerised by his mistress’s manicure, zama-zamas running businesses underground, a sangoma with a remedy for theft, soccer fans ready to mete out a bloody justice, a private dancer in love and many other intriguing characters. Take your seat under the apricot tree and be enthralled by tales that are both entertaining and thought-provoking.
A private-eye convention and a tussle over a Pierneef. A young man's unsettling experience in the American South and a tragedy off the coast of Mauritius. A bizarre night of industrial theatre and a translator at a loss for words. These are but a few of the fictions in 101 Detectives, a new collection of short stories by Ivan Vladislavić, one of South Africa's most celebrated authors. A collection of short stories launched his career as a writer. Twenty-six years and a whole oeuvre later, 101 Detectives showcases Vladislavić's virtuosity as he bends and recasts this literary form in spectacular fashion.
Orphan sisters chase monsters of urban legend in Bloemfontein. At a busy taxi rank, a woman kills a man with her shoe. A genomicist is accused of playing God when she creates a fatherless child. Intruders is a collection that explores how it feels not to belong. These are stories of unremarkable people thrust into extraordinary situations by events beyond their control. With a unique and memorable touch, Mohale Mashigo explores the everyday ills we live with and wrestle constantly, all the while allowing hidden energies to emerge and play out their unforeseen consequences. Intruders is speculative fiction at its best.
Voetstoots is ’n bontgejasde keur uit sestien jaar van Annelie se koerantrubrieke. Die temas is so wyd soos die Heer se genade. Rakende aan die torings van Babel wat ons bou. ’n Kind wat doodgeskok word terwyl hulle jagentjies speel. ’n Begrafnisbrief uit Holland. ’n Boer wat sy plaashek vir oulaas sluit. Toentertyd se poskoets en handsentrale. Die boks langspeelplate in die gryse se waenhuis. Die smart om ’n kind te begrawe. ’n Glips met bensien in die tamatieslaai. ’n Sywurmhart wat sy in haar Bybel bêre. Mense sonder ’n woord van eer. ’n Eensame oom wie se hondjie op ’n sypaadjie doodgebyt is. ’n Lys van moets en moenies vir dames uit 1944. ’n Boks papsakwyn wat suur geword het. Dis lag, huil, kwaadword, nostalgie, deernis, onbegrip en lewenswette saamgeryg in ’n kleurvolle lappieskombers. En Annelie is bedrewe met die rygnaald.
If We Were Electric's twelve stories celebrate New Orleans in all of its beautiful peculiarities: macabre and magical, muddy and exquisite, sensual and spiritual. The stunning debut collection finds its characters in moments of desire and despair, often stuck on the verge of a great metamorphosis, but burdened by some unreasonable love. These are stories about missed opportunities, about people on the outside who don't fit in, about the consequences of not mustering enough courage to overcome the binds. In "Feux Follet," an old man's grief attracts supernatural lights in the dark Louisiana swamps. An exploding transformer's raw, unnerving energy in the title story matches the strange, ferocious temper of an unlucky hustler. "Blackout" sets the profound numbness of a young man physically abused by his mentally unstable partner beside the meaningful beauty of an unexpected moment of joy with someone else. The teenage narrator in "Before Las Blancas" is so overwhelmed by his sexuality that he abandons everything and everyone he's known to live in a happy illusion . . . in Mexico. And "Where It Takes Us" is a poignant, understated snapshot of a gay man who accompanies his straight, HIV-positive brother to the race track to bond again.
As jy die Groot- en die Klein-Karoo en hulle se stories wil kry, moet jy ’n grootpad soek wat ’n grondpad is, en daarlangs moet jy ry… Kontreistaaltjies, moordverhale, spookstories en ander vertellings oor besonderse mense en gebeure uit die dorre streke van Suid-Afrika.
HarperCollins is proud to present its incredible range of best-loved, essential classics. "I am writing this under an appreciable mental strain, since by tonight I shall be no more." This selection of works showcases the best-known, most chilling stories of H. P. Lovecraft, including Dagon, The Call of Cthulhu, The Thing on the Doorstep and Herbert West - Reanimator. They feature such deadly horrors as terrifying sea-creatures, menaces from outer space, evil-worshipping cults and unexpected murder by familiar hands. There is no place so frightful that Lovecraft did not venture there, and these tales will leave the imagination reeling, yet dare you to turn the page...
'This is the one true star-map,' he whispered. 'Time fluctuates wildly beyond our solar system. Everything we know about distance is wrong.' Quiet Pine Trees is jet fuel for your imagination and a wrecking ball against writer's block. This collection features more than 500 compelling miniature stories that turn the humble microfiction into a self-contained work of literary art. Within the limits of the form, each story combines powerful imagery with haunting themes using just a few words, making snapshots of bigger, stranger worlds to inspire the creativity of the reader. The multitude of stories in this volume span genres and galaxies alike: from science fiction about advanced time travel techniques, to otherworldly fantasy about desperate trees and artillery pianos, to eerie horror about the real reason dolls close their eyes.
Doc Immelman is alombekend vir sy avontuur- en jagverhale. Erns Grundling noem hom “Namibië se eie Hemingway”. Bloed op die duine en ander verhale is ’n keur uit sy kortverhale wat tussen 1955 en 1963 in Die Huisgenoot en Die Brandwag verskyn het. Die bundel sluit verder die novelle “Koms dans, Klaradyn” in, wat oorspronklik in ’n Seisoen vir Romanse (1966) verskyn het.
In Die groot sand en ander stories kry die leser die geleentheid om verhale te lees wat onder meer in Ster, Die Brandwag, Republikein en Huisgenoot verskyn het. Die titelverhaal, Die groot sand, speel af in die genadelose Namibwoestyn waar twee diamantsmokkelaars hul buit gaan haal. Na ’n moordende staptog kry hulle die diamante, maar ’n sandstorm steek op. Onder die gekerm en geloei van die wind besef een van die smokkelaars dat daar net genoeg water oor is vir een man … Trek die koffiekan nader en lees ook oor ’n olifantjag in Angola, oor die vul wat treine gejaag het en die fabel oor die leeumannetjie wat Oukat moes opvolg. |
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