Helene de Kock skryf meesleurende romans en sy beeld haar karakters met deernis en humor uit. Hierdie keur bevat twee van haar gewildste wynlandverhale: ’n Kind vir Vier Oude Vrinde en Volmaakte versnit?.

An engaging collection of stories and essays by the celebrated author of the internationally bestselling Guido Brunetti series, infused with her ever-present and delightful senses of humor and irony

Donna Leon’s memoir, Wandering Through Life, gave her legions of fans a colourful tour through her life, from childhood in New Jersey to adventures in China and Iran, to her love of Venice and opera. Nowhere, however, did she discuss her writing life.

In Backstage, Donna reveals her admiration for, and inspiration from, the great crime novelists Ruth Rendell and Ross Macdonald, examining their approach to storytelling as she dissects her favorite books of theirs. She expresses her love for Charles Dickens’ Great Expectations and her appreciation of Sir Walter Scott’s generosity of spirit. And she chronicles the lengths amount of research she undertakes to be able to present authentically, through Guido Brunetti and his colleagues, places and characters far from her own experience: interviewing a diamond dealer in Venice to open up the world of blood diamonds; meeting, through back channels, a courageous sex worker and women’s rights activist to depict accurately the trafficking of women in Italy.

Venice is central in her memory, whether recounting the semi-comic irritation of a noisy elderly neighbor or the origins of the city’s Carnevale. Her teaching career yields memorable tales: helping a young Black boy in a Newark, New Jersey elementary school; instructing young Iranian pilots in English just before the 1979 Iranian Revolution; taking her students at a Swiss private high school to the famous Frank Zappa concert in Montreux interrupted by fire.

Throughout, she is as good a storyteller about herself as she is a chronicler of Guido Brunetti’s crime adventures. Readers will be as caught up in her world as she is in his.

A pregnant woman takes the ferry to the UK. A fractious intimate relationship develops between an Irish woman, an English man, and her girlfriend. Two ungendered characters contest the same female body. A deserted wife takes a lover but remains unsatisfied. Lauren Foley's debut collection of dramatic short stories, Polluted Sex, is fearless in its depiction of women's bodies and sexuality, offering an unflinching window into Irish girl and womanhood.

Now in its nineteenth year, the Caine Prize for African Writing is Africa's leading literary prize and is awarded to a short story by an African writer published in English, whether in Africa or elsewhere. This collection brings together the five 2018 shortlisted stories: American Dream by Nonyelum Ekwempu (Nigeria); The Armed Letter Writers by Olofunke Ogundimu (Nigeria); Fanta Blackcurrant by Makena Onjerika (Kenya); Involution by Stacy Hardy (South Africa); Wednesday's Story by Wole Talabi (Nigeria). It also includes 12 stories written at the Caine Prize Writers' Workshop, which took place in Rwanda in April 2018: No Ordinary Soiree by Paula Akugizibwe; Tie Kidi by Awuor Onyango; Calling the Clouds Home by Heran T. Abate; America by Caroline Numuhire; All Things Bright and Beautiful by Troy Onyango; Departure by Nsah Mala; Where Rivers Go to Die by Dilman Dila; Ngozi by Bongani Sibanda; The Weaving of Death by Lucky Grace Isingizwe; Redemption Song by Arinze Ifeakandu; Spaceman by Bongani Kona; Grief is the Gift that Breaks the Spirit Open by Eloghosa Osunde. The 2018 judging panel comprises: Dinaw Mengestu, journalist, author and graduate of Georgetown University and of Columbia University's M.F.A. programme in fiction; Alain Mabanckou, prolific Francophone Congolese poet and novelist and Man Booker International Prize finalist (2015); reporter, columnist and poet Ahmed Rajab; Henrietta Rose-Innes, a South African author who won the Caine Prize in 2008; and Lola Shoneyin, a Nigerian writer who has won the Ken Saro-Wiwa Prose Prize.