Doc Immelman is alombekend vir sy avontuur- en jagverhale. Erns Grundling noem hom “Namibië se eie Hemingway”. Bloed op die duine en ander verhale is ’n keur uit sy kortverhale wat tussen 1955 en 1963 in Die Huisgenoot en Die Brandwag verskyn het. Die bundel sluit verder die novelle “Koms dans, Klaradyn” in, wat oorspronklik in ’n Seisoen vir Romanse (1966) verskyn het.

"Wonderful, mind-expanding stuff, and well written too."-The Guardian Axiomatic is a wonderful collection of eighteen short stories by Hugo Award-winning author Greg Egan. The stories in this collection have appeared in such science fiction magazines as Interzone and Asimov's between 1989 and 1992. From junkies who drink at the time-stream to love affairs in time-reversed galaxies; from gene-altered dolphins that converse only in limericks to the program that allows you to design your own child; from the brain implants called axiomatics to the strange attractors that spin off new religions; from bioengineering to the new physics; and from cyberpunk to the electronic frontier, Greg Egan's future is frighteningly close to our own present. Included in this collection are such wonderful stories as: "Axiomatic" "Into Darkness" "The Safe-Deposit Box" "Blood Sisters" And many more! Axiomatic is the perfect collection for any science fiction fan, especially one who enjoys Greg Egan's work. The stories are imaginative and insightful, and written only the way that Greg Egan can do so. Skyhorse Publishing, under our Night Shade and Talos imprints, is proud to publish a broad range of titles for readers interested in science fiction (space opera, time travel, hard SF, alien invasion, near-future dystopia), fantasy (grimdark, sword and sorcery, contemporary urban fantasy, steampunk, alternative history), and horror (zombies, vampires, and the occult and supernatural), and much more. While not every title we publish becomes a New York Times bestseller, a national bestseller, or a Hugo or Nebula award-winner, we are committed to publishing quality books from a diverse group of authors.

Tequio in Mexico, auzolan in Basque Country, lumbung in Indonesia, ubuntu in South Africa, mutirao in Brazil - all terms used around the world to describe the concept of collective work. Bringing together 8 publishing houses and 7 writers, each writing in a different language, Lumbung Stories is a true product of communal action. From speculative essays and experimental texts to intimate stories that portray collective work as something every day and habitual, each writer presents their unique take on what a "lumbung story" is. These tales take us from olive groves in Andalusia to tiger-filled forests in Indonesia; from youths fumbling through adolescence together in the Basque country, to outsiders uniting through vibrant rituals in Sao Paulo, and from explorations of intergenerational and transhistorical struggle in South Africa, to an academic text from a society rebuilding in a post-Capitalist, post-climate-crisis future. Blurring the lines between realism and fiction, the past and the future, this unique and powerful collection brims with life and is a vital reminder of the ties that unite us all.

"Curiously enough," said Dr. Manners, "I know a story in which the detection of a murder turned on the behaviour of a bird: in this instance a jackdaw." Since the dawn of the crime fiction genre, animals of all kinds have played a memorable part in countless mysteries, and in a variety of roles: the perpetrator, the key witness, the sleuth's trusted companion. This collection of fourteen stories corrals plots centred around cats, dogs and insects alongside more exotic incidents involving gorillas, parakeets and serpents - complete with a customary shoal of red herrings. From the animal mysteries of Arthur Conan Doyle and F. Tennyson Jesse through to more modern masterpieces of the sub-genre from Christianna Brand and Penelope Wallace, this anthology celebrates one of the liveliest and most imaginative species of classic crime fiction.

In this exuberantly strange story collection, Flores asks: Whose reality? What rules? --Jean Chen Ho, author of The New York Times Book Review These are marvelously unpredictable stories, anchored by Fernando A. Flores's deadpan prose and his surefooted navigation of those overlapping territories, the real and the fantastic, where so much of the best contemporary fiction now lives. --Kelly Link, author of Get in Trouble Psychedelic, dazzling stories set in the cracks of the Texas-Mexico borderland, from an iconoclastic storyteller and the author of Tears of the Trufflepig. No one captures the border--its history and imagination, its danger, contradiction, and redemption--like Fernando A. Flores, whose stories reimagine and reinterpret the region's existence with peerless style. In his immersive, uncanny borderland, things are never what they seem: a world where the sun is both rising and setting, and where conniving possums efficiently take over an entire town and rewrite its history. The stories in Valleyesque dance between the fantastical and the hyperreal with dexterous, often hilarious flair. A dying Frederic Chopin stumbles through Ciudad Juarez in the aftermath of his mother's death, attempting to recover his beloved piano that was seized at the border, while a muralist is taken on a psychedelic journey by an airbrushed Emiliano Zapata T-shirt. A woman is engulfed by a used-clothing warehouse with a life of its own, and a grieving mother breathlessly chronicles the demise of a town decimated by violence. In two separate stories, queso dip and musical rhythms are bottled up and sold for mass consumption. And in the final tale, Flores pieces together the adventures of a young Lee Harvey Oswald as he starts a music career in Texas. Swinging between satire and surrealism, grief and joy, Valleyesque is a boundary- and border-pushing collection from a one-of-a-kind stylist and voice. With the visceral imagination that made his debut novel, Tears of the Trufflepig, a cult classic, Flores brings his vision of the border to life--and beyond.