Ver in die wêreld is 23 stories oor die lewe in die buiteland. Sommige van die vertellings is suiwer fiksie en ander is intiem persoonlike ervarings. Dis verhale oor die verlies aan die bekende, die verlange huis toe, maar ook oor die aanpassing in die verre vreemde wat dikwels met ’n goeie skoot humor gepaard gaan.

Skop jou skoene uit, sit agteroor en laat jou wegvoer na Engeland, Nieu-Seeland, Australië, Kanada, of na een van die ander plekke waar Suid-Afrikaners nesgeskrop het.

Die kortverhale in hierdie bundel beeld op treffende en insiggewende wyse, en plek-plek met die gebruik van sprokies, die karakter Mia se grootwordervarings uit – in Kaapstad en op die familieplaas op Ladismith, van 12-jarige kind tot ’n jong moeder.

Dit beeld ook op fyn en sensitiewe wyse uit hoe Mia worstel met ’n erflas van alkoholisme en depressie. Daar is die komplekse verhoudings binne die familie: met haar ma, haar pa, en, soos sy ouer word, met mans. Die verhale beeld haar vrese uit, haar seksuele ontwaking en haar pogings om ’n sinvolle, gelukkige verhouding met iemand te hê. Dis aparte verhale, maar saam beeld dit Mia se lewe uit en word dit byna iets soos ’n Bildungsroman.

Onderliggend in die verhale is die helende krag wat “storie” en verbeelding in Mia en haar pa se lewe speel: dit is ook haar redding uit die erflas van depressie.

A collection of ten witty, tightly written, upbeat short stories about people making new beginnings after significant losses (the death of their partners, home invasions, etc) set in the upmarket northern suburbs of Johannesburg, like Parkview.

It is filled with memorable characters and incidents.

“This apricot tree has multiple souls that fill me with wonder every morning and enchant me by afternoon. This tree has bitter-sweet memories, just like the fruit it bears.”

If the apricot trees of Soweto could talk, what stories would they tell? This short story collection provides an imaginative answer. Imbued with a vivid sense of place, it captures the vibrancy of the township and surrounds. Told with satirical flair, life and death are intertwined in these tales where funerals and the ancestors feature strongly; where cemeteries are places to show off your new car and catch up on the latest gossip.

Populating these stories is a politician mesmerised by his mistress’s manicure, zama-zamas running businesses underground, a sangoma with a remedy for theft, soccer fans ready to mete out a bloody justice, a private dancer in love and many other intriguing characters.

Take your seat under the apricot tree and be enthralled by tales that are both entertaining and thought-provoking.

Brian Fredericks, ’n aangrypende nuwe stem, skryf met nege kortverhale ’n wêreld oop in die Cape Flats.

Hy werp lig op ’n komplekse wêreld waar die grens tussen reg en verkeerd heeltyd verskuiwe, maar bowenal het hy ’n sonderlinge insig in die feilbaarheid maar ook die broosheid van menswees. Karakters kry lewe op papier, en maak jou opnuut kyk na die wêreld om jou en in jou.

Met dié bundel kortverhale vestig Fredericks hom as baanbreker in die Afrikaanse kortkuns.

c. Johan Bakkes is die geliefde skrywer van aweregse reisjoernale.

Amper twintig jaar ná die verskyning van c. Johan Bakkes se tweede boek, Nou’s ons in ons donner in tref dit weer die rak – nie slegs as heruitgawe nie, die skrywer het bygereis en bygewerk.

Dit is ’n terugblik sowel as nuwe ervarings/ gewaarwordings soos net Bakkes dit kan verhaal.

Orphan sisters chase monsters of urban legend in Bloemfontein.

At a busy taxi rank, a woman kills a man with her shoe. A genomicist is accused of playing God when she creates a fatherless child. Intruders is a collection that explores how it feels not to belong. These are stories of unremarkable people thrust into extraordinary situations by events beyond their control.

With a unique and memorable touch, Mohale Mashigo explores the everyday ills we live with and wrestle constantly, all the while allowing hidden energies to emerge and play out their unforeseen consequences.

Intruders is speculative fiction at its best.

From legendary storyteller and master of short fiction Stephen King comes an extraordinary new collection of twelve short stories, many never-before-published, and some of his best EVER.

“You like it darker? Fine, so do I,” writes Stephen King in the afterword to this magnificent new collection of twelve stories that delve into the darker part of life—both metaphorical and literal. King has, for half a century, been a master of the form, and these stories, about fate, mortality, luck, and the folds in reality where anything can happen, are as rich and riveting as his novels, both weighty in theme and a huge pleasure to read. King writes to feel “the exhilaration of leaving ordinary day-to-day life behind,” and in You Like It Darker, readers will feel that exhilaration too, again and again.

“Two Talented Bastids” explores the long-hidden secret of how the eponymous gentlemen got their skills. In “Danny Coughlin’s Bad Dream,” a brief and unprecedented psychic flash upends dozens of lives, Danny’s most catastrophically. In “Rattlesnakes,” a sequel to Cujo, a grieving widower travels to Florida for respite and instead receives an unexpected inheritance—with major strings attached. In “The Dreamers,” a taciturn Vietnam vet answers a job ad and learns that there are some corners of the universe best left unexplored. “The Answer Man” asks if prescience is good luck or bad and reminds us that a life marked by unbearable tragedy can still be meaningful.

King’s ability to surprise, amaze, and bring us both terror and solace remains unsurpassed. Each of these stories holds its own thrills, joys, and mysteries; each feels iconic. You like it darker? You got it.

Wat Frederik de Jager se verhale uniek maak, is die feit dat dit om mense sentreer, dat dit fyngetekende portretstudies is.

Of dit nou Jan Rabie, die enigste dogtertjie op ’n seunskoolbus, Mal Marina die klawerkoningin is of die seun op die speelgrond wat so stip kon kyk, of sy laerskoolvriend die aksieheld, dis karakters waarmee elke leser kan vereenselwig. Soms is die onderwerp die skrywer self, die skaam seun wat Sartre se selfbewustheid as bewustheid verstaan, die een wat weier om die klavierspelende sissie te wees. Die skryfwerk is dus tydloos en universeel.

De Jager het ’n fyn oog en ’n slag met die woord. Soos Dana Snyman kan hy ’n emotiewe snaar raaktokkel en nostalgie opwek. De Jager is egter eerder prosaïs as volksverteller. Hierdie verhale is raak woordprente wat die uitsonderlikheid van gewone mense vasvang, met deernis, humor en ’n skeut hartseer - Op een na het al hierdie stukke verskyn in die tydskrif Vrouekeur van 2015 tot met die sluiting daarvan in 2020, as aflewerings in die rubriek “Mense onderweg”. Die laaste, langer stuk was ook in Vrouekeur, maar as alleenstaande artikel.

In Laataandbiegstories en sulke dinge word die leser meegevoer deur onvergeetlike stories wat om die kampvuur lewe kry.

Soms is dit humoristies, soms deernisvol, soms skerp ironies, maar altyd boeiend. Daar word vertel van die nag van die donkie, van Tante wat sag word, van Pollie van die populiere en van die intrinsieke waarde van Victor, die lelike skaaphondkruising.

In Jan Nel se kortverhale herken die leser homself onomwonde; dis juis hoekom mens lag. Die mens, met al sy swakhede, bly tog maar mens, en om te lag is soveel makliker as om jouself te kasty.

Doc Immelman is alombekend vir sy avontuur- en jagverhale, en in Die meisie op die bus ander liefdesverhale blom die liefde tussendeur al die avontuur. Die humoristiese “Ses dooie bees langs die grensdraad” gaan oor twee verliefdes wat eers die jare lange vyandskap tussen hul vaders, wat ook bure is, moet blus alvorens hulle kan afhaak. “Tussenspel op Etosha” vertel die storie van ’n veldwagter wat graag die senator se dogter wil beindruk. Maar dan stel die parkhoof hom lelik in die verleentheid om die kampvuur met allerhande stories oor hom …

The theme of ‘sins of omission,’ includes an eclectic mix of stories set in Zimbabwe, at widely different times. Many are based on true stories. The only one that occurs in England, ‘The hoax,’ has an African connection, through Homo rhodesiensis. In each story, a ‘sin of omission,’ leads to an unexpected result.

A new collection of short stories by one of South Africa’s most original writers, A Little Light is a timely and sensitive evocation of places, bodies, politics, regrets and hope, all revealed in tightly controlled and beautifully lit stories.

Mohlele’s daring writing is on full display with the publication of this volume.

Waarom skryf skrywers waaroor hulle skryf – of hoegenaamd? Is die letterkunde nie maar ’n saak van humorlose erns, soos die karakter Chris Fourie in die titelverhaal van hierdie weldeurdagte kortverahaalbundel beweer nie? Met Skrywersblok sleep Jaco Fouche sy net deur verskeie alledaagse ruimtes – kroee, koffiewinkels, hospitale, treine, kerke – en ontdek hy karakters wat vanuit onverwagse oorde eerlike en ongekunstelde weergawes van die werklikheid voorhou. Want polisieman of misdadiger, gesiene sakeman of sukkelende skrywer – elkeen het uiteindelik dit in gemeen: die behoefte om sin te maak, vreugde te ervaar en iets na te laat wat eendag aan ’n ander kan se “Ek was hier”.

The inspiration behind ‘Life of Pi’ director Ang Lee’s ‘Brokeback Mountain’ is one of the short stories to be found in this haunting collection of Wyoming tales.

‘Brokeback Mountain’ is set in the beautiful, wild landscape of Wyoming where cowboys live as they have done for generations. Hard, lonely lives in unforgiving country. Jack Twist and Ennis del Mar are two ranch hands, glad to have found each other’s company where none had been expected. But companionship becomes something else on Brokeback Mountain, something not looked for – an intimacy neither can forget.

‘Brokeback Mountain’ was made into an Academy Award-winning film by Ang Lee, and starred Heath Ledger, Jake Gyllenhaal, Michelle Williams and Anne Hathaway.

SHORTLISTED FOR THE INTERNATIONAL BOOKER PRIZE 'Beautiful, horrible... the most exciting discovery I've made in fiction for some time' Kazuo Ishiguro 'Smoky, carnal, dazzling' Lauren Groff Welcome to Buenos Aires, a place of nightmares and twisted imaginings, where missing children come back from the dead and unearthed bones carry terrible curses. Thrumming with murderous intentions, family betrayals and morbid desires, these stories shine a light on a violent city gripped by urban madness; giving voice to the lost, the oppressed and the forgotten. Lucid and darkly poetic, unsettling and otherworldly, these tales of revenge, witchcraft and fetishes are a masterpiece of contemporary Gothic and a bewitching exploration of the dark inclinations that threaten to lead us over the edge. 'There is some serious power in this writing' Daisy Johnson

Welcome to New York Times and Sunday Times bestseller Brandon Sanderson's first collection of short fiction. These wonderful works, originally published individually, have been collected for the first time and convey the true expanse of the Cosmere. Telling the exciting tales of adventure Sanderson fans have come to expect, Arcanum Unbounded include the Hugo Award-winning novella 'The Emperor's Soul', an excerpt from the graphic novel 'White Sand', and the never-before-published Stormlight Archive novella 'Edgedancer'. The collection will include nine works in all: 'Edgedancer' (Stormlight Archive) 'The Hope of Elantris' (Elantris) 'The Eleventh Metal' (Mistborn) 'The Emperor's Soul' (Elantris) 'Allomancer Jak and the Pits of Eltania' (excerpt; Mistborn) 'White Sand' (excerpt; Taldain) 'Shadows for Silence in the Forests of Hell' (Threnody) 'Sixth of Dusk' (First of the Sun) 'Mistborn: Secret History' (Mistborn) This superb collection also includes essays and illustrations which offer an insight into the numerous worlds in which the stories are set.

The characters in this delicious book are pushed to the point of no return and seek retribution. But how we get even is not always the best road to redemption. On the island of Mull, it takes an incomer to make the locals realise that they need to take matters into their own hands to maintain the community's reputation. In 'The Principles of Soap' the value of friendship overcomes adversity and opportunistic nepotism. In suburban Edinburgh opposing neighbours find out the hard way that the best method of dealing with a canine disturbance is not to bury one's head in the sand. And in the final tale we meet an author on the brink of public ruin who sees the error of his ways after an act of kindness saves the day. These four tales show that the exquisite art of getting even is a skill that sees kindness win over malice. Tantalising and amusing, these stories show off a darker side but carry with them the author's trademark warmth and humour.

Talk of the Town by award-winning writer Fred Khumalo comprises short stories he wrote over many years. In this vibrant collection Khumalo explores identity and belonging through tales about African foreign nationals in South Africa, xenophobia, South Africans abroad, exiled comrades during apartheid, and past and current township life. At times hilarious and at times gut-wrenching, this is a collection that will move you.

In these fifteen short stories--her eighth collection of short stories in a long and distinguished career--Alice Munro conjures ordinary lives with an extraordinary vision, displaying the remarkable talent for which she is now widely celebrated. Set on farms, by river marshes, in the lonely towns and new suburbs of western Ontario, these tales are luminous acts of attention to those vivid moments when revelation emerges from the layers of experience that lie behind even the most everyday events and lives.

"Virtuosity, elemental command, incisive like a diamond, remarkable: all these descriptions fit Alice Munro."--Christian Science Monitor

"How does one know when one is in the grip of art--of a major talent?....It is art that speaks from the pages of Alice Munro's stories."--Wall Street Journal

The heroes of the stories in this book are people who in the hell of the Holocaust were doomed for life, people who cannot or do not want to speak about their past, about the heavy baggage of their life's experiences. Being a witness, Irit Amiel translates the long silence of people living in the Israeli melting pot into testimony. The stories are written in a simple and restrained way, but the voices coming out touch the most profound human feelings. These short stories achieve a weight through the use of poetic shortcuts, such as the two-page memory about the last parting from home and parents. 'I was then eleven years old and from that very moment I have never felt at home in life again.'