Returning to the territory of "Brokeback Mountain" (in her first volume of Wyoming Stories) and Bad Dirt (her second), National Book Award and Pulitzer Prize winner Annie Proulx delivers a stunning and visceral new collection. In "Fine Just the Way It Is," she has expanded the limits of the form. Her stories about multiple generations of Americans struggling through life in the West are a ferocious, dazzling panorama of American folly and fate.

"Every ranch...had lost a boy," thinks Dakotah Hicks as she drives through "the hammered red landscape" of Wyoming, "boys smiling, sure in their risks, healthy, tipped out of the current of life by liquor and acceleration, rodeo smashups, bad horses, deep irrigation ditches, high trestles, tractor rollovers and 'unloaded' guns. Her boy, too...The trip along this road was a roll call of grief."

Proulx's characters try to climb out of poverty and desperation but get cut down as if the land itself wanted their blood. Deeply sympathetic to the men and women fighting to survive in this harsh place, Proulx turns their lives into fiction with the power of myth -- and leaves the reader in awe. The winner of two O. Henry Prizes, Annie Proulx has been anthologized in nearly every major collection of great American stories. Her bold, inimitable language, her exhilarating eye for detail and her dark sense of humor make this a profoundly compelling collection.

Award-winning author Ursula Vernon, writing as T. Kingfisher, presents a terrifying tale of hidden worlds and monstrous creations…

When Mouse’s dad asks her to clean out her dead grandmother's house, she says yes. After all, how bad could it be?

Answer: pretty bad. Grandma was a hoarder, and her house is stuffed with useless rubbish. That would be horrific enough, but there’s more—Mouse stumbles across her step-grandfather’s journal, which at first seems to be filled with nonsensical rants…until Mouse encounters some of the terrifying things he described for herself.

Alone in the woods with her dog, Mouse finds herself face to face with a series of impossible terrors—because sometimes the things that go bump in the night are real, and they’re looking for you. And if she doesn’t face them head on, she might not survive to tell the tale.

The stories in The Vanishing Point are both exotic and domestic, their settings ranging from Hawaii to Africa and New England. Each focuses on life’s vanishing points—a moment when seemingly all lines running through one’s life converge, and one can see no farther, yet must deal with the implications. With the insight, subtlety, and empathy that has long characterized his work, Theroux has written deeply moving stories about memory, longing, and the passing of time, reclaiming his status, once again, as a master of the form.