In this exuberantly strange story collection, Flores asks: Whose reality? What rules? --Jean Chen Ho, author of The New York Times Book Review These are marvelously unpredictable stories, anchored by Fernando A. Flores's deadpan prose and his surefooted navigation of those overlapping territories, the real and the fantastic, where so much of the best contemporary fiction now lives. --Kelly Link, author of Get in Trouble Psychedelic, dazzling stories set in the cracks of the Texas-Mexico borderland, from an iconoclastic storyteller and the author of Tears of the Trufflepig. No one captures the border--its history and imagination, its danger, contradiction, and redemption--like Fernando A. Flores, whose stories reimagine and reinterpret the region's existence with peerless style. In his immersive, uncanny borderland, things are never what they seem: a world where the sun is both rising and setting, and where conniving possums efficiently take over an entire town and rewrite its history. The stories in Valleyesque dance between the fantastical and the hyperreal with dexterous, often hilarious flair. A dying Frederic Chopin stumbles through Ciudad Juarez in the aftermath of his mother's death, attempting to recover his beloved piano that was seized at the border, while a muralist is taken on a psychedelic journey by an airbrushed Emiliano Zapata T-shirt. A woman is engulfed by a used-clothing warehouse with a life of its own, and a grieving mother breathlessly chronicles the demise of a town decimated by violence. In two separate stories, queso dip and musical rhythms are bottled up and sold for mass consumption. And in the final tale, Flores pieces together the adventures of a young Lee Harvey Oswald as he starts a music career in Texas. Swinging between satire and surrealism, grief and joy, Valleyesque is a boundary- and border-pushing collection from a one-of-a-kind stylist and voice. With the visceral imagination that made his debut novel, Tears of the Trufflepig, a cult classic, Flores brings his vision of the border to life--and beyond.

In Pianos and Flowers we are invited to glimpse a world long departed. In these stories, inspired by long-lost photographs, the lives of the people in the frame are imagined and then explored, layer by layer. Three sisters brought up in Penang, caught in the tide of war. A group of small boys in a Glasgow slum - their childhood blighted by poverty, their adult lives taking very different paths. A young woman's search for love in the unlikely realm of Egyptian antiquities. And through all of these photographs, and all of these stories, there runs the same refrain: the possibilities of love, of friendship, of happiness lie before us.

Ten tragicomic tales of environmental and personal disaster from the margins of town and country. A troubled hipster is seduced by an electricity pylon. Sinister omens manifest in a supermarket car park. A motorway bridge becomes a father. Malevolent bacteria plague a polar icebreaker. A bioengineered abomination lurks in a Gloucestershire railway terminus The weekly bin collection pushes a man over the edge. A former squatter clings to her home on a crumbling cliff. Joyriders are foiled by Anglo Saxon floodwaters. Vampiric entities stalk B&Q. And fiery catastrophe comes to the zoo. Gareth E. Rees's first collection of short fiction explores lives on the verge of breakdown, where ordinary people are driven to extremes by the effects of late capitalism and ecological collapse.

In Laataandbiegstories en sulke dinge word die leser meegevoer deur onvergeetlike stories wat om die kampvuur lewe kry.

Soms is dit humoristies, soms deernisvol, soms skerp ironies, maar altyd boeiend. Daar word vertel van die nag van die donkie, van Tante wat sag word, van Pollie van die populiere en van die intrinsieke waarde van Victor, die lelike skaaphondkruising.

In Jan Nel se kortverhale herken die leser homself onomwonde; dis juis hoekom mens lag. Die mens, met al sy swakhede, bly tog maar mens, en om te lag is soveel makliker as om jouself te kasty.