"Why do stories come into one's head, or odd names or first lines? Perhaps deep in the brain there is a part that makes things up and they occasionally pop out if the stimulus is right. If nothing else is occupying the mind then the idea can be developed. Most of my poems are written at one sitting, with later tweaks. I use the form to be able to be more adventurous with words and to use the end of lines and the beginning of new ones to highlight a word or re-enforce an idea. Inspiration comes from events or sights or just thoughts. Often one works with a picture in one's head. An illustration therefore is sometimes a natural extension. I hope those included will add rather than detract from the reader's picture."

Nine spine-tingling stories from the creator of Sherlock Holmes Mournful cries in an ice-bound sea, a potion that allows the user to commune with ghosts, an Egyptian priest who cannot die, and a mesmerist of unrivaled power. Brace yourself for these and other chilling encounters in The Parasite and Other Tales of Terror. Even before he created Sherlock Holmes, Sir Arthur Conan Doyle terrified and delighted readers with tales of suspense, haunted by mysterious forces that defy rational explanation. These stories capture the unique draw of the uncanny and the curiosity that compels us all to ask, "Could it be true?" Presented by the Horror Writers Association, and introduced by award-winning author Daniel Stashower, this collection illuminates Sir Arthur Conan Doyle's talent for the macabre and the supernatural. The Parasite and the other stories in this collection showcase Conan Doyle at his most inventive, sure to entertain both new readers and his most dedicated fans.

In a thrilling interconnected narrative, You're in the Wrong Place presents characters reaching for transcendence from a place they cannot escape. Charles Baxter stated that "Joseph Harris has a particular feeling for the Detroit suburbs and the slightly stunted lives of the young people there....You're in the Wrong Place isn't uniformly downbeat-there are all sorts of rays of hope that gleam toward the end". The book, composed of twelve stories, begins in the fall of 2008 with the shuttering of Dynamic Fabricating-a fictional industrial shop located in the Detroit suburb of Ferndale. Over the next seven years, the shop's former employees - as well as their friends and families-struggle to find money, purpose, and levity in a landscape suddenly devoid of work, faith, and love. In "Would You Rather", a young couple brought together by Dynamic Fabricating shares a blissful weekend in Northern Michigan, unaware of the catastrophe that awaits them upon their return home. In "Acolytes", a devout Catholic clings to her faith as her brothers descend into cultish soccer violence. In "Memorial", an ex-Dynamic worker scrapes money together for a tribute to his best friend, lost to the war in Afghanistan. In "Was It Good for You?" a cam girl deconstructs materialism with her ageng great aunt, a luxury sales associate, and an anxious, faceless client. And in the title story, simmering tensions come to a boil on a hot summer day for a hardscrabble landscaping crew, hired by the local bank to maintain the lawns of foreclosures In turns elegiac and harrowing, You're in the Wrong Place blends lyric intensity with philosophical eroticism to create a singular, powerful vision of contemporary American life. Readers of contemporary fiction grounded in place need to take up this collection.

c. Johan Bakkes is die geliefde skrywer van aweregse reisjoernale.

Amper twintig jaar ná die verskyning van c. Johan Bakkes se tweede boek, Nou’s ons in ons donner in tref dit weer die rak – nie slegs as heruitgawe nie, die skrywer het bygereis en bygewerk.

Dit is ’n terugblik sowel as nuwe ervarings/ gewaarwordings soos net Bakkes dit kan verhaal.

Bennie moet ’n ring koop. En nie sommer ’n hierjy-ring vir sy Alexa nie. Hoe op aarde moet hy nou dít bekostig?

Terwyl hy wag om te hoor of die bank sal help, word ’n naakte vroueliggaam op Sir Lowryspas gevind. Uitgestal langs die pad; dit lyk soos die werk van ’n reeksmoordenaar. Ongeïdentifiseerd word sy na die staatslykshuis gebring – waar sy bekend word, weens die bleikmiddel waarmee sy geskrop is, as die Gebleikte Lyk.

Kort daarna word sy Bennie en Vaughn se probleem toe daar besef word sy’s ’n buitelander: Alicia Lewis, ’n kunskenner op die spoor van ’n Fabritius-skildery wat kwansuis in die Kaap is – en hý was ’n Rembrandt-leerling van wie bloedweinig werke bekend is. ’n Onbekende Fabritius sou ’n gróót storie in die kunswêreld wees.

Dan vind Lithpel Davids die naam Billy de Palma in Alicia se skootrekenaar, en Vaughn weet dadelik daar’s gróót fout. Want hy ken vir Billy, en Billy is bad, bad news . . .

So was Pemberley all peace, calm and pleasure after Elizabeth Bennet married the sternly handsome Fitzwilliam Darcy? The delightful short story from which this book takes its title tells us in faithful detail how Lizzy fared and how her faithful sister-in-law Georgiana rose Venus-like as a woman with her own will and talents - and made an excellent match into the bargain. In 'Trina', we visit Tsarist Russia and the Tolstoyan setting of St Petersburg, where a headstrong young girl falls for a man who can work on her mind - and her fondness for rubies. Against the backdrop of an era closer to our own, 'Friends and Relations' explores the impact of World War I and a friendly American giant on the tidy lives of a group of middle-class Britons. A keen eye for social differences, a wonderful sense of time and place, and occasional elegiac notes set these stories apart, guaranteeing the reader rich and continuing rewards.

Variety is truly the spice of life throughout, thanks to the inspired imagination of the author of this collection. Via his vision you can experience the hardship of poverty-stricken nineteenth-century England in "When God Looked Down to Help a Child", or futuristic space journeys in "Just One Chance", and the thrill of time travel in "Ahead of His Time". The reader should keep one thing in mind: in the great short story tradition of Vonnegut and Carver, the stories may start off as the ordinary run of the mill kind, but expect the unexpected and the far-from-ordinary.

The collection brings together the five stories on the 2020 shortlist. The authors shortlisted for the 2020 AKO Caine Prize are: Jowhor Ile (Nigeria) for Fisherman's Stew, Remy Ngamije (Rwanda/Namibia) for The Neighbourhood Watch and Irenosen Okojie (Nigeria) for Grace Jones. The 2020 judging panel comprises: Kenneth Olumuyiwa Tharp (Chair) has over 35 years' experience in the UK arts and cultural sector, including a 25-year career as a dancer, choreographer, teacher and director. Since May 2018 he has been Director of The Africa Centre. Audrey Brown is a South African broadcast journalist, who currently presents the BBC World Service flagship daily news and current affairs programme, Focus on Africa. Gabriel Gbadamosi is an Irish-Nigerian poet and playwright. His London novel Vauxhall (2013) won the Tibor Jones Pageturner Prize and Best International Novel at the Sharjah Book Fair. James Murua is a Kenya-based blogger, journalist, podcaster and editor who has written for a variety of media outlets in a career spanning print, web and TV. Ebisse Wakjira-Rouw is an Ethiopian-born non-fiction editor, podcaster, publisher and policy advisor at the Dutch Council for Culture in the Netherlands.

Now in its nineteenth year, the Caine Prize for African Writing is Africa's leading literary prize and is awarded to a short story by an African writer published in English, whether in Africa or elsewhere. This collection brings together the five 2018 shortlisted stories: American Dream by Nonyelum Ekwempu (Nigeria); The Armed Letter Writers by Olofunke Ogundimu (Nigeria); Fanta Blackcurrant by Makena Onjerika (Kenya); Involution by Stacy Hardy (South Africa); Wednesday's Story by Wole Talabi (Nigeria). It also includes 12 stories written at the Caine Prize Writers' Workshop, which took place in Rwanda in April 2018: No Ordinary Soiree by Paula Akugizibwe; Tie Kidi by Awuor Onyango; Calling the Clouds Home by Heran T. Abate; America by Caroline Numuhire; All Things Bright and Beautiful by Troy Onyango; Departure by Nsah Mala; Where Rivers Go to Die by Dilman Dila; Ngozi by Bongani Sibanda; The Weaving of Death by Lucky Grace Isingizwe; Redemption Song by Arinze Ifeakandu; Spaceman by Bongani Kona; Grief is the Gift that Breaks the Spirit Open by Eloghosa Osunde. The 2018 judging panel comprises: Dinaw Mengestu, journalist, author and graduate of Georgetown University and of Columbia University's M.F.A. programme in fiction; Alain Mabanckou, prolific Francophone Congolese poet and novelist and Man Booker International Prize finalist (2015); reporter, columnist and poet Ahmed Rajab; Henrietta Rose-Innes, a South African author who won the Caine Prize in 2008; and Lola Shoneyin, a Nigerian writer who has won the Ken Saro-Wiwa Prose Prize.