If Russell Banks (b. 1940) says he doesn't "think about his]
reader at all when he's] writing," he clearly enjoys talking with
his actual readers, whether they be students, writers or academics,
delighting in the diversity of his audience and in the "greater
democratization of commentary" provided by alternative media.
These conversations span a period of over thirty years, from
1976 with the publication of his first novel, "Family Life," and
his first collection of short stories, to 2008 with "The Reserve."
Most date from the late 1990s on, when the publication of
Pulitzer-finalist "Cloudsplitter" in conjunction with the
back-to-back release of film adaptations of his novels "The Sweet
Hereafter" and "Affliction" suddenly put Banks in the spotlight as
"Hollywood's Hottest New Property."
Banks has always believed that the writer plays "the role of the
storyteller," fulfilling very basic and universal human needs: "to
talk about the human condition, to tell us something about
ourselves." Yet, for him, writing is not a one-way process. It is
an exchange where the key is to tune in and listen--to the voices
of the characters engaging the writer's imagination and to the
voices of the readers sharing their own experiences of his books
and of the world.
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