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Language, Music, and Mind (Paperback)
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Language, Music, and Mind (Paperback)
Series: Language, Music, and Mind
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The first cognitivist theory of the nature of ineffable, or
verbally inexpressible, musical knowledge. Taking a novel approach
to a longstanding problem in the philosophy of art, Diana Raffman
provides the first cognitivist theory of the nature of ineffable,
or verbally inexpressible, musical knowledge. In the process she
also sheds light on central issues in the theory of mind. Raffman
invokes recent theory in linguistics and cognitive psychology to
provide an account of the content and etiology of musical knowledge
that "can not be put into words." Within the framework of Lerdahl
and Jackendoff's generative theory of music perception, she
isolates three kinds of ineffability attending our conscious
knowledge of music-access, feeling, and nuance ineffability-and
shows how these arise. Raffman makes a detailed comparison of
linguistic and musical understanding, culminating in an attack on
the traditional idea that human emotions constitute the meaning or
semantic content of music. She compares her account of musical
ineffability to several traditional approaches to the problem,
particularly those of Nelson Goodman and Stanley Cavell. In the
concluding chapter, Raffman explores a significant obstacle that
her theory poses to Daniel Dennett's propositional theory of
consciousness.
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