This edited collection explores the complex ways in which
photography is used and interpreted: as a record of evidence, as a
form of communication, as a means of social and political
provocation, as a mode of surveillance, as a narrative of the self,
and as an art form. What makes photographic images unsettling and
how do the re-uses and interpretations of photographic images
unsettle the self-evident reality of the visual field? Taking up
these themes, this book examines the role of photography as a
revelatory medium underscored by its complex association with
history, memory, experience and identity.
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