Benjamin Franklin wrote his posthumously published memoir--a
model of the genre--in several pieces and in different temporal and
physical places. Douglas Anderson's study of this work reveals the
famed inventor as a literary adept whose approach to
autobiographical narrative was as innovative and radical as the
inventions and political thought for which he is renowned.
Franklin never completed his autobiography, choosing instead to
immerse his reader in the formal and textual atmosphere of a
deliberately "unfinished" life. Taking this decision on Franklin's
part as a starting point, Anderson treats the memoir as a subtle
and rewarding reading lesson, independent of the famous life that
it dramatizes but closely linked to the work of predecessors and
successors like John Bunyan and Alexis de Tocqueville, whose books
help illuminate Franklin's complex imagination. Anderson shows that
Franklin's incomplete story exploits the disorderly and disruptive
state of a lived life, as opposed to striving for the meticulous
finish of standard memoirs, biographies, and histories.
In presenting Franklin's autobiography as an exemplary formal
experiment in an era that its author once called the Age of
Experiments, "The Unfinished Life of Benjamin Franklin" veers away
from the familiar practices of traditional biographers, viewing
history through the lens of literary imagination rather than the
other way around. Anderson's carefully considered work makes a
persuasive case for revisiting this celebrated book with a keener
appreciation for the subtlety and beauty of Franklin's
performance.
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