Tracking Color in Cinema and Art - Philosophy and Aesthetics (Paperback)

Color is one of cinema's most alluring formal systems, building on a range of artistic traditions that orchestrate visual cues to tell stories, stage ideas, and elicit feelings. But what if color is not-or not only-a formal system, but instead a linguistic effect, emerging from the slipstream of our talk and embodiment in a world? This book develops a compelling framework from which to understand the mobility of color in art and mind, where color impressions are seen through, and even governed by, patterns of ordinary language use, schemata, memories, and narrative. Edward Branigan draws on the work of Ludwig Wittgenstein and other philosophers who struggle valiantly with problems of color aesthetics, contemporary theories of film and narrative, and art-historical models of analysis. Examples of a variety of media, from American pop art to contemporary European cinema, illustrate a theory based on a spectator's present-time tracking of temporal patterns that are firmly entwined with language use and social intelligence.

General

Imprint:	Routledge
Country of origin:	United Kingdom
Release date:	September 2020
Authors:	Edward Branigan
Dimensions:	246 x 174 x 26mm (L x W x T)
Format:	Paperback
Pages:	344
ISBN-13:	978-0-367-88505-2
Categories:	Books > Arts & Architecture > The arts: general issues > Theory of art Books > Arts & Architecture > History of art / art & design styles > General Books > Reference & Interdisciplinary > Communication studies > Media studies Books > Humanities > Philosophy > Topics in philosophy > Aesthetics Books > Philosophy > Topics in philosophy > Aesthetics Promotions
LSN:	0-367-88505-0
Barcode:	9780367885052

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