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Johnson, Rasselas, and the Choice of Criticism (Paperback)
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Johnson, Rasselas, and the Choice of Criticism (Paperback)
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Although Rasselas has received more critical commentary than almost
any other work by Samuel Johnson, Edward Tomarken's book is the
first full length study to focus on his tale of the Prince of
Abyssinia. This anomaly arises, as Tomarken shows, because Rasselas
has remained resistant to the customary critical approaches of the
eighteenth, nineteenth, and twentieth centuries, consistently
eliciting new kinds of insights and raising new sorts of problems.
Tomarken' s contribution is a new methodology to explain this
phenomenon. He sees Johnson's early writings, London and Irene, as
instances of the writer trying with only partial success to achieve
what he first realized in The Vanity of Human Wishes, a means of
permitting literary form to refer to conduct. Later works, such as
The Journey to the Western Islands of Scotland, are viewed as
further developments of this method, which achieved its fullest
expression in Rasselas and the Life of Pope. Such a reading of
Johnson develops an aesthetic that operates on the margins between
the literary and the extra-literary. Although Johnson's own
critical view was unable to accommodate such a position, Tomarken
shows that in practice he moved toward it by a process of trial and
error manifest in his poetry and narratives. When raised to the
level of critical method, this approach goes beyond the assumptions
not only of Johnson's day but also of our own. Tomarken's
theoretical coda demonstrates how the choices of current critical
theory, like those in the marriage debate in Rasselas, can be
understood to interact with one another. Specifically, he proposes
a dialectical relationship for two approaches hermeneutics and
structuralism-usually seen as opposed to one another. This
innovative study will interest not only Johnson scholars but all
those concerned with critical theory.
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