Cutting-edge application of the insights of Disability Studies to
the German cultural field. Established, commissioned, and edited by
the Department of German at the University of Edinburgh, Edinburgh
German Yearbook encourages and disseminates lively and open
discussion of themes pertinent to German Studies. No other yearbook
covers the entire field while addressing a focused theme in each
issue. Volume 4 focuses on disability in German literature, film,
and theater. Disability Studies is part of the broader discussion
of difference and "otherness," of the politics of identity, human
rights, ethics, and discrimination. It retrieves disabled figures
from literature, film, and theater and discusses them vis-a-vis
"normalcy." Recently, Disability Studies has explored the binary of
"able" and "disabled," strategies of exclusion, and the
marginalization and suffering of the disabled body under social and
medical structures of control. It is now entering a phase of
positive reflection addressing the ontological politics of
disability. Accordingly, this volume examines cultural
representations of disability that raise questions about "the
humane gaze" and posits disability as historically central to
discussions of humanity, modernity, and social and moral behavior
in German-language literature, film, and theater. Points of focus
include blindness, physical deformity, injury, illness, and
euthanasia. Contributors: Martin Brady, Pauline Eyre, Corinna
Hager, Karin Harrasser, Urte Helduser, Eleoma Joshua, Susanne C.
Knittel, Anna Kornbrodt, Siegfried Saerberg, Rosa Schneider. Eleoma
Joshua is Lecturer in German Studies at the University of
Edinburgh,UK. Michael Schillmeier lectures in the Department of
Sociology at the Ludwig-Maximilians-University, Munich.
General
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