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Kunst und Profit - Museen und der franzoesische Kunstmarkt im Zweiten Weltkrieg (German, Hardcover) Loot Price: R1,336
Discovery Miles 13 360
Kunst und Profit - Museen und der franzoesische Kunstmarkt im Zweiten Weltkrieg (German, Hardcover): Elisabeth Furtwangler,...

Kunst und Profit - Museen und der franzoesische Kunstmarkt im Zweiten Weltkrieg (German, Hardcover)

Elisabeth Furtwangler, Mattes Lammert; Preface by Benedicte Savoy, Gilbert Lupfer

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Loot Price R1,336 Discovery Miles 13 360 | Repayment Terms: R125 pm x 12*

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Not only Adolf Hitler and Hermann Goering utilized the occupation of France during the Second World War to procure artworks for their collections - German museums also made acquisitions at the time. The advantageous foreign exchange rate and the large range of artworks, for instance, from seized Jewish property, afforded favorable opportunities. French museums like the Louvre also expanded their holdings during this time. Many purchases by German museums were restituted to France in the postwar period, while some have remained in the collections until today and are first now becoming a focus of research. The essays in the volume from German and French perspectives analyze the similarities and differences in the activities of museums on the French art market during the occupation for the first time. Adolf Hitler et Hermann Goering ne sont pas les seuls a avoir profite de l'Occupation de la France par l'Allemagne pendant la Seconde Guerre mondiale pour acquerir des oeuvres d'art pour leurs collections - les musees allemands y ont egalement fait des acquisitions. Le taux de change avantageux et l'offre importante d'oeuvres d'art provenant par exemple de proprietes juives spoliees ont offert des opportunites favorables. Les musees francais, comme le Louvre, ont egalement elargi leurs collections a cette epoque. De nombreuses acquisitions de musees allemands ont ete restituees a la France dans l'apres-guerre, mais certaines sont restees dans les collections jusqu'a ce jour et n'ont attire l'attention des chercheurs que recemment. Les contributions de ce volume analysent pour la premiere fois, des points de vue francais et allemand, les points communs et les differences entre les activites des musees sur le marche de l'art francais pendant l'Occupation.

General

Imprint: De Gruyter
Country of origin: Germany
Release date: November 2022
First published: 2022
Editors: Elisabeth Furtwangler • Mattes Lammert
Preface by: Benedicte Savoy • Gilbert Lupfer
Dimensions: 240 x 170mm (L x W)
Format: Hardcover
Pages: 300
ISBN-13: 978-3-11-073760-8
Languages: German
Categories: Books > Arts & Architecture > The arts: general issues > Forgery, falsification & theft of artworks
Books > Humanities > History > History of specific subjects > General
Books > Arts & Architecture > History of art / art & design styles > From 1900 > Art styles, First World War to 1960 > General
Books > Humanities > History > World history > From 1900 > General
Books > History > History of specific subjects > General
Books > History > World history > From 1900 > General
LSN: 3-11-073760-4
Barcode: 9783110737608

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