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Kunst und Profit - Museen und der franzoesische Kunstmarkt im Zweiten Weltkrieg (German, Hardcover)
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Kunst und Profit - Museen und der franzoesische Kunstmarkt im Zweiten Weltkrieg (German, Hardcover)
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Not only Adolf Hitler and Hermann Goering utilized the occupation
of France during the Second World War to procure artworks for their
collections - German museums also made acquisitions at the time.
The advantageous foreign exchange rate and the large range of
artworks, for instance, from seized Jewish property, afforded
favorable opportunities. French museums like the Louvre also
expanded their holdings during this time. Many purchases by German
museums were restituted to France in the postwar period, while some
have remained in the collections until today and are first now
becoming a focus of research. The essays in the volume from German
and French perspectives analyze the similarities and differences in
the activities of museums on the French art market during the
occupation for the first time. Adolf Hitler et Hermann Goering ne
sont pas les seuls a avoir profite de l'Occupation de la France par
l'Allemagne pendant la Seconde Guerre mondiale pour acquerir des
oeuvres d'art pour leurs collections - les musees allemands y ont
egalement fait des acquisitions. Le taux de change avantageux et
l'offre importante d'oeuvres d'art provenant par exemple de
proprietes juives spoliees ont offert des opportunites favorables.
Les musees francais, comme le Louvre, ont egalement elargi leurs
collections a cette epoque. De nombreuses acquisitions de musees
allemands ont ete restituees a la France dans l'apres-guerre, mais
certaines sont restees dans les collections jusqu'a ce jour et
n'ont attire l'attention des chercheurs que recemment. Les
contributions de ce volume analysent pour la premiere fois, des
points de vue francais et allemand, les points communs et les
differences entre les activites des musees sur le marche de l'art
francais pendant l'Occupation.
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