This classic anthology provides essential models for analyzing
sound stylistics through the detailed study of critical sound
films. Elisabeth Weis and John Belton carefully curate major essays
from the world's most respected film historians, aestheticians, and
theorists, including Douglas Gomery, Barry Salt, Rick Altman, Mary
Ann Doane, S. M. Eisenstein, V. I. Pudovkin, Ren? Clair, B?la
Bel?zs, Siegfried Kracauer, Christian Metz, David Bordwell, Kristin
Thompson, No?l Burch, and Arthur Knight. Their selections recount
the innovations and triumphs of Ernst Lubitsch, Fritz Lang, Orson
Welles, Alfred Hitchcock, Rouben Mamoulian, Dziga Vertov, Robert
Bresson, Jean-Luc Godard, Robert Altman, and Francis Ford Coppola,
among many others, and explicate the techniques and practices of
sound filmmaking from initial recordings to final theater playback.
Film Sound is the ideal companion for anyone seeking both a
comprehensive introduction to the form and a rich survey of its
historical and global evolution.
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