Images are everywhere. They are displayed in streets. They are leafed through in magazines. They jump out of our screens. And what we most remember about them is the emotion they rouse. The work of photo stylists is still not widely known. Yet this work is vital to conveying the right fashion message. This publication takes you into the anteroom of professions in fashion to discover the work behind the scenes of photo creation: preliminary style drafts, photo studios and casting. It is also a chance to dive into the basics of framing and photography. Theories, focus points, tutorials and interviews with professionals will help you better contemplate the job of photo stylist.

This guidance covers the practical application of photogrammetry in recording cultural heritage, with particular reference to structure from motion (SfM) techniques. Our audience for this document includes survey contractors, archaeological contractors, voluntary organisations and specialists. Photogrammetric image acquisition and processing, until recently requiring a considerable investment in hardware and software, are now possible at a fraction of their former cost. This has led to a huge increase in the use of photogrammetry in cultural heritage recording. The skills required to apply the techniques successfully and accurately are discussed, and background information on how various parts of the process work is provided so that better results can be achieved through better understanding. Photogrammetry is characterised by its versatility, and is applicable over a wide range of scales, from landscapes to small objects. The particular requirements needed at these different scales are outlined, and both imaging techniques and useful ancillary equipment are described. The different types of outputs are discussed, including their suitability for further interrogation using a range of established analytical techniques and the presentation options available. A range of case studies illustrates the application of photogrammetry across a variety of projects that broadly reflect the areas discussed in the text. This document is one of a number of Historic England technical advice documents on how to survey historic places.

This book is the perfect antidote to the stress of life in the 21st Century. It portrays the idyll of life in an 1850s village, "far from the sound of the train's whistle". The identity of the village was lost to the world for 150 years, and only by a miracle does this magical set of stereoscopic views survive, brought together for the very first time by Brian May and his co-author, photohistorian Elena Vidal. Their research is amazingly in-depth, but the book is utterly readable, and the pictures leap into glorious 3-D, viewed in the new focussing stereoscope which May has designed and produced, to bring the stereos to life, and then fold neatly into the slip-case of the book. The book gives an extraordinary insight into everyday village life at the time - with a woman at her spinning wheel, the blacksmith outside his smithy, three men at the grind stone sharpening a tool, the villagers in the fields, bringing in the harvest as well as often taking time to enjoy a good gossip. In every case the original verse which accompanied the view is reproduced. In addition, May and Vidal have researched and annotated all the views, revealing another layer of meaning, by exploring the history of these real characters, this idyllic village and its links with the present day. The result is a powerfully atmospheric and touching set of photographs." A Village Lost and Found brings master pioneering stereographer T. R. Williams's passionate life-work Scenes in Our Village to a new audience - in glorious 3-D, as never before. For an Electronic Press Kit for A Village Lost and Found click here

This comprehensive bibliography is the first to catalog, describe, and index the vast body of TV, video, and film materials dealing with John F. Kennedy's assassination. This guide to the first newsreels, and later films and documentaries, TV programs, videos, and little-known materials is organized for the most part chronologically and by genre of work. This research guide points also to North American and United Kingdom film libraries and archives and provides a short list of key sources of printed materials. The appendix and indexes to titles; TV stations and production companies; interviewers and witnesses; and presenters, reporters, and narrators make the bibliography easily accessible for those studying JFK, modern history, political science, and sociology.

In his expansive history of documentary work in the South during the twentieth-century, Scott L. Matthews examines the motivations and methodologies of several pivotal documentarians, including sociologist Howard Odum, photographers Jack Delano and Danny Lyon, and music ethnographer John Cohen. Their work salvaged and celebrated folk cultures threatened by modernization or strived to reveal and reform problems linked to region's racial caste system and exploitative agricultural economy. Images of alluring primitivism and troubling pathology often blurred together, neutralizing the aims of documentary work carried out in the name of reform during the Progressive era, New Deal, and Civil Rights Movement. Black and white southerners in turn often resisted documentarians' attempts to turn their private lives into public symbols. The accumulation of these influential and, occasionally, controversial, documentary images created an enduring, complex, and sometimes self-defeating mythology about the South that persists into the twenty-first century.

Successful audio-visual presentations are the result of careful management by--as well as creative collaboration between--the client and the professional communications firm. Because of their high visibility within the corporation, presentations risk falling prey to script by committee unless there is a clear plan at hand for managing the project. Executives who find themselves responsible for a presentation need to be fully aware of what audio-visual can and cannot do--and how to go about getting it done right. In this how-to guide for corporate executives, author Richard Worth covers every step of the process in sequence, from determining objectives to preparing for production and post-production. While the emphasis is on working with an audio-visual professional, Worth also includes do-it-yourself tips for readers who want to keep the project in-house.

Selecting slides, video, film or multimedia is one of the first choices to make. This decision, like others that follow, should be based on a determination of purpose, audience and message. Worth provides easy-to-follow worksheets to help get the planning process going. Readers looking for budget guidelines will learn how much money they will need to invest to get the presentations they want. And, to help readers select the communications professional they will be working with, Worth offers down-to-earth advice based on his years of practical experience. In non-technical language, he critiques and analyzes samples of script proposals and treatments, providing valuable insight into the creative process. Any executive or manager responsible for sales, training, public relations, fund-raising, employee relations, or recruitment will find this a valuable resource for planning and implementing effective presentations.

In the middle years of the Great Depression, Erskine Caldwell and photographer Margaret Bourke-White spent eighteen months traveling across the back roads of the Deep South-from South Carolina to Arkansas-to document the living conditions of the sharecropper. Their collaboration resulted in You Have Seen Their Faces, a graphic portrayal of America's desperately poor rural underclass. First published in 1937, it is a classic comparable to Jacob Riis's How the Other Half Lives and James Agee and Walker Evans's Let Us Now Praise Famous Men, which it preceded by more than three years. Caldwell lets the poor speak for themselves. Supported by his commentary, they tell how the tenant system exploited whites and blacks alike and fostered animosity between them. Bourke-White, who sometimes waited hours for the right moment, captures her subjects in the shacks where they lived, the depleted fields where they plowed, and the churches where they worshipped.

Tutorial in nature, this book is based on a series of papers presented at a workshop in Japan. It constitutes the first single-volume guide to the basic methods of analyzing microstrip patch antennas, and the characteristics of rectangular, circular and arbitrarily shaped patch antennas. Supported by 273 equations, tables and illustrations this book should prove a useful tool for anyone doing applied research in antennas.

This text provides a guide to using all non-book media in education. The feature articles and listings are intended to be of use to librarians, teachers and producers of film and video programmes in higher, further, continuing and secondary and tertiary education. Contents include: listings; audio-visual centres in the UK and Ireland; film and video organizations; education officers; computers in teaching initiative (CTI) centres; and distributors - a guide to film and video and multimedia sources worldwide.

This is the first book to bring together the work of a modern motion picture film laboratory together with the specialist techniques for preservation and restoration of archival film.
The books data has its origins in a training programme called FILM which was written by members of the Gamma Group with funding from the EU fund Force. The committee comprised senior film archivists and technicians in charge of film conservation departments or working film laboratories within national film archives, together with technicians from commercial laboratories which specialise in archival film conservation and who do not work for national and local archives. The final group consisted of many of the most experienced individuals in their fields.
Restoration of Motion Picture Film is an extremely informative, well-researched book which is an unmissable addition to the bookshelves of conservators, archivists and curators worldwide. Film history and film conservation students will also find it of great interest and use.
* Only book in English on this subject
* Prepared by leading specialists in their field
* Includes coverage of digital technology

During his 40-year career, the author became one of the industrys most respected television editors, receiving seven Emmy nominations and winning four of the coveted awards. But it was as a master of the jump cut--an editing style in which a sudden cut from one shot to another is made without a fadeout--that he is most remembered, and the term became his nickname. Mr. Schneider worked on many of Bob Hopes shows over the years, but it was for Laugh-In that he fully developed his editing style. This is a behind-the-scenes look at the development of television, from the days when some editing was done with a razor blade and tape to the electronic editing of today. Along the way, Mr. Schneider remembers the stars he worked with, from Gene Kelly to Redd Foxx.

No other book available covers the topic of videocassette acquisitions so completely. This professional reference gives special attention to problems unique to cataloging videocassettes within the electronic, on-line cataloging environment. The text provides ample theoretical discussion, along with practical examples of a variety of solutions. Video acquisitions is one the most difficult tasks confronting any library today. Knowing and deciding what to buy and from whom, keeping track of orders, verifying titles, returning damaged and incorrectly shipped products, dealing with company representatives, obtaining discounts, and purchasing public performance rights are only some of the formidable decisions video librarians must make. This professional reference is a detailed guide to video acquisitions and cataloging. Throughout the work, emphasis is placed on the problems and concerns of acquisitions and cataloging within the electronic, on-line environment of today's library. The text provides ample theoretical discussion, along with practical examples and illustrations of solutions to the problems faced by video librarians.

Spectacular advances during the last decade have altered the related disciplines of computing and telecommunications beyond all recognition. The developments in the"enabling technologies,"which have made these advances possible, have been less obvious to the casual observer. The subject of this book is one of these technologies--the coding of still images and picture sequences (video).
Digital Compression of Still Images and Video is general in approach and covers all the recognized coding algorithms; explaining their basic theory in enough detail that the reader will understand the principles involved. Results which have been achieved with coding algorithms by researchers in all parts of the world are also discussed. A brief historical review of the area is included to orient those new to the field, and the work is supported by references spanning the period from the earliest work on time/frequency analysis, to the latest topic of research interest--image sequence transmission using asynchronous transfer mode (ATM) techniques.
This book will make an excellent reference for graduates and researchers working on image coding and transmission, and will also be of use to those in the related areas of computer vision and multimedia developments. It is essential reading for the rapidly increasing number of technical and professional staff in the industrial environment who, maybe for the first time, are coming to grips with image coding.
Key Features
* Provides complete and up-to-date coverage of all digital image and video coding (compression) techniques
* Includes more than 850 references covering relevant work from the 1940s to the present
* Presents information on new directions in coding
* Contains details on current coding standards
* Describes and explains all algorithms in use for image coding

Sound-On-Film contains interviews with 27 prominent men and women who discuss their careers and the art and craft of film sound. These sound creators represent many of the crafts working in film sound, including production sound, sound editing, sound design, automatic dialogue replacement (ADR), Foley, re-recording mixing, and sound engineering. The interviews are presented in an order that attempts to give the reader a historical perspective on the development of film sound from the studio era to contemporary productions.

The interviews explore how sound creates an aural look to the film in the same way that production design and cinematography creates a visual look to a film. The discussions focus on the relationship with renowned Hollywood film directors and how sound was conceived and executed for specific films. Among the highly acclaimed and seminal films discussed are "Star WarS," "Nashville," "The Conversation," "Apocalypse NoW," "Raging Bull," and "Terminator 2." In addition to the interviews, the book contains biographical background and a selected filmography of each sound creator as well as a glossary of terms and a bibliography for further study. It is essential reading for film students, academic scholars and film educators as well as industry professionals and moviegoers who want to understand the aesthetic and technical role of those who work in film sound.

Basic Lighting Worktext for Film and Video guides the film and video student through a series of readings, exercises and projects designed to provide the fundamentals of light science. In addition to up-to-date descriptions of equipment and tips on how to use it properly, the book provides numerous set-ups that illustrate the techniques and thoughts behind proper studio and location lighting. From this book, you will learn: * The fundamentals of light and electricity in film * The fine distinction of lighting for video versus lighting for film * How to identify and filter sources such as daylight, tungsten, fluorescent, arc, HNI and industrial discharge lamps * The use of lensed and open-faced lighting fixtures * How to modify with barndoors, scrims, snoots, nets, cookies, and other accessories * Variations on the basic three-point lighting setup * The duties of each member of a lighting unit * How to light night exteriors, day interiors, and campfires * High-key, low-key, and modulated value lighting * How to scout locations, plan lighting, plots, and pre-rig sets

An accessible guide to getting the best out of your phone camera, aimed at everyone who wants to take Instagrammable photographs Everyone has a camera on their phone. Author Mike Kus, a photographer with a strong Instagram following, demonstrates the simple tricks and techniques that take your photography to another level. His methods can be mastered by anyone, and the content avoids reference to specific phone camera technology, instead relying on the clear principles to make you a better photographer, regardless of the camera you own. The book is written, designed and illustrated by the author.

This unique volume offers readers a rare glimpse into the changing landscapes, townscapes, and lifestyles of Malay, from the 19th century right up to 1963 when it formally became known as Malaysia.Divided into sections according to the region they represent - the Federated Malay States of Pahang, Perak, Selangor and Negri Sembilan; the Unfederated Malay States, Johore, Terengganu, Kelantan, Kedah, and Perlis; and the Straits Settlements, Penang and Malacca - these stunning reproductions offer a vivid pictorial history of Malaya.Also included in this volume is a detailed map of 19th century Malaya, a catalogue section with detailed postcard information, and a number of reproductions of extremely rare and collectible postcards.

With a focus on the settler societies of the United States and Australia, Photography and Landscape is a new critical account of landscape photography created through a unique collaboration between a photography writer and a landscape photographer. Beginning with the frontier days of the American West, the subsequent century-long popularity of landscape photography is exemplified by images from Carleton Watkins to Ansel Adams, the New Topographics to Richard Misrach, all of whose works are considered here. Along with discussions of other contemporary photographers, this extensively illustrated volume demonstrates the influence of settler societies on landscape photography, in which skilled photographers captured the fascination with and the appeal of the land and its expanse. The latest installment in Intellect's Critical Photography series, Photography and Landscape is a visually striking introduction to one of the most important modes of photography.

"If you buy just one guide...you won't do better than this" - BBC Sky at Night Magazine "I will continue to enjoy 'Philip's Stargazing' as the months go by" - Helen Sharman, Astronaut "Very useful indeed" - Chris Lintott, Sky at Night presenter Discover the latest in stargazing with the new and definitive guide to the night sky. Whether you're a seasoned astronomer or just starting out, Philip's Stargazing 2022 is the only book you'll need. Compiled by experts and specially designed for use in Britain and Ireland, Stargazing 2022 acts as a handily illustrated and comprehensive companion. - 12 Brand-New Maps for year-round astronomical discovery - Month-to-Month information. Daily Moon Phase Calendar, highlighting special lunar events throughout the year - Planet Watch for ideal viewing days in 2022 - Avoid light pollution with our detailed Dark Sky Map - Expert advice and insight throughout from internationally renowned Professor Nigel Henbest - A 'Behind the Scenes' look at astrophotography from expert Robin Scagell - Complete calendar of major astronomical events, including the Top 20 Sky Sights of 2022 - Jargon Buster, explaining common or confusing terms - The planets' movements explained from solar and lunar eclipses to meteor showers and comets