If any scientific object has over the course of human history aroused the fascination of both scientists and artists worldwide, it is beyond doubt the moon. The moon is also by far the most interesting celestial body when it comes to reflecting on the dualistic nature of photography as applied to the study of the universe. Against this background, Selene's Two Faces sets out to look at the scientific purpose, aesthetic expression, and influence of early lunar drawings, maps and photographs, including spacecraft imaging. In its approach, Selene's Two Faces is intermedial, intercultural and interdisciplinary. It brings together not only various media (photography, maps, engravings, lithographs, globes, texts), and cultures (from Europe, America and Asia), but also theoretical perspectives. See inside the book.

After World War II, U.S. documentarians engaged in a rigorous rethinking of established documentary practices and histories. Responding to the tumultuous transformations of the postwar era-the atomic age, the civil rights movement, the Vietnam War, the emergence of the environmental movement, immigration and refugee crises, student activism, the globalization of labor, and the financial collapse of 2008-documentary makers increasingly reconceived reality as the site of social conflict and saw their work as instrumental to struggles for justice. Examining a wide range of forms and media, including sound recording, narrative journalism, drawing, photography, film, and video, this book is a daring interdisciplinary study of documentary culture and practice from 1945 to the present. Essays by leading scholars across disciplines collectively explore the activist impulse of documentarians who not only record reality but also challenge their audiences to take part in reality's remaking. In addition to the editors, the volume's contributors include Michael Mark Cohen, Grace Elizabeth Hale, Matthew Frye Jacobson, Jonathan Kahana, Leigh Raiford, Rebecca M. Schreiber, Noah Tsika, Laura Wexler, and Daniel Worden.

Jim Shaughnessy: Essential Witness is a comprehensive overview of Shaughnessy's sixty year as a railroad photographer. Starting in the late 1940s, he began documenting in earnest the rapidly changing railroad scene in the Northeastern United States. His interests and travels also took him to other areas of the country to document the Rio Grande narrow gauge in Colorado and the UP Big Boys in Wyoming, and various locations in Canada. His timing was perfect: he was there to record the dramatic transition between the steam and diesel eras as well as documenting and recording for posterity the workers behind the machines that operated in the depots, roundhouses and back shops of the American railroad environment. Lucius Beebe once described Shaughnessy as `a master in the massive effects of black and white.' The book includes some 150 duotone photographs taken between 1948 and 1970, with the emphasis on the 1950s and 1960s. Images include landscapes, cities and towns; action shots of formidable trains barreling down the tracks; snaps of weary railroad workers; nighttime photos of shadowy enclaves within the railyard; and many more.

In Imprisoned in a Luminous Glare , Leigh Raiford argues that over the past one hundred years activists in the black freedom struggle have used photographic imagery both to gain political recognition and to develop a different visual vocabulary about black lives. Raiford analyzes why activists chose photography over other media, explores the doubts some individuals had about the strategies, and shows how photography became an increasingly effective, if complex, tool in representing black political interests. Offering readings of the use of photography in the antilynching movement, the civil rights movement, and the black power movement, Raiford focuses on key transformations in technology, society, and politics to understand the evolution of photography's deployment in capturing white oppression, black resistance, and African American life. By putting photography at the center of the long African American freedom struggle, Raiford also explores how the recirculation of these indelible images in political campaigns and art exhibits both adds to and complicates our memory of the events. |Over the past one hundred years, Raiford argues, activists in the black freedom struggle have used photographic imagery both to gain political recognition and to develop a different visual vocabulary about black lives. Offering readings of the use of photography in the antilynching movement, the civil rights movement, and the black power movement, Raiford focuses on key transformations in technology, society, and politics to understand the evolution of photography's deployment in capturing white oppression, black resistance, and African American life.

Photography and the outdoors could have been made for each other. This book is about making the most of that connection. Outdoor enthusiasts who want their photographs to do full justice to the quality of their outdoor experiences need look no further. Building on the foundations of the original Cicerone guide to outdoor photography, this second edition has been rewritten from the ground up, and expanded to cover a wide range of outdoor activities on land, in and on the water, in the air and in extreme environments. Professional outdoor photographers Jon Sparks and Chiz Dakin introduce and explain essential technical concepts in the clearest possible language. The emphasis is on practical, realistic advice for people who want to take better photographs of what they like doing best, while still enjoying it to the max.

Project Report from the year 2010 in the subject Art - Photography and Film, grade: -, -, language: English, abstract: 100 Great Tips for the Amateur DSLR Photographer The Cape Town Best Seller e-Book Series International Edition 100 Great Tips for the Amateur DSLR Amateur Photographer addresses the basic 'must know' and 'need to know' tips to get you going with your DSLR (digital single-lens reflex) camera. It is written in a language that is easy to understand and cuts to the chase. No complicated technical jargon, or sequential training methodology. My method is one of emersion - YOU are thrown in at the deep end YOU, the learner and aspirant photographer, yes YOU, decide the pace, the topic or tip, the duration of practice, etc. And it is all demonstrated in clear photographs that illustrates the underlying tip. Just page to the topic of interest and 'Voila ', it is explained in one or five (?) printable and descriptive photographs Take this with you and go and practice it. There are 100 easy to understand tips - all beautifully illustrated by yours truly in about 190 or so photographs covering all the issues you need to get you going and truly enjoy this fine art form. Topics include studio work, panning, spot metering, nudity, z-cards, low light photography and host of other topics. You'll love it Michael Paulse (AUTHOR)

Children are one of the most intriguing yet difficult subjects to photograph. Whether you are a proud parent who wants to capture the fleeting moments of childhood or a professional photographer working with paying clients, Photographing Childhood: The Image and the Memory will give you the know-how and the inspiration that you are looking for to create the perfect image. Rich with emotion and creativity, this guide delivers tips from a master photographer who has contributed to Child Magazine, Pottery Barn, Martha Stewart Omnimedia, and many others. Learn how to take photos that are technically and compositionally sound; pictures that are so gorgeous they'll fill up your walls, refrigerator, and your family's (or clients') email in-boxes for years to come. This book goes way beyond photography basics. There are countless important events and stages to document in a child's life; learn the secrets to making sure you don't miss a single photo opportunity. Be inspired by amazing shots from several historical and contemporary photographers. Working with children can be particularly tricky, and this book shows you what pitfalls to avoid to prevent tantrums (your own or your subjects!). Before you know it you'll have a collection of great shots that you'll want to share for personal or professional purposes. You will not find a more engaging, expressive, or nostalgic guide to taking photos of what you love most: children. Featured Historical Photographers: Southworth and Hawes Julia Margaret Cameron Gertrude Kasebier Lewis Hine Edward Steichen Jacques Henri Lartigue Heneri Cartier-Bresson Featured Contemporary Photographers: Sebastiao Salgado, Brazil Emmet Gowin, USA Joyce Tenneson, USA Melissa Anne Pinney, USA Robin Schwartz, USA Takashi Homma, Japan Rania Matar, Lebanon Achim Lippoth, Germany Anders Hald, Denmark Cuny Janssen, The Netherlands

Photographers who want to improve their picture taking need a book that cuts right to the chase--one that provides the information instantly, without forcing them to wade through loads of extraneous detail. That's just what acclaimed photographer and teacher George Schaub does in this superb introduction to scenic photography: heoutlines only the crucial concepts and principles--from spot metering and fill flash to backlighting and sharpening--and applies them to real-world shooting scenarios out in the field. "This guide will help photographers: " - Use camera tools such as the highlight warning to check images in the field and make sure skies and waterfalls are not overexposed - Reduce noise in deep-forest shadows and in sunset and sunrise photos - Make flowers stand out with photos that exhibit painterly bokeh - Use white balance to creatively accentuate autumn colors - Control shutter to convey movement in streams and rivers

Brian & Janet Stoppee have incorporated their decades of daily, hands-on expertise at image-making plus their leading seminars and one-on-one training into the most comprehensive guide to photographic lighting available! It's impossible to be successful in photography without a mastery of light. It's the basis of all things photographic. The Stoppees welcome the reader into their professional world with a conversational tone that makes you feel as if you are a member of their team in pre-production planning, out on a shoot, or back at their studio, in post-production. They've packed the book with full color, vibrant images and lighting diagrams that make the technology easy to quickly understand. This compendium of professional know-how shows you how to both manipulate nature's light and create natural-looking illumination with artificial light sources. Whether you're a professional photographer, you use photography in your profession, or you just want your images to look more professional, this book is your resource to creating far superior digital images. You'll gain a greater understanding of: .Light's Properties .Digital Exposure .Optics .Metering .Color .Pre-Production .Adobe Camera Raw . Scanning .Light Modifying Tools .Support Systems .Daylight Fluorescent .HMI .Wireless Battery Flash .Digital Studio Flash .Digital Tablets .Painter .Professional Printing ...and much more, just like the world's top image-makers. The Stoppees' darkroom is all digital, so without this guide to photography and light, you'll be left in the dark ages!

This book is about the least known, yet very fascinating part of the photographic industry, namely Photofinishing. It converts images, be they digital or film, from the camera to print, greeting cards or other media. Ever since George Eastman introduced inexpensive films and cameras at the end of the nineteenth century, photography has been one of the most popular pastimes. Prior to that time, photography was very complicated not to mention expensive and very few people practiced it. Eastman realised that to popularise photography, a developing and printing service was required and he launched this with the slogan You press the button we do the rest . That was the beginning of the photofinishing industry, which is what the book is about. The book s first two chapters are a short history of photography from Daguerre and Fox Talbot in 1839 to the present day. Then there are 3 chapters about the technology of photofinishing, including minilabs and the digital age. These are followed by accounts of photofinishing in the US, the UK, France, Germany, Italy and Japan plus a short note concerning other countries. These chapters include many anecdotes, often by larger than life characters, which many people will find entertaining. Finally there is a chapter about photo labs and the environment. The book is written in an easy to read style combining interesting historical stories with descriptions of technology which are not widely known. It is aimed to appeal to a wide spectrum of readers, including happy snappers, serious photographers, people who have worked in the photofinishing industry and students. Not everyone will want to read every page of the book, but there is plenty to appeal to most people who have any interest in photography. For this reason alone it should make an attractive present. The authors, Peter Rockwell and Peter Knaack have spent much of their working lives in this very international industry and have inside knowledge of how it operates in many countries.

Spectacular views of Oregon's rocky coastline and the scenic driving routes that pass through it make it a favorite destination for amateur and professional photographers alike. This book tells you exactly where to go and how to go about shooting these "picture-perfect" places, so that you don't need to actually be a professional to take great photos.

Lively descriptions of each place are accompanied by directions and detailed maps for how to get there, plus information on seasonal timing, places to eat and stay, and other photo opportunities to explore along Oregon's coast. Also included is an appendices featuring the authors' favorite places to photograph and tips on digital photography. Packed with helpful tips for amateur and professionals alike, this book should be in the camera bag of every photographer who seeks to capture Oregon's stunning coastal beauty.

Entertain yourself, your family, and your friends while you create beautiful, funny, and interesting compositions with your digital and printed photography. This thorough guide is loaded with answers, suggestions, examples, and techniques to help you with scanning, image editing, printing, and more.

"Mainframe Experimentalism" challenges the conventional wisdom that the digital arts arose out of Silicon Valley's technological revolutions in the 1970s. In fact, in the 1960s, a diverse array of artists, musicians, poets, writers, and filmmakers around the world were engaging with mainframe and mini-computers to create innovative new artworks that contradict the stereotypes of "computer art." Juxtaposing the original works alongside scholarly contributions by well-established and emerging scholars from several disciplines, "Mainframe Experimentalism" demonstrates that the radical and experimental aesthetics and political and cultural engagements of early digital art stand as precursors for the mobility among technological platforms, artistic forms, and social sites that has become commonplace today.

Through a series of engaging and interlinked case studies on the news magazine, Hollywood film, brand advertising, and movie colorization, this volume examines the resurgence of the black and white image in the 1990s. At a time when American culture was undergoing both diversification and demystification, the black and white image became the expression of nostalgia as a cultural style and was strategically used in the media to visualize a sense of American memory, heritage, and identity. Challenging the current definition of nostalgia as a mood connected to longing and loss, the author presents it as a cultural mode that commodifies and aestheticizes memory. By examining the politics of stylized nostalgia, this volume provides new insight into the construction, representation, and preservation of American national memory at the turn of the 20th century.

THESE ARE THE WORDS THAT CAME TO ME. NO MATTER HOW THEY GOT HERE, THEY DID THE F***ING JOB. Iggy Pop hasn't left a mark on music; he's left it battered and bruised, too. Inducted into the Rock and Roll Hall of Fame in 2010, here for the first time are his selected lyrics, complete with stunning original photographs, illustrations, alongside Iggy and others' reflections on a genre-defining music career that spans five decades. Coinciding with a new album, FREE, this is the ultimate book for every rock and roll fan.

What do porn films tell us about our own erotic impulses? What can we learn about our culture's sexual attitudes, fears, and fantasies from the ways that porn films are designed and produced? In this book, Dr. Robert J. Stoller, one of the world's leading experts on human sexual behavior, joins with I. S. Levine, a professional writer with long experience in X-rated video making, to examine the ideas and psychological makeup of the participants in an adult heterosexual X-rated video, Stairway to Paradise. Their interviews with performers, writers, directors, producers, and technicians provide extraordinary insights into the technical aspects of this type of video, the motivations and backgrounds of the people involved, and the porn industry's view of the video's intended audience. Stoller, Levine, and the porn filmmakers have wide ranging discussions about the aesthetics, ethics, and etiquette of the porn industry; the hostility that Dr. Stoller claimed underlies all erotic excitement; the liberating - and educational - function of porn in a puritanical culture; the misconceptions of antiporn crusaders; the impact of AIDS on the participants; and the future of the porn film industry. The authors hope that if we understand how and why a pornographic work is created, we will be better able to understand the implications of the legal and moral issues it raises.

Making Documentary Films and Reality Videos is the perfect text for students of filmmaking who would like to make a documentary. Barry Hampe, who has made more than 150 documentary films and videos, traces the two main approaches to documentary—recording behavior and re-creating past events—and shows students how to do both effectively. Covering all the steps, from conceptualization to completion, the book includes chapters on visual evidence; documentary ethics; why reality is not enough; budgeting; and casting, crew, and equipment selection.

Sound-On-Film contains interviews with 27 prominent men and women who discuss their careers and the art and craft of film sound. These sound creators represent many of the crafts working in film sound, including production sound, sound editing, sound design, automatic dialogue replacement (ADR), Foley, re-recording mixing, and sound engineering. The interviews are presented in an order that attempts to give the reader a historical perspective on the development of film sound from the studio era to contemporary productions.

The interviews explore how sound creates an aural look to the film in the same way that production design and cinematography creates a visual look to a film. The discussions focus on the relationship with renowned Hollywood film directors and how sound was conceived and executed for specific films. Among the highly acclaimed and seminal films discussed are "Star WarS," "Nashville," "The Conversation," "Apocalypse NoW," "Raging Bull," and "Terminator 2." In addition to the interviews, the book contains biographical background and a selected filmography of each sound creator as well as a glossary of terms and a bibliography for further study. It is essential reading for film students, academic scholars and film educators as well as industry professionals and moviegoers who want to understand the aesthetic and technical role of those who work in film sound.

Independent director and screenwriter John Andrew Gallagher, interviews 21 filmmakers on the craft of motion picture directing. Francois Truffaut, the late great French director, as well as Michael Cimino, Ulu Grosbard, Dennis Hopper, Alan Parker, Susan Seidelman, Joan Micklin Silver and many others reveal behind-the-scenes anecdotes about well known films and stars.

The big gamblers who spend millions per film as well as the colorful low-budget kings provide an intriguing look at the mechanics of filmmaking. Choosing and preparing the screenplay, working with actors and crew, dealing with the distributor, and advice to young filmmakers--all are covered in this book's illuminating interviews. Serious students of cinema, filmmakers, movie buffs, and people fascinated by film will find Film Directors on in this book's illuminating interviews.

In the months leading up to the 2020 presidential election, Portland made national news with nightly social justice protests, often met with violent response by counter protestors and law enforcement. Though frequently regarded as a progressive hub, Portland has a long history of racial inequality and oppression, and the city’s entrenched divisions gained new attention during the Trump years. The photos in Protest City present a visceral visual record of this significant moment in Portland’s history. The majority of the 121 photos included in the book were taken between May and October 2020, but the end of the collection is supplemented with photos from protests in late 2020 and early 2021 around various related issues, including the Red House on Mississippi and demonstrations on January 6 and 21. Dundon’s striking photos recreate the immediacy and impact of the protests. The text includes a chronology and statement from the author; a foreword by Donnell Alexander; and a historical introduction by Carmen Thompson. The publisher and author would like to thank Magnum Foundation, Documentary Arts, and the Economic Hardship Reporting Project for their generous support of this publication. Additional funding has been provided by Furthermore: a program of the J. M. Kaplan Fund.

In this volume, Tanya Sheehan takes humor seriously in order to trace how photographic comedy was used in America and transnationally to express evolving ideas about race, black emancipation, and civil rights in the mid-1800s and into the twentieth century. Sheehan employs a trove of understudied materials to write a new history of photography, one that encompasses the rise of the commercial portrait studio in the 1840s, the popularization of amateur photography around 1900, and the mass circulation of postcards and other photographic ephemera in the twentieth century. She examines the racial politics that shaped some of the most essential elements of the medium, from the negative-positive process to the convention of the photographic smile. The book also places historical discourses in relation to contemporary art that critiques racism through humor, including the work of Genevieve Grieves, Adrian Piper, Lorna Simpson, Kara Walker, and Fred Wilson. By treating racial humor about and within the photographic medium as complex social commentary, rather than a collectible curiosity, Study in Black and White enriches our understanding of photography in popular culture. Transhistorical and interdisciplinary, this book will be of vital interest to scholars of art history and visual studies, critical race studies, U.S. history, and African American studies.

Photographer O. N. Pruitt (1891-1967) was for some forty years the de facto documentarian of Lowndes County, Mississippi, and its county seat, Columbus--known to locals as "Possum Town." His body of work recalls many FSA photographers, but Pruitt was not an outsider with an agenda; he was a community member with intimate knowledge of the town and its residents. He photographed his fellow White citizens and Black ones as well, in circumstances ranging from the mundane to the horrific: family picnics, parades, river baptisms, carnivals, fires, funerals, two of Mississippi's last public and legal executions by hanging, and most grimly, a lynching. From formal portraits to candid images of events in the moment, Pruitt's documentary of a specific yet representative southern town offers viewers today an invitation to meditate on the vexing interrelations of photography, community, race, and historical memory. Columbus native Berkley Hudson was photographed by Pruitt, and for more than three decades he has considered and curated Pruitt's expansive archive, both as a scholar of media and visual journalism and as a community member. This stunning book presents Pruitt's photography as never before, combining more than 150 images with a biographical introduction and Hudson's short essays and reflective captions on subjects such as religion and racial violence, small-town work-life and entertainment, and the idea of visual legacy as linked to historical memory.