In this unprecedented work on the status and role of intellectuals in Soviet political life, a former Soviet sociologist maps out the delicate, often paradoxical, ties between the political regime and the creative thinkers who play a major part in the movement toward modernization. Beginning with Stalin, Vladimir Shlapentokh explores the mutual need and antagonism that have existed between political leaders and intellectuals. What emerges is a fascinating portrayal of the Soviet intellectual network since the 1950s, which touches on such topics as the role of literature and film in political opposition, levels of opposition (open, legal, and private), and the spread of paranoia as fueled by the KGB. Throughout he shows how the intellectual communityusually a cohesive, liberal grouphas fared under Khrushchev's cautious tolerance, Brezhnev's repressions, and now Gorbachev's Glasnost.

Shlapentokh maintains, however, that under Glasnost freer speech has revealed a more pronounced divergence between liberal and conservative thinkers, and has allowed for open conservative opposition to the reformatory measures of Gorbachev and the liberals. He argues that one of the strongest checks on reform is the growing presence of Russophilism--a movement supporting Russian nationalism and Stalin's concept of socialism--among the political elite and the masses. Although the role of the liberal intellectuals in the late 1980s was less prominent than it was in the 1960s, Shlapentokh asserts that they remain the major agent of modernization in the Soviet Union, as well as in other socialist countries.

Originally published in 1990.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The combination of color schlieren with high speed flash techniques has proved to be a valuable tool for investigating high speed transient events. Fully two dimensional refractive index information can be ob tained. The resolution on 35 mm film was sharp enough to allow 50 cm by 75 cm color enlargements. REFERENCES 1. Barnes, N.F., Jour. of the SMPTE, Oct. 1953, Vol. 61,487-511. 2. Cords, P.R., S.P.I.E. Jour., February-March 1968, Vol. 6. 3. North, R.J., NPL/Aero/266, 1954. 4. Settles, G.S., Image Technology, June-July 1972. 5. Smith, L.L., and J.R. Waddell, 9th Congress of Righ Speed Photogra phy, Denver, Colo., August 1970, Paper 86. 6. Stong, C.L., and G.S. Settles, Scientific American, May 1971, Vol. 225, No.5. 7. Stong, C.L., and Vandiver, J.K., Scientific American, August 1974, Vol. 231, No.2.,105 DISCUSSION MY' R J North, (UK): Pould the author care to comment on possible ambiguities of interpretation due to the omnidirectional sensitivity of the colour filter system used? I notice that in two of his pic tures density gradients in directions at right angles are shown by the same colour transitions. MY' J Kim Vandiver: The photographs presented were not composed to yield accurate determination of the direction of density gradients."

Low level flying in military aircraft at speeds of up to 500 mph and as low as 100 feet above the ground is as challenging for the pilot as it is for the photographer wishing to capture the action. This is two books in one, the main subject is about military low flying; the skills, reasons and dangers from a pilot's perspective. The writer also talks about the challenges faced, revealing how and where the images were taken from mountainsides and desert canyons to cockpits for air to air. Pilots describe their training, mission planning, systems and the aircraft they love to fly; from A-7 Corsairs and F-4 Phantoms to Tornados, Typhoons, F-15 Eagles and Gripen. They fly low to deliver weapons or gather data and evade Radar. Pilots from air forces across Europe and the United States talk about the skills they need to be effective in very dangerous flying environments, discussing the challenging conditions they face when flying fast and low over snow, the sea or through mountain ranges at night. Commanders with years of low level flying give a fascinating insight in to their most memorable sorties.

Increasing use of digital signals for transmitting data in television, photography and printing means the reproduction of pictorial colour in the 21st century continues to drive innovation in its development.

Hunt's classic text "The Reproduction of Colour" has been fully revised and updated for the sixth edition to provide a comprehensive introduction to colour imaging and colour reproduction. New illustrations, diagrams and photographs ensure that both students and practising engineers using colour images can gain a full understanding of the theory and practical applications behind the phenomena they encounter.

"Key features: " Describes the fundamental principles of colour reproduction for photography, television, printing and electronic imaging. Provides detailed coverage of the physics of light and the property of colorants. Includes new chapters on digital printing and digital imaging, which discuss colour reproduction on HDTV and desktop publishing. Presents expanded coverage of the evaluation of colour appearance.

"The Reproduction of Colour" is already used as a basis for lectures in universities and specialist institutions and continues to be an essential resource for scientists, engineers and developers needing to appreciate the technologies of colour perception.

"Reviews of the Fifth Edition: "

"The book is beautifully written and superbly presented. It is a credit to both author and publisher, and deserves to be on the shelves of anyone who has any concern with the reproduction of colour."

From "The Journal of Photographic Science, Vol. 43 1995"

"Using his ability as a teacher, Dr Hunt has made potentially very difficult topics quitereadable...he brings the insight that leads the reader to a greater depth of understanding."

From "Color Research and Application, Vol. 23 1998"

The Society for Imaging Science and Technology is an international society that aims to advance the science and practices of image assessment. A major objective of the Wiley-IS&T series will be to explain the latest scientific and technological developments in the field of imaging at a professional level. The broad scope of the series will focus on imaging in all its aspects, with particular emphasis on digital printing, electronic imaging, photofinishing, image preservation, image assessment, image archiving, pre-press technologies and hybrid imaging systems.

Capture stunning macro floral images with this gorgeous guide by acclaimed photographer Harold Davis. You'll learn about different types of flowers, macro equipment basics, and the intricacies of shooting different floral varieties in the field and in the studio. Harold also shows you techniques in the Photoshop darkroom that can be applied to flower photography to help you get the most out of your images. Beautiful and authoritative, this guide to photographing flowers is a must-read for every photographer interested in flower photography. Photographing Flowers will also win a place in the hearts of those who simply love striking floral imagery.

A classic guide to creative nature photography, now updated for the digital world.
Amateur and experienced photographers interested in taking more compelling, personal images will love this new edition of "Creative Nature & Outdoor Photography, "now updated to address the exciting possibilities (and challenges) of digital image-making. Author Brenda Tharp's inspiring approach has garnered fans all over the world, as she teaches that magical skill no camera can do for you: learn how to "see." Readers expand their photographic vision and discover deep wellsprings of creativity as they learn to use light, balance, color, design, pattern, texture, composition, and many simple techniques to take a photo from ordinary to high-impact.
Featuring more than 150 stunning, all-new images, "Creative Nature & Outdoor Photography, Revised Edition" is for anyone who understands the basic technical side to photography but wants to wake up their creative vision.

'An ideal introduction for anyone looking to explore the medium of film' - Black & White Photography In a world where we are bombarded with visual imagery, making your photos stand out from the crowd is getting harder by the day, but film will give you that edge - and let you discover a whole new way of shooting in the process. In this in-depth and inspirational guide, photography journalist Ben Hawkins and pro photographer Liza Kanaeva-Hunsicker reveal the techniques, tips and secrets for success when shooting film. - Learn to shoot on film, from the essential basics to advanced techniques - Make the right choices with an in-depth guide to buying second-hand cameras - Master the language of film with jargon-free guides to all the vital processes - Be inspired by advice from a top pro who shoots on film - Discover the amazing imagery of the new school of analogue photographers

Street photography is perhaps the best-loved and most widely known of all photographic genres, with names like Cartier-Bresson, Brassai and Doisneau familiar even to those with a fleeting knowledge of the medium. Yet, what exactly is street photography? From what viewpoint does it present its subjects, and how does this viewpoint differ from that of documentary photography? Looking closely at the work of Atget, Kertesz, Bovis, Rene-Jacques, Brassai, Doisneau, Cartier- Bresson and more, this elegantly written book, extensively illustrated with both well-known and neglected works, unpicks Parisian street photography's affinity with Impressionist art, as well as its complex relationship with parallel literary trends and authors from Baudelaire to Philippe Soupault. Clive Scott traces street photography's origins, asking what really what happened to photography when it first abandoned the studio, and brings to the fore fascinating questions about the way the street photographer captures or frames those subjects - traders, lovers, entertainers - so beloved of the genre.In doing so, Scott reveals street photography to be a poetic, even 'picturesque' form, looking not to the individual but to the type; not to the 'reality' of the street but to its 'romance'.

Crime Scene Photography, Third Edition, covers the general principles and concepts of photography, while also delving into the more practical elements and advanced concepts of forensic photography. Robinson assists the reader in understanding and applying essential concepts in order to create images that are able to withstand challenges in court. This text is a required reading by both the International Association for Identification's Crime Scene Certification Board and the Forensic Photography Certification Board. Includes an instructor website with lecture slides, practical exercises, a test bank, and image collection and many videos which can be used.

Almost all amateur astronomers want to take photographs of the night sky. For all but the simplest star-trail pictures, this involves machinery - a telescope drive - to track the stars, essential to compensate for the rotation of the earth. The task becomes even more complicated when photographing very small or very faint objects that require high magnification or very long exposure times.Amateurs have many options according to their requirements, technical ability, and budget. Astrophotography for Amateurs looks at all the possibilities, including normal ("wet") photography, CCD imaging, and modern techniques of computer enhancement. There are sections about photographing different classes of astronomical object from the Moon to faint nebulae, as well as a thorough look at the equipment needed.

In Things Come Apart, fifty design classics - arranged by size and intricacy - are beautifully displayed, piece by piece, exploding in midair and dissected in real-time, frame-by-frame video stills. Welcome to Todd McLellan's unique photographic vision of the material world. The new compact paperback edition of the bestselling Things Come Apart comes equipped with a fresh, design-savvy package, and includes five new projects that reveal the inner workings of some of the world's most iconic designs. From SLR camera to mantle clock to espresso machine, from iPad to bicycle to grand piano, every single component of each object is made visible. In addition to showcasing the quality and elegance of older designs, these disassembled objects show that even the most intricate modern technologies can be broken down and understood. Stunning photography is interspersed with essays by notable figures from the world of restoration, DIY, and design innovation, who discuss historical examples of teardowns, disassembly, and reverse engineering. Things Come Apart conjures the childlike joy of taking something apart to see how it works, and will appeal to anyone with a curiosity about the material world.

This compendium examines the choices, construction, inclusions and exemptions, and expanded practices involved in the process of creating a photograph. Focusing on work created in the past twenty-five years, this volume is divided into sections that address a separate means of creating photographs as careful constructs: Directing Spaces, Constructing Places, Performing Space, Building Images, and Camera-less Images. Introduced by both a curator and a scholar, each section features contemporary artists in conversation with curators, critics, gallerists, artists, and art historians. The writings include narratives by the artist, writings on their work, and examinations of studio practices. This pioneering book is the first of its kind to explore this topic beyond those artists building sets to photograph.

The most comprehensive and useful book ever created for filmmakers seeking both independence and success in the marketplace, this guide is loaded with insider tips on idea development, writing a mission statement, marketing and pitching a production, and much more. 30+ illustrations & photos.

This book constitutes the refereed revised post-workshop proceedings of the 5th International Workshop on Network and Operating Systems Support for Digital Audio and Video, NOSSDAV '95, held in Durham, New Hampshire, USA in April 1995.
The 24 full papers included were selected from a total of 101 submissions; together with overviews by the session chairpersons they reflect the state of the art in networking and operating systems support for multimedia. The papers are organized in sections on advance reservation systems, operating systems support, resource management and quality of service, audio and video systems, and scheduling and synchronization.

Recent developments in computer visualisation mean that it is now possible to combine computer-generated image sequences with real video, in real time, for broadcast quality production. This will not only revolutionise the broadcast industry, by making "electronic film sets" possible for example, but also has important implications for related fields such as virtual reality, multi-media, industrial vision, and medical image processing. This volume contains papers from the European Workshop on Combined Real and Synthetic Image Processing for Broadcast and Video Production, held in Hamburg, 23-24 November 1994. The papers cover three main aspects of research: hardware, image analysis, and image synthesis, and include several key contributions from the EU RACE II supported MONA LISA (MOdelling NAturaL Images for Synthesis and Animation) project. The resulting volume gives a comprehensive overview of this important area of research, and will be of interest to practitioners, researchers, and postgraduate students.

This book constitutes the thoroughly revised proceedings of the Fourth International Workshop on Network and Operating System Support for Digital Audio and Video (NOSSDAV '93), held in Lancaster, UK in November 1993.
The 24 papers presented in the volume were carefully selected from more than 100 submissions. In addition, the book contains an introduction by the editors as well as a summary of the discussions that occurred during the workshop and a record of the panel and work-in-progress session. The book is organized into chapters on end system architecture, operating system support, high speed networking, quality of service, protocol issues, resource reservation in heterogeneous networks, and storage servers and multicast.

A practical handbook for programming directors, this guide focuses on achieving specific objectives in today's modern, competitive environment.

Radio Programming is designed to convey underlying principles and to assist the programmer in accomplishing specific objectives, without mandating exact implementation methods. Instead, it empowers station management and the PD to implement strategies that will work for the particular format and market niche.
Radio Programming will be helpful for neophytes in programming, experienced programmers seeking further growth, air talent seeking to develop skills, and general managers trying to understand programming and effectively manage program directors without stifling creativity. It will also help general managers hire effective programmers.
Eric Norberg is the editor and publisher of the Adult Contemporary Music Research Letter and a radio consultant. He has worked as a program director at several radio stations, as on-air talent and general manager, and has also operated a radio production company. For fourteen years he has written a weekly column on radio programming for The Gavin Report, a radio trade publication.
Shows radio programmers how to work toward acheiving specific objectives
Coveys the principles of agressive radio programming
Part of the Broadcasting & Cable series

Effective TV Production gives a succinct but thorough overview of the production process. Whatever your role in television, this book outlines the main functions of your job, placing them in the context of all other operations and showing how they are interrelated. The book shows how, within the often severe limitations of time and money, it is possible to originate interesting and competitive television programmes. It describes the essentials of good camerawork and relates them to considerations of audio, staging, lighting, make-up and wardrobe techniques and the way in which a production is developed in approach and style form the initial stages to the moment of shooting. This edition is substantially revised to reflect developments in technology and contemporary production styles. Gerald Millerson'd books on television have long been acknowledged as among the best ever published.

Author Loe Beerens, a veteran photographer on the international concert scene, relates his experience in and knowledge of all the important aspects of planning and photographing concerts of all kinds. From punk to classical and everything in between, Loe covers how the music industry is organized, how to get access, the right people to befriend, and the proper etiquette of concert photography.
From preparation to equipment selection, the reader will learn how to make the most of those three songs from this richly illustrated book. Shooting techniques for each of the major musical instruments are covered, as well as capturing the peak action, post-production techniques, shooting in low light, and marketing your images.
Whether you are a photography enthusiast, a working professional, or just a lover of music, you will benefit from this informative guide.

Now fully updated by Des Lyver to reflect the latest advances, the second edition of Basics of Video Lighting is a primer for anyone wishing to learn about lighting a video production. It describes the principles and processes involved in obtaining professional results in educational, training and corporate environments. Assuming little prior knowledge, this book covers everything from the different types of lights and their control, to basic studio and location settings. It features: * the latest technology, including the use of location and grip gear and changes in lamp and reflector technology * coverage of studio and location work * descriptions of the role of each crew member * full explanations of technical terms * health and safety precautions * practical advice on the equipment available and how to use it Basics of Video Lighting aims to provide the reader with a rapid understanding of what is actually a complex process, without getting too bogged down in technical terms. It is equipment non-specific and references to technical matters are only included where necessary to understanding, for example a short explanation of the simple electricity that is needed to understand the relationship between the camera and the lights.

Robert Hirsch's Exploring Color Photography is the thinking photographer's guide to color imagemaking. Now in its sixth edition, this pioneering text clearly and concisely instructs students and intermediate photographers in the fundamental aesthetic and technical building blocks needed to create thought-provoking digital and analog color photographs. Taking both a conceptual and pragmatic approach, the book avoids getting bogged down in complex, ever-changing technological matters, allowing it to stay fresh and engaging. Known as the Bible of Color Photography, its stimulating assignments encourage students to be adventurous and to take responsibility for learning and working independently. The emphasis on design and postmodern theoretical concepts stresses the thought process behind the creation of intriguing images. It's extensive and inspiring collection of images and accompanying captions allow makers to provide insight into how photographic methodology was utilized to visualize and communicate their objectives. The text continues to deliver inspiring leadership in the field of color photography with the latest accurate information, ideas, commentary, history, a diverse collection of contemporary images, and expanded cellphone photography coverage. A "Problem Solving and Writing" chapter offers methods and exercises that help one learn to be a visual problem solver and to discuss and write succinctly about the concepts at the foundation of one's work. Exploringcolorphotography.com, the companion website, has been revamped and updated to feature more student and teacher resources, including a new web-based timeline: As It Happened: A Chronological History of Color Photography.

Photo Techniques Magazine stated: "All our readers need to know about this very useful book." Indeed, there is no other compendium that is as in-depth as this for the beauty and magic of fine-art black-and-white photography. With 560 pages and over 1,000 illustrations, Way Beyond Monochrome starts with conceptual lessons of composition and takes you through image capture, exposure, controlling tonality, variable-contrast paper, archival printing, mounting, framing and presentation with simple concepts to an advanced level. This new edition has been completely revised and heavily expanded, adding over 250 pages to the original edition with new chapters on print mounting, spotting, framing, digital negatives, utilizing digital technologies for alternative processes, and fabulous do-it-yourself projects. Overall, the authors have created a thoroughly researched, technologically sound yet aesthetically pleasing, inspirational bible for monochrome photography. New to this edition: * almost double the content * a new section discussing the path from visualization to print, illustrating the interaction between eye and brain, explaining the rules of composition and when to break them to produce photographs with impact * a new section on presentation including hands-on mounting, matting, spotting, and framing * image capture has a more in-depth focus, now covering pinhole photography and digital capture * now includes making and printing with digital negatives * a new section discussing the pros and cons of typical image-taking and image-making equipment * plus new do-it-yourself projects, including many darkroom tools and an electronic shutter tester * a useful collection of templates, to copy, cut-out and take with you in your camera bag or use in the darkroom * an appendix with all the recipes to make your own darkroom chemicals from scratch * all illustrations improved and updated * improved index with 1,400 references

Landscape photography is one of the most popular genres for amateur photographers. Mastering the genre, however, takes time: time to perfect exposure, color, composition, and--perhaps above all else--the ability to see and record the landscape in a way that will make your photographs stand above the rest. This guide delves into the world of 16 leading lights, each with their own unique take on how, where, and why the landscape should be recorded. Through probing interviews and beautifully reproduced images, the reader is given an insight into the artist's working practices, from equipment to techniques. Glorious color photographs sit beside atmospheric monochrome, the latest digital techniques rub shoulders with traditional film-based imaging, and conventional landscape mores are countered by experimental artworks, guaranteeing something to inspire every reader. The book includes work by the following photographers: Marc Adamus, Valda Bailey, Sandra Bartocha, Mark Bauer, Thierry Bornier, Jonathan Chritchley, Joe Cornish, Ross Hoddinott, Daniel Kordan, Mikko Lagerstedt, Tom Mackie, David Noton, Colin Prior, Hans Strand, Lars Van De Goor and Art Wolfe.