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Books > Arts & Architecture > Photography & photographs > Special kinds of photography > General
The combination of color schlieren with high speed flash techniques has proved to be a valuable tool for investigating high speed transient events. Fully two dimensional refractive index information can be ob tained. The resolution on 35 mm film was sharp enough to allow 50 cm by 75 cm color enlargements. REFERENCES 1. Barnes, N.F., Jour. of the SMPTE, Oct. 1953, Vol. 61,487-511. 2. Cords, P.R., S.P.I.E. Jour., February-March 1968, Vol. 6. 3. North, R.J., NPL/Aero/266, 1954. 4. Settles, G.S., Image Technology, June-July 1972. 5. Smith, L.L., and J.R. Waddell, 9th Congress of Righ Speed Photogra phy, Denver, Colo., August 1970, Paper 86. 6. Stong, C.L., and G.S. Settles, Scientific American, May 1971, Vol. 225, No.5. 7. Stong, C.L., and Vandiver, J.K., Scientific American, August 1974, Vol. 231, No.2.,105 DISCUSSION MY' R J North, (UK): Pould the author care to comment on possible ambiguities of interpretation due to the omnidirectional sensitivity of the colour filter system used? I notice that in two of his pic tures density gradients in directions at right angles are shown by the same colour transitions. MY' J Kim Vandiver: The photographs presented were not composed to yield accurate determination of the direction of density gradients."
The first edition of 'Hubble's Universe' displayed 300 pages of high-resolution celestial portraits selected by bestselling astronomy writer Terence Dickinson from the initial 22 years of the Hubble Space Telescope's exploration of distant galaxies. With the telescope now at the apex of its imaging capabilities, this second edition adds another chapter with more than 36 completely new images, including the first publication of a four-page fold-out of the Andromeda Galaxy, the nearest spiral galaxy to Earth, revealing more than one million individual stars.Thanks to Dickinson's familiarity with Hubble's history and discoveries and his access to top Hubble scientists for insight and accuracy, the text includes facts and tidbits not found in any other book. Combined with 330 brilliant images, the clear, succinct and illuminating narrative brings to life the fascinating forces at work in the universe.
Capture stunning macro floral images with this gorgeous guide by acclaimed photographer Harold Davis. You'll learn about different types of flowers, macro equipment basics, and the intricacies of shooting different floral varieties in the field and in the studio. Harold also shows you techniques in the Photoshop darkroom that can be applied to flower photography to help you get the most out of your images. Beautiful and authoritative, this guide to photographing flowers is a must-read for every photographer interested in flower photography. Photographing Flowers will also win a place in the hearts of those who simply love striking floral imagery.
Street photography is perhaps the best-loved and most widely known of all photographic genres, with names like Cartier-Bresson, Brassai and Doisneau familiar even to those with a fleeting knowledge of the medium. Yet, what exactly is street photography? From what viewpoint does it present its subjects, and how does this viewpoint differ from that of documentary photography? Looking closely at the work of Atget, Kertesz, Bovis, Rene-Jacques, Brassai, Doisneau, Cartier- Bresson and more, this elegantly written book, extensively illustrated with both well-known and neglected works, unpicks Parisian street photography's affinity with Impressionist art, as well as its complex relationship with parallel literary trends and authors from Baudelaire to Philippe Soupault. Clive Scott traces street photography's origins, asking what really what happened to photography when it first abandoned the studio, and brings to the fore fascinating questions about the way the street photographer captures or frames those subjects - traders, lovers, entertainers - so beloved of the genre.In doing so, Scott reveals street photography to be a poetic, even 'picturesque' form, looking not to the individual but to the type; not to the 'reality' of the street but to its 'romance'.
Crime Scene Photography, Third Edition, covers the general principles and concepts of photography, while also delving into the more practical elements and advanced concepts of forensic photography. Robinson assists the reader in understanding and applying essential concepts in order to create images that are able to withstand challenges in court. This text is a required reading by both the International Association for Identification's Crime Scene Certification Board and the Forensic Photography Certification Board. Includes an instructor website with lecture slides, practical exercises, a test bank, and image collection and many videos which can be used.
Almost all amateur astronomers want to take photographs of the night sky. For all but the simplest star-trail pictures, this involves machinery - a telescope drive - to track the stars, essential to compensate for the rotation of the earth. The task becomes even more complicated when photographing very small or very faint objects that require high magnification or very long exposure times.Amateurs have many options according to their requirements, technical ability, and budget. Astrophotography for Amateurs looks at all the possibilities, including normal ("wet") photography, CCD imaging, and modern techniques of computer enhancement. There are sections about photographing different classes of astronomical object from the Moon to faint nebulae, as well as a thorough look at the equipment needed.
There is an astonishing world just waiting to be photographed underwater. With marine biologist Dr Alexander Mustard as your guide you can learn all you need to know to explore the amazing creatures and landscapes that lie beneath the surface. From information about diving equipment and cameras, to crucial advice on understanding and controlling light underwater, this book provides all the background you need before you take the plunge. Topics covered include wide-angle light, macro lighting, ambient light and macro techniques. All this is illustrated, of course, with stunning images of the weird and wonderful animals and sights he has encountered beneath the waves.
The most comprehensive and useful book ever created for filmmakers seeking both independence and success in the marketplace, this guide is loaded with insider tips on idea development, writing a mission statement, marketing and pitching a production, and much more. 30+ illustrations & photos.
Photo Techniques Magazine stated: "All our readers need to know about this very useful book." Indeed, there is no other compendium that is as in-depth as this for the beauty and magic of fine-art black-and-white photography. With 560 pages and over 1,000 illustrations, Way Beyond Monochrome starts with conceptual lessons of composition and takes you through image capture, exposure, controlling tonality, variable-contrast paper, archival printing, mounting, framing and presentation with simple concepts to an advanced level. This new edition has been completely revised and heavily expanded, adding over 250 pages to the original edition with new chapters on print mounting, spotting, framing, digital negatives, utilizing digital technologies for alternative processes, and fabulous do-it-yourself projects. Overall, the authors have created a thoroughly researched, technologically sound yet aesthetically pleasing, inspirational bible for monochrome photography. New to this edition: * almost double the content * a new section discussing the path from visualization to print, illustrating the interaction between eye and brain, explaining the rules of composition and when to break them to produce photographs with impact * a new section on presentation including hands-on mounting, matting, spotting, and framing * image capture has a more in-depth focus, now covering pinhole photography and digital capture * now includes making and printing with digital negatives * a new section discussing the pros and cons of typical image-taking and image-making equipment * plus new do-it-yourself projects, including many darkroom tools and an electronic shutter tester * a useful collection of templates, to copy, cut-out and take with you in your camera bag or use in the darkroom * an appendix with all the recipes to make your own darkroom chemicals from scratch * all illustrations improved and updated * improved index with 1,400 references
This compendium examines the choices, construction, inclusions and exemptions, and expanded practices involved in the process of creating a photograph. Focusing on work created in the past twenty-five years, this volume is divided into sections that address a separate means of creating photographs as careful constructs: Directing Spaces, Constructing Places, Performing Space, Building Images, and Camera-less Images. Introduced by both a curator and a scholar, each section features contemporary artists in conversation with curators, critics, gallerists, artists, and art historians. The writings include narratives by the artist, writings on their work, and examinations of studio practices. This pioneering book is the first of its kind to explore this topic beyond those artists building sets to photograph.
This book constitutes the refereed revised post-workshop
proceedings of the 5th International Workshop on Network and
Operating Systems Support for Digital Audio and Video, NOSSDAV '95,
held in Durham, New Hampshire, USA in April 1995.
Recent developments in computer visualisation mean that it is now possible to combine computer-generated image sequences with real video, in real time, for broadcast quality production. This will not only revolutionise the broadcast industry, by making "electronic film sets" possible for example, but also has important implications for related fields such as virtual reality, multi-media, industrial vision, and medical image processing. This volume contains papers from the European Workshop on Combined Real and Synthetic Image Processing for Broadcast and Video Production, held in Hamburg, 23-24 November 1994. The papers cover three main aspects of research: hardware, image analysis, and image synthesis, and include several key contributions from the EU RACE II supported MONA LISA (MOdelling NAturaL Images for Synthesis and Animation) project. The resulting volume gives a comprehensive overview of this important area of research, and will be of interest to practitioners, researchers, and postgraduate students.
This book constitutes the thoroughly revised proceedings of the
Fourth International Workshop on Network and Operating System
Support for Digital Audio and Video (NOSSDAV '93), held in
Lancaster, UK in November 1993.
A practical handbook for programming directors, this guide focuses on achieving specific objectives in today's modern, competitive environment.
Now fully updated by Des Lyver to reflect the latest advances, the second edition of Basics of Video Lighting is a primer for anyone wishing to learn about lighting a video production. It describes the principles and processes involved in obtaining professional results in educational, training and corporate environments. Assuming little prior knowledge, this book covers everything from the different types of lights and their control, to basic studio and location settings. It features: * the latest technology, including the use of location and grip gear and changes in lamp and reflector technology * coverage of studio and location work * descriptions of the role of each crew member * full explanations of technical terms * health and safety precautions * practical advice on the equipment available and how to use it Basics of Video Lighting aims to provide the reader with a rapid understanding of what is actually a complex process, without getting too bogged down in technical terms. It is equipment non-specific and references to technical matters are only included where necessary to understanding, for example a short explanation of the simple electricity that is needed to understand the relationship between the camera and the lights.
Robert Hirsch's Exploring Color Photography is the thinking photographer's guide to color imagemaking. Now in its sixth edition, this pioneering text clearly and concisely instructs students and intermediate photographers in the fundamental aesthetic and technical building blocks needed to create thought-provoking digital and analog color photographs. Taking both a conceptual and pragmatic approach, the book avoids getting bogged down in complex, ever-changing technological matters, allowing it to stay fresh and engaging. Known as the Bible of Color Photography, its stimulating assignments encourage students to be adventurous and to take responsibility for learning and working independently. The emphasis on design and postmodern theoretical concepts stresses the thought process behind the creation of intriguing images. It's extensive and inspiring collection of images and accompanying captions allow makers to provide insight into how photographic methodology was utilized to visualize and communicate their objectives. The text continues to deliver inspiring leadership in the field of color photography with the latest accurate information, ideas, commentary, history, a diverse collection of contemporary images, and expanded cellphone photography coverage. A "Problem Solving and Writing" chapter offers methods and exercises that help one learn to be a visual problem solver and to discuss and write succinctly about the concepts at the foundation of one's work. Exploringcolorphotography.com, the companion website, has been revamped and updated to feature more student and teacher resources, including a new web-based timeline: As It Happened: A Chronological History of Color Photography.
Perhaps you're new to the art of the selfie. Maybe the validation from Oxford Dictionaries has given you the courage to finally try one out for yourself. If that's the case, be careful. You are about to enter a minefield of potential disasters. Willem Popelier analyzed tens of thousands of selfies, thousands of tips, and some dozen research articles on selfies for the ultimate selfie guide to capture the best version of yourself. This guide contains 66 rules, accompanied by 66 pictures in which Willem Popelier re-enacted some of the most famous selfies on earth. Go and make your own Justin Biebers, Kim Kardashians, Bradley Coopers, Sasha Obamas, P Diddys, and many more.
In this long-awaited fifth edition of the best-selling book, Martin Edge continues to provide the definitive guide to underwater photography. The book covers everything from the basic principles, the equipment and approaches to composition and lighting through to creating an individual style. The book features over 400 updated colour images - taken on numerous dives around the world - with an accompanying narrative that provides detailed information on how the shots were taken, their strengths and weaknesses and how to fix mistakes. Practical examples take you step-by-step through the basic techniques: photographing shipwrecks, divers, marine life, macro images and taking photographs at night. New chapters cover the latest equipment, processes and techniques including SLR Cameras, water contact lenses, mirrorless interchangeable lens cameras, micro four third systems, super macro techniques, motion blur, LED lighting and more. Packed with inspiring examples from global diving destinations and speciality chapters written by professionals in the field, this book is an indispensable masterclass for both the novice and seasoned underwater photographer.
An enthralling exploration of the biologically richest island on Earth, featuring more than 200 spectacular color images by award-winning National Geographic photographer Tim Laman In this beautiful book, Bruce Beehler, a renowned author and expert on New Guinea, and award-winning National Geographic photographer Tim Laman take the reader on an unforgettable journey through the natural and cultural wonders of the world's grandest island. Skillfully combining a wealth of information, a descriptive and story-filled narrative, and more than 200 stunning color photographs, the book unlocks New Guinea's remarkable secrets like never before. Lying between the Equator and Australia's north coast, and surrounded by the richest coral reefs on Earth, New Guinea is the world's largest, highest, and most environmentally complex tropical island-home to rainforests with showy rhododendrons, strange and colorful orchids, tree-kangaroos, spiny anteaters, ingenious bowerbirds, and spectacular birds of paradise. New Guinea is also home to more than a thousand traditional human societies, each with its own language and lifestyle, and many of these tribes still live in isolated villages and serve as stewards of the rainforests they inhabit. Accessible and authoritative, New Guinea provides a comprehensive introduction to the island's environment, animals, plants, and traditional rainforest cultures. Individual chapters cover the island's history of exploration; geology; climate and weather; biogeography; plantlife; insects, spiders, and other invertebrates; freshwater fishes; snakes, lizards, and frogs; birdlife; mammals; paleontology; paleoanthropology; cultural and linguistic diversity; surrounding islands and reefs; the pristine forest of the Foja Mountains; village life; and future sustainability. Complete with informative illustrations and a large, detailed map, New Guinea offers an enchanting account of the island's unequalled natural and cultural treasures.
Harold Davis has become one of the most prolific photography authors in the business. Much more than a "software" guy, Harold is a truly unique, supremely talented photographer whose surreal images have become instantly recognizable, and he is perhaps best known for his images of flowers. In this gorgeous guide Harold delves deep into the world of flowers and provides everything that the hobbyist and serious amateur photographer needs to know to capture stunning images. The basics of equipment (for shooting both indoors and outdoors) are covered first. He then moves on to discuss different types of flowers and the intricacies of shooting each variety, before moving on to tips for capturing the particular sensuality of a flower in bloom. Finally, Harold brings in some of his patented techniques from The Photoshop Darkroom to show how these tools can be specifically applied to flower photography. Macro, nature, and flower photographers as well as general garden and flower enthusiasts will find much to enjoy in this gorgeous, practial collection of some of today's best flower imagery.
In the mid-1950s, Swiss-born New Yorker Robert Frank embarked on a ten-thousand-mile road trip across America, capturing thousands of photographs of all levels of a rapidly changing society. The resultant photo book, "The Americans," represents a seminal moment in both photography and in America's understanding of itself. To mark the book's fiftieth anniversary, Jonathan Day revisits this pivotal work and contributes a thoughtful and revealing critical commentary. Though the importance of "The Americans" has been widely acknowledged, it still retains much of its mystery. This comprehensive analysis places it thoroughly in the context of contemporary photography, literature, music, and advertising from its own period through the present.
In Things Come Apart, fifty design classics - arranged by size and intricacy - are beautifully displayed, piece by piece, exploding in midair and dissected in real-time, frame-by-frame video stills. Welcome to Todd McLellan's unique photographic vision of the material world. The new compact paperback edition of the bestselling Things Come Apart comes equipped with a fresh, design-savvy package, and includes five new projects that reveal the inner workings of some of the world's most iconic designs. From SLR camera to mantle clock to espresso machine, from iPad to bicycle to grand piano, every single component of each object is made visible. In addition to showcasing the quality and elegance of older designs, these disassembled objects show that even the most intricate modern technologies can be broken down and understood. Stunning photography is interspersed with essays by notable figures from the world of restoration, DIY, and design innovation, who discuss historical examples of teardowns, disassembly, and reverse engineering. Things Come Apart conjures the childlike joy of taking something apart to see how it works, and will appeal to anyone with a curiosity about the material world.
The second edition of Why Art Photography? is an updated, expanded introduction to the ideas behind today's striking photographic images. Lively, accessible discussions of key issues such as ambiguity, objectivity, fiction, authenticity, and photography's expanding field are supplemented with new material around timely topics such as globalization, selfie culture, and photographers' use of advanced digital technologies, including CGI and virtual reality. The new edition includes: an expanded introduction extended chapters featuring emerging trends a larger selection of images, including new color images an improved and expanded bibliography. This new edition is essential for students looking to enrich their understanding of photography as a complex and multi-faceted art form.
John Arsenault's flowery photographs in For You! do not highlight perfection but, rather, show the continual wrestling act between beauty and decay. The result of a long-term exploration on the seductive beauty of the rose, these intimate and varied images stand as a symbol of the artist's budding ardor for his lover, now husband. Historically, roses have been used to symbolize desire, sexuality, seductiveness, and secrecy; this in-depth study is testament to the continued potency of the time-honored symbol of love. John Arsenault is internationally exhibited and has worked with clients ranging from The New Yorker and Volkswagen to Goldman Sachs and Out Magazine. |
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