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Audible States - Socialist Politics and Popular Music in Albania (Hardcover)
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Audible States - Socialist Politics and Popular Music in Albania (Hardcover)
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During the heyday of Cold War cultural politics, state-sponsored
performances of classical and popular music were central to the
diplomatic agendas of the United States and the Soviet Union, while
states on the periphery of the conflict often used state-funded
performances to articulate their position in the polarized global
network. In Albania in particular, the postwar government invested
heavily in public performances, effectively creating a new genre of
popular music: the wildly popular light music. In Audible States:
Socialist Politics and Popular Music in Albania, author Nicholas
Tochka traces an aural history of Albania's government through a
close examination of the development and reception of light music
as it has long been broadcast at an annual song competition,
Radio-Television Albania's Festival of Song. Drawing on a wide
range of archival resources and over forty interviews with
composers, lyricists, singers, and bureaucrats, Tochka describes
how popular music became integral to governmental projects to
improve society-and a major concern for both state-socialist and
post-socialist regimes between 1945 and the present. Tochka's
narrative begins in the immediate postwar period, arguing that
state officials saw light music as a modernizing agent that would
cultivate a cosmopolitan, rational populace. Interweaving archival
research with ethnographic interviews, author Nicholas Tochka
argues that modern political orders do not simply render social
life visible, but also audible. As the Cold War thawed and
communist states fell, the post-socialist government turned again
to light music, now hoping that these musicians could help shape
Albania into a capitalist, "European" state. Incorporating insights
from ethnomusicology, governmental studies, and post-socialist
studies, Audible States presents an original perspective on music
and government that reveals the fluid, pervasive, but ultimately
limited nature of state power in the modern world. Tochka's project
represents a nascent entry in a growing area of study in music
scholarship that focuses on post-soviet Europe and popular musics.
A remarkably researched and engagingly written study, Audible
States is a foundational text in this area and will be of great
interest for music scholars and graduate students interested in
popular music, sound studies, and politics of the Cold War.
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