Author Loe Beerens, a veteran photographer on the international concert scene, relates his experience in and knowledge of all the important aspects of planning and photographing concerts of all kinds. From punk to classical and everything in between, Loe covers how the music industry is organized, how to get access, the right people to befriend, and the proper etiquette of concert photography.
From preparation to equipment selection, the reader will learn how to make the most of those three songs from this richly illustrated book. Shooting techniques for each of the major musical instruments are covered, as well as capturing the peak action, post-production techniques, shooting in low light, and marketing your images.
Whether you are a photography enthusiast, a working professional, or just a lover of music, you will benefit from this informative guide.

Examining the broadcasting policy of the European Union, this book analyses EU desire to become a more central actor in the regulation of the communications sector. It also investigates the extent to which technological change and globalisation are aiding these desires. Using the latest thinking to emerge from the EU in response to digital broadcasting, this text explores the economic, political and cultural importance of broadcasting.

eBook available with sample pages: 0203164415

"The first magnetic recording device was demonstrated and patented by the Danish inventor Valdemar Poulsen in 1898. Poulsen made a magnetic recording of his voice on a length of piano wire. MAGNETIC RECORDING traces the development of the watershed products and the technical breakthroughs in magnetic recording that took place during the century from Paulsen's experiment to today's ubiquitous audio, video, and data recording technologies including tape recorders, video cassette recorders, and computer hard drives.
An international author team brings a unique perspective, drawn from professional experience, to the history of magnetic recording applications. Their key insights shed light on how magnetic recording triumphed over all competing technologies and revolutionized the music, radio, television and computer industries. They also show how these developments offer opportunities for applications in the future.
MAGNETIC RECORDING features 116 illustrations, including 92 photographs of historic magnetic recording machines and their inventors."
Sponsored by:
IEEE Magnetics Society

Europe's Digital Revolution assesses the impact of digital broadcasting on regulatory practices in Europe. The current roles and responsibilities of nation states and the EU will have to respond to rapid technological and market developments. Levy considers how these responsibilities are likely to be divided in the future, and which are the emerging issues and problems.

No matter what continent you are on, the distinct professional language of radio and television broadcasters and film and video makers remains the same. Still the only reference that is international in scope, The International Dictionary of Broadcasting and Film, Second Edition is a comprehensive guide to professional filmmaking and broadcasting terminology. Entries also include information on professional organizations, festivals and awards. Appendices contain tables of international television and film standards, frequencies and channels, and a list of national and international news agencies and their standard abbreviations.

This book has been substantially revised and updated to include coverage of the new digital technology, plus information on the history of film and broadcasting. It is a valuable reference to professionals in broadcasting and filmmaking, as well to students in these fields.
Desi K. Bognar is a three-time Fulbright scholar in media who has been a documentary filmmaker, writer, reporter, producer, and broadcasting/film consultant. He lives in Peacham, Vermont.
Still the only reference that is international in scope
Now includes information on new digital technology
Includes valuable tables and lists of international organizations, festivals and awards

"You eat with your eyes first," and no one turns a photograph of food into a culinary masterpiece like a food stylist. Food Styling for Photographers is the next best thing to having renowned food stylist Linda Bellingham by your side. Linda has worked with clients Baskin Robbins Ice Cream, McDonald's, Tyson Foods, FritoLay, and many, many more. Professional photographer Jean Ann Bybee has worked with Harry & David, Dominos, Sara Lee, Seven-Up Company, and more. Jean Ann provides a seasoned photographer's point of view with helpful tips throughout. If you are hungry for unique photo assignments and want to expand your portfolio, this guide provides the well-kept secrets of food styling techniques that can make your photos good enough to eat. Each chapter covers step-by-step instructions with mouth-watering photographs illustrating techniques for the creation of hero products that photographers at any level can whip up. Bon Appetit! Check out a new podcast interview with the authors about the upcoming second volume in this series, More Food Styling for Photographers! http://itunes.apple.com/us/podcast/nik-radio/id365360524

Now fully updated to reflect the latest advances, the second edition of Basics of Video Sound is a primer for anyone wishing to learn about recording sound. It describes the principles and processes involved in obtaining professional results in educational, training and corporate environments.
Assuming little prior knowledge, this book covers everything from how to choose a microphone and obtain the best quality recordings, to editing the results for the final screening. It features:
- the latest advances in the use of disc and minidisc systems, computer based editing in audio post production
- coverage of studio and location work
- descriptions of the role of each crew member
- full explanations of technical terms
- health and safety precautions
- practical advice on the equipment available and how to use it
Basics of Video Sound aims to provide the reader with a rapid understanding of what is actually a complex process, without getting too bogged down in technical terms. It is equipment non-specific and references to technical matters are only included where necessary to understanding, for example a short explanation of the electricity and physics that is needed in order to become a good sound recordist.
A basic introduction for anyone approaching the subject for the first time.
All technical terms are explained in full.
Offers practical advice on health and safety precautions as well as equipment and its use

This book is for anyone starting out or hoping to work in the ever-expanding world of television and video. Everyone involved in a TV or video production is contributing to the program making process. They all need to know and understand how it happens. Whatever you want to end up doing, whether you are part way through a course or starting from scratch, this book gives you all the essential information you will need. It takes a practical, step-by-step approach, based on the author's own 25-year experience of producing, writing and directing for broadcast television and the corporate sector on both video and film. It describes the roles people perform, the equipment they use and what it does. In simple, easy-to-read language it explains the grammar of shooting and editing and offers first-hand advice on treatments, scripts and budgets. As well as covering the technical aspects of both single and multi-camera production, it also looks at the editorial elements that create a successful program. With practical examples it demonstrates how best to turn ideas into reality, how to obtain successful interviews and how to put together programs that work. Colin Hart has his own production company making programs for corporate clients. He trained as a single and multi-camera director in local televison news and for ten years worked in BBC Current Affairs producing and directing for Nationwide and The Money Programme.
Practical, step-by-step approach with many useful flowcharts, checklists and practical examples
Written by experienced professional producer/director
Covers technical and editorial elements of successful programme-making

You see them on the video shelves, with titles such as Domestic Strangers, The Bride of Frank, The Blood Between Us, Strawberry Estates and Sandman. Skeptically, perhaps, you rent one and slip it into the VCR. Hey, you think, this isnt so bad--sometimes actually quite good. Suddenly, you discover that there is a whole range of movies from filmmakers operating outside the studio system that have their own attractions that the big budget fare cant match. You have, of course, discovered the world of independent filmmaking. Intrigued, you begin thinking that maybe you could do this, maybe you could make an independent feature film. In this work, J.R. Bookwalter, Ronnie Cramer, Mike Gingold, Eric Stanze, Steve Ballot, and 20 others tell what it is really like to make an independent feature. Covering such topics as the script, equipment, actors, publicity, distribution, all facets of production, and budgeting, these indie filmmakers give a virtual how-to for those interested in joining them or just learning more about how those interesting titles end up on video store shelves.

Anyone observing the awe-inspiring sight of an eclipse will want to capture it on film for posterity. Eclipse '99: Capture It on Film provides the practical advice to capture a solar eclipse on film, covering topics from eye safety to suitable films. Whether the observer is using a "fun" camera or sophisticated equipment, this accessible book illustrates what can be achieved. By carefully following the advice of the experienced astrophotographer author, it is possible to observe and take photographs safely, leaving you with a pictorial record that will last a lifetime.

The Essential TV Director's Handbook is written by an ex-BBC trainer with a great deal of experience in the world of television. It describes step-by-step how to prepare and direct every familiar type of common programme format including interviews, discussions, reportage, music and dramatisations shot either on location or in the multi-camera studio. It is the essential reference handbook for any director confronted by a new programme format or the challenge of an unfamiliar technology. An appendix suggests plans for the most commonly encountered studio situations. Television culture has been changing fast. Whilst technology races on at a frightening pace programme budgets have been slashed, job descriptions widened as more people have to `multi-skill', and traditional routes of entry have become increasingly difficult to find, with diminishing access to professional training. Yet the skills and practical knowledge required to make top quality programmes remain unaltered. `The Essential .... Handbook' series offers a range of no nonsense guides to the craft of TV programme making based on tried and tested tricks of the trade. Each book is written in an entertaining and informative way providing only the essential `need to know' information for beginner broadcasting professionals and students alike. The Essential TV Director's Handbook is written by an ex-BBC trainer with a great deal of experience in the world of television. It describes step-by-step how to prepare and direct every familiar type of common programme format including interviews, discussions, reportage, music and dramatisations shot either on location or in the multi-camera studio. It is the essential reference handbook for any director confronted by a new programme format or the challenge of an unfamiliar technology. An appendix suggests plans for the most commonly encountered studio situations. Peter Jarvis is a freelance producer and director of thirty years practical experience. He is Director of Television Training International and was for eight years Senior Production Instructor with BBC's Television Training Department.

Film and video have grown to be as significant in our time as books, newspapers and magazines. Documentary film-making is fast becoming as important and useful a skill as the ability to write well. Like writing, it can be learned by anyone.
Film and video have grown to be as significant in our time as books, newspapers and magazines. Documentary film-making is fast becoming as important and useful a skill as the ability to write well. Like writing, it can be learned by anyone.
Documentary for the small screen is both for those who are new to documentary film-making but want to know how to create productions of a professional standard, as well as for those already working in the medium who wish to improve their skills by taking a closer look at the way they carry out their tasks. It is written in a logical, straightforward way, the first half taking the reader through an analysis of what documentary actually is, to constructing it through developing the story and assembling the appropriate building-blocks. In the second part, the pre-production stages of preparing proposals, costings and outlines, and researching the subject are all carefully examined, as are production planning and the shoot, followed by the post-production stages involved in editing and reviewing the completed film.
Paul Kriwaczek is an award winning documentary maker who has a wealth of experience to pass on, having worked for many years at BBC Television where he wrote, directed and produced documentary, drama, music and science programmes.
a step by step approach to documentary making - from research, script preparation and filming to team roles.
different aesthetic treatments and stylesdescribed by leading documentary makers in the field
practical examples illustrated by stills, scripts and approaches to actual productions

Basic TV Reporting is a practical, easy to read guide to the skills needed to become a successful television reporter - arguably the most demanding and glamorous job in journalism. The book describes the role in detail, how reporters fit into the editorial team and where their duties begin and end.

Basic TV Reporting is a practical, easy to read guide to the skills needed to become a successful television reporter - arguably the most demanding and glamorous job in journalism. The book describes the role in detail, how reporters fit into the editorial team and where their duties begin and end.
The late Ivor Yorke has enjoyed a wealth of experience to pass on to aspiring broadcast journalists, having spent more than 20 years as a writer, reporter, producer and editor, before becoming Head of Journalist Training, BBC News and Current Affairs. He was also a freelance training consultant. He is the author of Television News (now in its third edition) and co-author with the late Bernard Hesketh of An Introduction to ENG, also published by Focal Press.
Reviews:
This is a short, well-constructed book which is of as much value to the interviewed as to the interviewer. It is practical and down-to-earth (keep off the gin, and stick to the tonic') and delightfully easy to read.'
British Journal of Educational Technology.
' Easy to read guide to the skills needed to become a successful TV
reporter.'
Voice of the Listener
Learn how to be a successful anchorman and commentator
Read how to handle difficult interviewees and multi-interview programmes and talkshows
take care when working on dangerous assignments The legal constraints and ethical considerationsfaced by reporters are also covered.

Thanks to the exploding popularity of food-based television shows (entire networks, even), websites, books, and magazines, food stylists and food photographers are in more demand today than ever before. While there are many amazing opportunities for creative professionals to showcase their work in ads, cookbooks, blogs, and food packaging, there is also more competition for these jobs. Whether you are a food stylist who works alongside photographers or a food photographer yourself, you'll find everything you need to know to give your portfolio that little extra push in this expert guide by three professionals with decades of experience in each field. More Food Styling for Photographers covers topics that Linda, Jean Ann, and Brad's fans have been asking for, such as shooting food on location, working with packaged foods, building the perfect breakfast shot, and more. Clients and foodies eat with their eyes first, so don't be afraid to play with your food - make sure it's YOUR image that whets their appetite!

Creating Special Effects for TV and Video is a concise and practical introduction to the techniques used in television production. Now completely updated, this third edition covers a wide range of special effects in a simple and practical form, with clear illustrations and photographs that support the text.
Creating Special Effects for TV and Video is a concise and practical introduction to the techniques used in television production. Now completely updated, this third edition covers a wide range of special effects in a simple and practical form, with clear illustrations and photographs that support the text.
Bernard Wilkie now a freelance consultant, director and writer, spent 25 years creating special effects for BBC TV where he became manager of one of the largest and most specialised visual FX units in the world.
Each of the following techniques are detailed, giving full descriptions of equipment, procedure and the type of effect obtained. Attention is also given to aspects of safety and the correct procedure for those engaged in dangerous sequences.

Drawing on the work of Barthes, Eco, Foucault, Baudrillard, Burgin and Tagg, and on the historians of mentalities, War and Photography presents a theoretical approach to the understanding of press photography in its historical and contemporary context. Brothers applies her argument with special reference to French and British newspaper images of the Spanish Civil War, a selection of which is presented in the book. Rejecting analyses based upon the content of the images alone, she argues that photographic meaning is largely predetermined by its institutional and cultural context. Acting as witnesses despite themselves, photographs convey a wealth of information not about any objective reality, but about the collective attitudes and beliefs particular to the culture in which they operate.

Polaroid Now celebrates new work created by contemporary artists working with Polaroid cameras and film today, and discusses the history, and evolution of the first instant imaging camera system that became a household name.

This curated selection of images is diverse aesthetically and geographically, and embraces the world-wide community of Polaroid artists. The book celebrates the unique, one-of-a-kind, and instantly gratifying qualities of Polaroid imagery. Additionally, Polaroid photographs by renowned luminaries such as Andy Warhol, David Hockney, and Chuck Close are included, as well a section on the 20x24 Polaroid camera.

• The cover of the book features a design that is reminiscent of the vintage Polaroid Colorpack Film boxes.
• The book features over 200 photographic images that explore the inherent beauty and possibilities of Polaroid film, as created by Polaroid artists from around the world.
• An index features popular Polaroid cameras that are still available and used today.

Digital Ultraviolet and Infrared Photography discusses the growing number of applications of ultraviolet and infrared photography. Scientific and technical photographers, such as those engaged in scientific, medical, forensic, and landscape and wildlife photography routinely use ultraviolet and infrared techniques, and these techniques are growing in use in creative photography. This is the first book to address the application and potential for both ultraviolet and infrared photography in both science and art. The author, Adrian Davies, discusses the how-to of ultraviolet and infrared digital recording with a dissection of techniques, camera requirements and camera conversion, a useful appendix of resources and equipment currently available and inspirational image examples throughout. Digital Ultraviolet and Infrared Photography is an essential read for photographers using these tools either professionally or creatively.

Selected Tips and Photographs From Pet Photography 101 by Andrew Darlow: Tip #1 Should you buy a DSLR, or a high-end Point and Shoot (a.k.a. a compact camera) to photograph your pets and other family members? What about a camera that can do both stills and video? Andrew gives an overview of what's out there and how to find just the right camera (or cameras) for you and your family. He also covers tips for taking better photos with your camera phone/smartphone. Tip #24 Learn how to find inexpensive, yet powerful handheld reflectors around the house, in your local hardware store or at another retailer, and find out what specific light stands and accessories you can use to hold them in place. Also learn techniques for using the sun as a "lightbulb in the sky." Tip #49 Valuable tips for getting your pets to stand still so that you can get great photographs of them (this is the pet photography question Andrew is most frequently asked!). Other suggestions in this tip include ways to get your pets moving around in interesting ways for better still photos or video clips. Tip #83 This tip covers an important yet often overlooked topic-organizing your photos. Andrew introduces the process and links to an online step-by-step tutorial with downloadable folders for keeping your images organized (whether you use Mac or Windows). Tip #99 This tip covers the reasons why continuous-tone photo prints from a photo lab or retail store are a great option. It also includes additional resources, including a link to a 4 x 6-inch calibration file on the companion site to help make sure you are getting proper color, density and sharpness. The book's companion site: www.PhotoPetTips.com, contains additional links, tips and information as well as free excerpts-including all of Chapter 2 as a free downloadable PDF.

Digital Ultraviolet and Infrared Photography discusses the growing number of applications of ultraviolet and infrared photography. Scientific and technical photographers, such as those engaged in scientific, medical, forensic, and landscape and wildlife photography routinely use ultraviolet and infrared techniques, and these techniques are growing in use in creative photography. This is the first book to address the application and potential for both ultraviolet and infrared photography in both science and art. The author, Adrian Davies, discusses the how-to of ultraviolet and infrared digital recording with a dissection of techniques, camera requirements and camera conversion, a useful appendix of resources and equipment currently available and inspirational image examples throughout. Digital Ultraviolet and Infrared Photography is an essential read for photographers using these tools either professionally or creatively.

Documenting theatrical and stage events under the often dramatic lighting designed for the production provides a number of specific photographic challenges, and is unlike most every other branch of photography. Theatre & Stage Photography provides an overview of basic photography as it applies to "available-light" situations, and will move both basic and experienced photographers through the process of accurately capturing both the production process and the resultant performance. The book is accompanied by additional web content found at stagephoto.org, including tutorials, author blog, a photo gallery, and more resources.

This new edition of an all-time best-seller is completely revised and updated and details the components and step-by-step use of over forty of the most widely used film cameras. Significant new topics include time code and time code slates, video assist, and the Steadicam film stabilizing system. Among a few of the new camera systems are the Aaton 16mm; Arriflex 535, 35-3, 35-BL3 and -BL4, and 16BL; Fries 35R3; and the all new Panavision Panaflex 35mm and 16mm. The book teaches basic film camera procedures and troubleshooting techniques. It also looks at all the components, accessories (including lenses), and support systems.
Details the step-by-step use of most film cameras.
Updated to cover the newest cameras.
Describes both the technique and equipment necessary to be an efficient cameraman.

Harness the full power of After Effects by mastering its native plug-in effects. Author Chad Perkins breaks down the creation and application of each native plug-in effect available in the After Effects toolset. He also shows you how each can be used optimally in your own media project, when and why it makes sense to use each, and how to "break the rules" by using effects in unconventional ways. Completely updated for CS6 and revised to include coverage of Keylight and the Cycore effects, you will learn every effect from color correction to distortion to simulation and all in between, putting the full power of After Effects in your hands. Included is instruction for using, among others: The 3D Camera Tracker The Cycore effects Matte tools, including Keylight and Refine Matte Color correction tools A wide array of pattern generating tools The downloadable resources include project files, allowing you work hand-in-hand with the lessons contained in the book. Customers who buy an electronic version of the book can contact Peter Linsley ([email protected]) with their receipt and Focal Press will grant access to the companion files.

New Vocabularies in Film Semiotics provides a comprehensive lexicon of semiotic concepts. With sections on linguistics, narratology, psychoanalysis and intertextuality, it constructs an indispensable dictionary for film theory, defining over five hundred critical terms. The authors address key aspects of contemporary semiotics and cultural debate, while referring to the work of figures such as Pierce, Saussure, Derrida, Barthes, Propp, Genette, Greimas, Kristeva, Lacan, Metz, Bellour, Heath, Mulvey, Johnston, Rose, Doane, Bakhtin, and Baudrillard.
The semiotic concepts are illustrated by examples drawn from the films of directors such as Welles, Dreyer, Bunuel, Godard, Hitchcock, Varda, Akerman, and Woody Allen. Although especially geared to the needs of film students, New Vocabularies in Film Semiotics should be useful for scholars in all areas of the arts, philosophy, and literature.

Whether you are a working professional, a performance student or just interested in the techniques behind the effects, Secrets of Hollywood Special Effects provides the insights you've been looking for. This text is the comprehensive guide to special effects.
Many different kinds of effects are covered, including chemicals, pyrotechnics, weapons, levitation and weather. Written by a recognized expert in the field, this book contains over 200 illustrations and diagrams providing in depth coverage of every detail. Case studies and a "behind the scenes" look at the 'The Fisher King' are included.
Perfect for the professional or for the performance student.
Covers a wide variety of effects and techniques.
Numerous case studies and illustrations are included.