Have you ever wondered what it is that professional photographers do day in and day out that enables them to take consistently compelling images? Or thought that unravelling the insider secrets of the professionals could inspire you? This book takes a contemporary and innovative approach to revealing the day-to-day habits of the world's most successful wildlife, landscape and macro photographers, divulging the core skills and techniques through which they excel. This book is crammed full with expert advice taken from the world's leading pros directly from the field. It will empower the development of your skills to a professional level and fire your imagination. Starting with the basics of how to plan a rewarding field trip (whether locally or afar) for one day or a month, and covering all aspects of camera handling and photographic technique including: how to make perfect exposures every time, ensure pin-sharp images of moving subjects, decipher the complexities of camera menus and controls, and break through the mysteries of composition. And, having learned the secrets to success, the book maps out some simple yet powerful photo exercises and self-assignments to encourage you to explore all facets of digital photography and put into practice the essential skills that will make you, too, a highly successful photographer.

Camera trapping is a powerful and now widely used tool in scientific research on wildlife ecology and management. It provides a unique opportunity for collecting knowledge, investigating the presence of animals, or recording and studying behaviour. Its visual nature makes it easy to successfully convey findings to a wide audience. This book provides a much-needed guide to the sound use of camera trapping for the most common ecological applications to wildlife research. Each phase involved in the use of camera trapping is covered: - Selecting the right camera type - Set-up and field deployment of your camera trap - Defining the sampling design: presence/absence, species inventory, abundance; occupancy at species level; capture-mark-recapture for density estimation; behavioural studies; community-level analysis - Data storage, management and analysis for your research topic, with illustrative examples for using R and Excel - Using camera trapping for monitoring, conservation and public engagement. Each chapter in this edited volume is essential reading for students, scientists, ecologists, educators and professionals involved in wildlife research or management.

On the Track offers a comprehensive guide to scoring for film and television. Covering all styles and genres, the authors, both noted film composers, cover everything from the nuts-and-bolts of timing, cuing, and recording through balancing the composer's aesthetic vision with the needs of the film itself. Unlike other books that are aimed at the person "dreaming" of a career, this guide can be used by everyone from students to technically sophisticated professionals. Plus, it contains over 77 interviews with noted composers, illustrating the many technical points made through the text.

Flowers have played an important role in human culture and survival for thousands of years. The final products of flowers-fruits and seeds-are vitally important as food. Flowers provide bursts of color to homes and gardens and they symbolize love, sorrow, and renewal. Yet we often overlook their real purpose. Why do flowers exist and why do they have certain colors, shapes, and smells? What function does a flower have in the life and survival of the plants themselves? In nature, flowers play an essential role in improving a plant's chances of survival. Some flowers are pollinated by wind or water but most are designed to attract and reward pollinators, such as bees, butterflies, birds, and bats, to carry their pollen from flower to flower. After being pollinated, flowers produce fruits and again take advantage of wind, water, and animals to disperse their seeds, ensuring a new generation of their species. Pollination and seed dispersal are fine-tuned systems, and their importance in sustaining a healthy environment cannot be overstated. And, as ongoing climate and other environmental changes apply new pressures, flowers must continue to adapt in order to survive. In this beautifully illustrated book with over 200 stunning photographs, Michael Fogden and Patricia Fogden draw from existing research and their extensive field experiences all over the world to present a detailed but accessible introduction to the natural history of flowers. They discuss a representative sample of flowering and fruiting strategies, illustrating interactions between plants and their pollinators and dispersers, and conclude with descriptions of their favorite tropical flowers.

Digital SLR cameras have made it easier than ever before to photograph the night sky. Whether you're a beginner, nature photographer, or serious astronomer, this is the definitive handbook to capturing the heavens. Starting with simple projects for beginners such as cameras on tripods, it then moves onto more advanced projects including telescope photography and methods of astronomical research. With 80% revised and updated material, this new edition covers nightscapes, eclipses, using cameras with sky trackers and telescopes, and tools for identifying celestial objects and investigating them scientifically. Image processing is discussed in detail, with worked examples from three popular software packages - Nebulosity, Maxlm DL, and PixInsight. Rather than taking a recipe-book approach, Covington explains how your equipment works as well as offering advice on many practical considerations, such as choice of set-up and the testing of lenses, making this a comprehensive guide for anyone involved in astrophotography.

Winner, Association of American Publishers' Professional and Scholarly Publishing Award in Business, Management and Accounting

The Corporate Eye examines the intersection of photography as a mass technology with corporate concerns about efficiency in the Progressive period. Discussing the work of, among others, Frederick W. Taylor, Eadweard Muybridge, Frank Gilbreth, and Lewis Hine, Elspeth H. Brown explores this intersection through a variety of examples, including racial discrimination in hiring, the problem of photographic realism, and the gendered assumptions at work in the origins of modern marketing. She concludes that the goal uniting the various forms and applications of photographic production in that era was the increased rationalization of the modern economy through a set of interlocking managerial innovations, technologies that sought to redesign not only industrial production but the modern subject itself.

"A highly welcome contribution to the field of business history as well as American visual culture." -- Business History Review

"This highly readable, interdisciplinary book provides insights into both the history of American economic development and the history of photography." -- Patricia Johnson, Afterimage

"A unique and interdisciplinary analysis of the intersection between visual and commercial culture in the USA." -- History of Photography

"The Corporate Eye is American studies and interdisciplinary cultural history at its best." -- Journal of American History

"This is a book whose 'big picture' is fully in focus." -- Technology and Culture

"Meticulous research and rich contextualization... A welcome and imaginative addition to the history of visualtechnologies and commercial history." -- Industrial Archaeology

Elspeth H. Brown is an associate professor of history at the University of Toronto and the director of the Centre for the Study of the United States, Munck Centre for International Studies, University of Toronto.

Birds of Prey - or raptors - are some of the most captivating bird species in the world. Think of eagles and condors, vultures, hawks and kites, but also owls and ospreys. Think of the peregrine falcon, which, reaching speeds of up to 320km/h (200mph), is the world's fastest animal - when diving. From the New World Caracaras to the Oriental Hobby, the Northern Goshawk to the Swamp Harrier to the European Merlin, Birds of Prey explores the fascinating lifecycles, habitats, diets and, where applicable, migratory patterns, of more than 100 species from all around the world. They primarily hunt and feed on vertebrates that are large relative to the hunter. They have keen eyesight, being able to spot their prey from great distances, and strong feet equipped with talons for grasping or killing prey, and powerful, curved beaks for tearing flesh. In addition to hunting live prey, most also eat carrion, at least occasionally, and vultures and condors eat carrion as their main food source. With full captions explaining how the species hunt and feed, nest and rear their young, Birds of Prey is a brilliant examination in 240 outstanding colour photographs.

100 Ways to Take Better Nature & Wildlife Photographs is something really special. Not only is it a collection of over 100 breath-taking nature and wildlife photographs; Guy Edwardes also provides expert advice on how to achieve similar results for yourself. The book includes 100 straightforward practical tips to boost your photography. There is advice on everything from technique, composition and coping with extreme field conditions, to Photoshop manipulation and digital editing. This is an invaluable guide for photographers of all abilities. The main text describes the basic techniques for less-experienced photographers, while the captions describe the methods used and thought processes behind the images. More experienced photographers will benefit from useful tips and suggestions throughout the book, and the images will provide everyone with inspiration and new ideas. Above all, the photography is a joy. From capturing the actions of large mammals to snapping wild birds and flowers in the garden Guy Edwardes' wonderful images are an inspiration for both nature lovers and photographers alike. The author is a leading nature and landscape photographer. His landscape photography is explored in his book 100 Ways to take Better Landscape Photographs.

Many astronomers are unaware of how to obtain the best results from their telescopes. For those interested in photographing the Sun, Moon and planets, this volume provides the complete reference. This guide is packed with practical tips on how to obtain the highest resolution and provides a wealth of stunning images by the world's best amateurs, showing just what can be achieved. Individual chapters describe the various types of telescopes, the most suitable equipment to photograph a given subject, and recommend films and techniques in developing and printing. Also given are short biographies of key high resolution astrophotographers, both past and present, and an extensive bibliography of further reading. This guide provides both a wealth of sound, practical techniques and a unique portfolio of Solar System images--an inspiring handbook for any amateur astronomer.

Essential for professional commercial photographers but with appeal for anyone who enjoys architectural photography, this book explains how to build better light indoors while finding the optimal positions for capturing images. Beginning with advice on understanding angles, controlling perspective, and becoming familiar with the tools necessary for capturing interiors, this guidebook then progresses onto explanations of various types of light, methods for manipulating them, and circumstances under which different lights should be utilized. Also included throughout the book are example shots of homes, businesses, and public spaces followed from start to finish, illustrating the challenges of the shoot, how these problems were solved, and any work that required editing after the shoot.

Jack Robinson made his name as a much-sought-after fashion and celebrity photographer during the 1960s and early 1970s, and his work is well documented in hundreds of pages of Vogue, Harper' Bazaar, and Life, as well as other publications. However, his personal life remains virtually unknown. In this study of Robinson and his photography, Howard Philips Smith takes an in-depth look at Robinson's early life in New Orleans, where he discovered his passion for painting, photography, and the Dixie Bohemian life of the French Quarter. A Sojourn in Paradise: Jack Robinson in 1950s New Orleans features more than one hundred photographs taken by the artist, accompanied by detailed commentary about Robinson's life in New Orleans and excerpts from interviews with the people who knew him when he lived there. Robinson's photographs of New Orleans reveal the genesis of two unique and fascinating facets of the city's history and culture: the creation of the first gay Carnival krewes who would make their own unique contribution to the rich cultural history of the city and the formation of the Orleans Gallery, one of the earliest centers of the contemporary art movement blossoming in 1950s America. This detailed study of Jack Robinson's early life and photography illustrates the contributions of a gifted, gay artist whose quiet spirit and constant interior struggle found refuge in New Orleans, the city where he was able to find himself, for a time, free from society's grip and open to exploring life on his own terms.

"Neural networks do not understand what optical illusions are." - Technologyreview.com "Some pictures tell a thousand lies." - hplyrikz.com An optical illusion confuses the eye by pretending to be something it isn't. It both misleads and deceives the brain, which is trying to make sense of the information the eye is sending. This book presents a selection of brain-bending optical illusions featuring graphic art and photography by 60 artists, and includes an overview of the history of optical illusions in art.

Capture amazing pictures of your furry and feathered visitors. Richard Peters won the European Wildlife Photographer of the Year award for a photograph taken in his very ordinary suburban back garden. In this book, he shares the methods he used to get stunning professional nature photos without having to head out on safari. Starting with the basics, this book will show a complete beginner how to capture pro-level pictures from their garden. It covers where to place your camera, how optics can completely change your shot, reveals the gadgets that can enhance your photos, and even how to overcome the elements. This is the perfect book for bird-watchers and animal lovers who want to capture what they see and share their passion with the world. Social media definitely loves a good animal photo!

Insider's guide is a field guide that shows readers the best places to photograph wildlife in South Africa. Much of the information regarding good wildlife photography is localised or knowledge specific to a certain area. This title allows people to gain insight as to where the best places are to photograph elephants in the Kruger Park, where you can easily find leopards, what time the sand grouse drink in the morning and a better place than Boulders Beach to photograph penguins. With stunning photography coupled with simple easy-to-read chapters, Insider's guide is a gem for nature enthusiasts.

This title includes helpful, step-by step photo ideas & tips and an engaging voice that will inspire new parents and grandparents. In this beautiful book, acclaimed photographer Me Ra Koh shows new parents how to capture the story of their baby's first year with 40 easy 'photo recipes' anyone can do, with any camera. The first year of a baby's life is full of precious, fleeting moments and heart-tugging change. In this book, new parents and grandparents are inspired with easy, step-by-step photo ideas for capturing developmental milestones and special moments, from tiny yawns to first smiles, learning to sit up and much more. Unlike most books on photographing children, which are written by photographers for photographers, ours is written by a mother in a friendly, nontechnical voice. With helpful tips and an engaging parent-to-parent voice, Me Ra shows how easy taking great photos can be.

Now fully updated by Des Lyver to reflect the latest advances, the second edition of Basics of Video Lighting is a primer for anyone wishing to learn about lighting a video production. It describes the principles and processes involved in obtaining professional results in educational, training and corporate environments.

Assuming little prior knowledge, this book covers everything from the different types of lights and their control, to basic studio and location settings. It features:
- the latest technology, including the use of location and grip gear and changes in lamp and reflector technology
- coverage of studio and location work
- descriptions of the role of each crew member
- full explanations of technical terms
- health and safety precautions
- practical advice on the equipment available and how to use it
Basics of Video Lighting aims to provide the reader with a rapid understanding of what is actually a complex process, without getting too bogged down in technical terms. It is equipment non-specific and references to technical matters are only included where necessary to understanding, for example a short explanation of the simple electricity that is needed to understand the relationship between the camera and the lights.
- covers the latest technology
- features studio and location work
- describes the role of each crew member

Photography and fascism in interwar Europe developed into a highly toxic and combustible formula. Particularly in concert with aggressive display techniques, the European fascists were utterly convinced of their ability to use the medium of photography to manufacture consent among their publics. Unfortunately, as we know in hindsight, they succeeded. Other dictatorial regimes in the 1930s harnessed this powerful combination of photography and exhibitions for their own odious purposes. But this book, for the first time, focuses on the particularly consequential dialectic between Germany and Italy in the early-to-mid 1930s, and within each of those countries vis-a-vis display culture. The 1930s provides a potent case study for every generation, and it is as urgent as ever in our global political environment to deeply understand the central role of visual imagery in what transpired. Photofascism demonstrates precisely how dictatorial regimes use photographic mass media, methodically and in combination with display, to persuade the public with often times highly destructive-even catastrophic-results.

In/Visible War addresses a paradox of twenty-first century American warfare. The contemporary visual American experience of war is ubiquitous, and yet war is simultaneously invisible or absent; we lack a lived sense that "America" is at war. This paradox of in/visibility concerns the gap between the experiences of war zones and the visual, mediated experience of war in public, popular culture, which absents and renders invisible the former. Large portions of the domestic public experience war only at a distance. For these citizens, war seems abstract, or may even seem to have disappeared altogether due to a relative absence of visual images of casualties. Perhaps even more significantly, wars can be fought without sacrifice by the vast majority of Americans. Yet, the normalization of twenty-first century war also renders it highly visible. War is made visible through popular, commercial, mediated culture. The spectacle of war occupies the contemporary public sphere in the forms of celebrations at athletic events and in films, video games, and other media, coming together as MIME, the Military-Industrial-Media-Entertainment Network.

The Complete Guide to Macro and Close-Up Photography is a comprehensive handbook on macro and close-up photography, offering both ambitious beginners and veteran photographers all the information they need to create great macro photographs. Experienced photographer and author Cyrill Harnischmacher covers: Explanations of all the concepts behind close-up and macro photography Equipment, including camera systems, macro lenses, close-up lenses, extension tubes, and reversing rings Shooting techniques such as high-speed photography using photoelectric sensors, light painting, focus stacking to extend depth of field, panoramic and infrared macros, extended contrast with HDR technology, and multiple exposures Tackling subject matter both in the field and in the studio Working creatively with ambient and artificial light Countless hands-on shooting tips Post-processing your macro images The book also offers insights about macro photo composition, discussing light, color, camera position, and focus. With more than 600 images and figures illustrating the various ways readers can document the world of the infinitesimal, this book is not only a technical guide, but also a source of inspiration giving readers ideas to run with and make their own. Finally, the book also includes do-it-yourself projects, offering solutions both for everyday shooting as well as for dealing with specific situations unique to macro photography.

In/Visible War addresses a paradox of twenty-first century American warfare. The contemporary visual American experience of war is ubiquitous, and yet war is simultaneously invisible or absent; we lack a lived sense that "America" is at war. This paradox of in/visibility concerns the gap between the experiences of war zones and the visual, mediated experience of war in public, popular culture, which absents and renders invisible the former. Large portions of the domestic public experience war only at a distance. For these citizens, war seems abstract, or may even seem to have disappeared altogether due to a relative absence of visual images of casualties. Perhaps even more significantly, wars can be fought without sacrifice by the vast majority of Americans. Yet, the normalization of twenty-first century war also renders it highly visible. War is made visible through popular, commercial, mediated culture. The spectacle of war occupies the contemporary public sphere in the forms of celebrations at athletic events and in films, video games, and other media, coming together as MIME, the Military-Industrial-Media-Entertainment Network.

In 1911 the French couturier Paul Poiret challenged Edward Steichen to create the first artistic, rather than merely documentary, fashion photographs, a moment that is now considered to be a turning point in the history of fashion photography. As fashion changed over the next century, so did the photography of fashion. Steichen's modernist approach was forthright and visually arresting. In the 1930s the photographer Martin Munkacsi pioneered a gritty, photojournalistic style. In the 1960s Richard Avedon encouraged his models to express their personalities by smiling and laughing, which had often been discouraged previously. Helmut Newton brought an explosion of sexuality into fashion images and turned the tables on traditional gender stereotypes in the 1970s, and in the 1980s Bruce Weber and Herb Ritts made male sexuality an important part of fashion photography. Today, following the integration of digital technology, teams like Inez & Vinoodh and Mert & Marcus are reshaping our notion of what is acceptable-not just aesthetically but technically and conceptually-in a fashion photograph. From glossy pages in Vogue and Harper's Bazaar to framed prints on museum walls, fashion photography encompasses both commercial advertising and fine art. This survey of one hundred years of fashion photography updates and reevaluates this history in five chronological chapters by experts in photography and fashion history. It includes more than three hundred photographs by the genre's most famous practitioners as well as important but lesser-known figures, alongside a selection of costumes, fashion illustrations, magazine covers, and advertisements.

A history and theory of the drive to hide in plain sight. Camouflage is an adaptive logic of escape from photographic representation. In Hide and Seek, Hanna Rose Shell traces the evolution of camouflage as it developed in counterpoint to technological advances in photography, innovations in warfare, and as-yet-unsolved mysteries of natural history. Today camouflage is commonly thought of as a textile pattern of interlocking greens and browns. But in Hide and Seek it reveals itself to be much more-a set of institutional structures, mixed-media art practices, and permutations of subjectivity, that emerged over the course of the twentieth century in environments increasingly mediated by photographic and cinematic intervention. Through a series of fascinating case studies, Shell uncovers three conceptually linked species of photographic camouflage-the static, the serial, and the dynamic-and shows how each not only reflects the type of photographic reconnaissance it was meant to counter, but also contains aspects of the previously developed species. Hide and Seek develops its argument from the material forms camouflage has left behind: photomontages, paper blankets, stuffed rabbits, ghillie suits, and instructional films. Beginning with natural history and figurative art in the late nineteenth-century, continuing through the rise of aerial warfare in World War I, and onto the cinematic techniques designed to train snipers and civilians during World War II, this book is both a history and a theory of the drive to hide in plain sight.