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Books > Arts & Architecture > Photography & photographs > Special kinds of photography > General
100 Ways to Take Better Nature & Wildlife Photographs is something really special. Not only is it a collection of over 100 breath-taking nature and wildlife photographs; Guy Edwardes also provides expert advice on how to achieve similar results for yourself. The book includes 100 straightforward practical tips to boost your photography. There is advice on everything from technique, composition and coping with extreme field conditions, to Photoshop manipulation and digital editing. This is an invaluable guide for photographers of all abilities. The main text describes the basic techniques for less-experienced photographers, while the captions describe the methods used and thought processes behind the images. More experienced photographers will benefit from useful tips and suggestions throughout the book, and the images will provide everyone with inspiration and new ideas. Above all, the photography is a joy. From capturing the actions of large mammals to snapping wild birds and flowers in the garden Guy Edwardes' wonderful images are an inspiration for both nature lovers and photographers alike. The author is a leading nature and landscape photographer. His landscape photography is explored in his book 100 Ways to take Better Landscape Photographs.
Essential for professional commercial photographers but with appeal for anyone who enjoys architectural photography, this book explains how to build better light indoors while finding the optimal positions for capturing images. Beginning with advice on understanding angles, controlling perspective, and becoming familiar with the tools necessary for capturing interiors, this guidebook then progresses onto explanations of various types of light, methods for manipulating them, and circumstances under which different lights should be utilized. Also included throughout the book are example shots of homes, businesses, and public spaces followed from start to finish, illustrating the challenges of the shoot, how these problems were solved, and any work that required editing after the shoot.
"Each photograph is like a diary entry of my life." -Patti Smith This captivating selection of 70 intimate black and white photographs conveys Patti Smith's singular experience as a photographer as it relates to many facets of her fascinating life and career. Exquisitely designed and produced, Patti Smith: Camera Solo accompanies the first museum exhibition of the artist's photography in the United States. Using either a vintage Land 100 or a Land 250 Polaroid camera, Smith photographs subjects inspired by her connections to poetry and literature as well as pictures that honor the personal effects of those she admires or loves. In the catalogue's interview, conducted by Susan Lubowsky Talbott, the artist talks about her "respect for the inanimate object" as well as the talismanic qualities of things in her life. We see, for instance, a picture of Mapplethorpe's slippers or a porcelain cup that belonged to her father, and are drawn into their intimacy and quiet power. Moreover, these images reveal how the camera has proven to be a means for Smith to retreat-undisturbed-to "a room of my own." From her explorations as a visual artist in the 1960s and 70s and her profound influence on the nascent punk rock scene in the late 1970s and 80s, to Just Kids, her National Book Award-winning memoir of life with her beloved friend Robert Mapplethorpe, Smith continues to make an indelible mark on the American cultural landscape. Published in association with the Wadsworth Atheneum Museum of Art Exhibition Schedule: Wadsworth Museum of Art(10/21/11-02/19/12) The Detroit Institute of Arts(06/01/12-09/02/12) Art Gallery of Ontario (02/09/13-05/19/13)
"Neural networks do not understand what optical illusions are." - Technologyreview.com "Some pictures tell a thousand lies." - hplyrikz.com An optical illusion confuses the eye by pretending to be something it isn't. It both misleads and deceives the brain, which is trying to make sense of the information the eye is sending. This book presents a selection of brain-bending optical illusions featuring graphic art and photography by 60 artists, and includes an overview of the history of optical illusions in art.
Insider's guide is a field guide that shows readers the best places to photograph wildlife in South Africa. Much of the information regarding good wildlife photography is localised or knowledge specific to a certain area. This title allows people to gain insight as to where the best places are to photograph elephants in the Kruger Park, where you can easily find leopards, what time the sand grouse drink in the morning and a better place than Boulders Beach to photograph penguins. With stunning photography coupled with simple easy-to-read chapters, Insider's guide is a gem for nature enthusiasts.
Now fully updated by Des Lyver to reflect the latest advances, the second edition of Basics of Video Lighting is a primer for anyone wishing to learn about lighting a video production. It describes the principles and processes involved in obtaining professional results in educational, training and corporate environments. Assuming little prior knowledge, this book covers everything
from the different types of lights and their control, to basic
studio and location settings. It features:
These are the most memorable underwater images from the prestigious Wildlife Photographer of the Year competition. They have been specially selected for this unique book from the hundred of thousands of images received over the last 50 years. The collection gives us a glimpse into an often unseen world containing many strange and beguiling creatures. Each image is accompanied by a story from the photographer, explaining what the image means to them and how they were able to capture it. This portfolio reveals a spectacular panoply of life, which is as diverse and colourful as anything found on land.
Photography and fascism in interwar Europe developed into a highly toxic and combustible formula. Particularly in concert with aggressive display techniques, the European fascists were utterly convinced of their ability to use the medium of photography to manufacture consent among their publics. Unfortunately, as we know in hindsight, they succeeded. Other dictatorial regimes in the 1930s harnessed this powerful combination of photography and exhibitions for their own odious purposes. But this book, for the first time, focuses on the particularly consequential dialectic between Germany and Italy in the early-to-mid 1930s, and within each of those countries vis-a-vis display culture. The 1930s provides a potent case study for every generation, and it is as urgent as ever in our global political environment to deeply understand the central role of visual imagery in what transpired. Photofascism demonstrates precisely how dictatorial regimes use photographic mass media, methodically and in combination with display, to persuade the public with often times highly destructive-even catastrophic-results.
In Street Photography: The Art of Capturing the Candid Moment, Gordon Lewis helps readers understand and conquer the challenging yet rewarding world of street photography. The book includes discussions of why photographers are drawn to street photography, the different styles of street photography, and what makes a great street photograph. Since the advent of the camera, there have been photographers whose mission is to record and interpret the public sphere in all its aspects. Eugene Atget documented evidence of everyday life in the streets as well as the buildings and monuments of Paris. Henri Cartier-Bresson pursued what he called "The Decisive Moment," the moment in which the meaning of an event was most clearly captured in a photograph. Their work, and that of many other masters, has inspired generations of photographers to wander public spaces, camera in hand, searching for meaningful moments in time. Success requires the street photographer to be proficient with their equipment, to be constantly aware of their surroundings, and to have a keen eye. Quick reflexes and self-confidence are essential. Street photographers know from experience that hesitation or procrastination could mean missing a once-in-a-lifetime shot. The adage "it's better to ask for forgiveness than permission" was probably coined by a street photographer. In Street Photography: The Art of Capturing the Candid Moment, Gordon Lewis helps readers understand and conquer the challenging yet rewarding world of street photography. The book includes discussions of why photographers are drawn to street photography, the different styles of street photography, and what makes a great street photograph. Lewis then goes on to explore how the choice of location can change a photographer's approach to image capture: from city streets to fairs to beaches, Lewis discusses the impact different environments have on the process of street photography. Another crucial element to becoming a good street photographer is learning to travel light, with minimal equipment. Lewis gives readers practical advice on everything from cameras and lenses to camera bags and clothing. Lewis also delves into the techniques and approaches that will help novices master the art of street photography. Whether your style is to engage your subjects or to remain unnoticed and take candid portraits, Lewis offers ideas on how to capture fascinating moments in time: a gesture, expression, or composition that may exist for only a fraction of a second, but can leave a lasting impression of the wonders, challenges, and absurdities of modern life.
Winner, Association of American Publishers' Professional and Scholarly Publishing Award in Business, Management and Accounting The Corporate Eye examines the intersection of photography as a mass technology with corporate concerns about efficiency in the Progressive period. Discussing the work of, among others, Frederick W. Taylor, Eadweard Muybridge, Frank Gilbreth, and Lewis Hine, Elspeth H. Brown explores this intersection through a variety of examples, including racial discrimination in hiring, the problem of photographic realism, and the gendered assumptions at work in the origins of modern marketing. She concludes that the goal uniting the various forms and applications of photographic production in that era was the increased rationalization of the modern economy through a set of interlocking managerial innovations, technologies that sought to redesign not only industrial production but the modern subject itself. "A highly welcome contribution to the field of business history as well as American visual culture." -- Business History Review "This highly readable, interdisciplinary book provides insights into both the history of American economic development and the history of photography." -- Patricia Johnson, Afterimage "A unique and interdisciplinary analysis of the intersection between visual and commercial culture in the USA." -- History of Photography "The Corporate Eye is American studies and interdisciplinary cultural history at its best." -- Journal of American History "This is a book whose 'big picture' is fully in focus." -- Technology and Culture "Meticulous research and rich contextualization... A welcome and imaginative addition to the history of visualtechnologies and commercial history." -- Industrial Archaeology Elspeth H. Brown is an associate professor of history at the University of Toronto and the director of the Centre for the Study of the United States, Munck Centre for International Studies, University of Toronto.
A current overview of Display Systems, written by recognised experts in the field. This book gives practical guidance on the latest technological developments and new application areas of displays which will enable the reader to gain an understanding of the current state of the art as well as the major trends that will shape future applications of displays and display systems. Display Systems offers an insight into display technology with a view to defining its best potential, by focusing on performance assessment and optimum utilisation. It brings together complimentary disciplines of design, hardware and usage, covering a wide range of developments, and is written by leading international experts. The book is divided into three sections: (1) requirements for display systems, covering topics such as applications and evaluation; (2) display technology, covering developments in flat panel displays as well as CRT’s; and (3) display characterisation, including measurement techniques and colour specification. Also covered are ergonomic requirements for display systems and their mutual dependence on standards. The book will be welcomed by scientists, technologists and engineers active in the field and also by the developers of a wide range of systems and applications for displays. Its technical content is suitable for final year undergraduate or postgraduate study. The Society for Information Display (SID) is an international society which has the aim of encouraging the development of all aspects of the field of information display. Indeed, it is the only international society dedicated solely to this field, which is broad and inter—disciplinary, not only in the scientific sense, but through development and manufacturing to marketing. Wiley SID Series in Display Technology This volume is the first in the series which aims to present a comprehensive technical discussion of the many disciplines which must be combined in the development of display systems. Further volumes will be announced in due course and more information on SID, its aims and activities can be found from its home page.
Discover how to style and photograph food like the pros Whether you're taking shots for a foodie blog, advertisements, packaging, menus, or cookbooks, "Food Styling & Photography For Dummies" shows you how to take the next step in your passion for food and photography. This attractive, informative, and fun guide to the fundamentals of food styling provides information on the tools and techniques used by some of the most successful industry professionals. "Food Styling & Photography For Dummies " provides you with the fundamentals of food styling and gives you the inside scoop on the tools and techniques used by some of the most successful industry professionals. Shows you how to translate taste, aroma, and appeal through color, texture, and portionIncludes techniques such as extreme close-ups, selective focus, and unique angles to create dramatic effectDetailed coverage on lighting and compositionTips for choosing the proper equipment and mastering the use of camera settings, lenses, and post-production softwareAdvice for creating a professional personality and getting your food photography business off the ground Whether you're an amateur or professional food photographer, "Food Styling & Photography For Dummies" is a fun and informative guide to photographing and arranging culinary subject matter.
THESE ARE THE WORDS THAT CAME TO ME. NO MATTER HOW THEY GOT HERE, THEY DID THE F***ING JOB. Iggy Pop hasn't left a mark on music; he's left it battered and bruised, too. Inducted into the Rock and Roll Hall of Fame in 2010, here for the first time are his selected lyrics, complete with stunning original photographs, illustrations, alongside Iggy and others' reflections on a genre-defining music career that spans five decades. Coinciding with a new album, FREE, this is the ultimate book for every rock and roll fan.
Studio photography is a common career path for aspiring
photographers and students but the professional and commercial
nature of the field makes it a challenging area to break into.
Featuring more than two hundred gorgeous color photographs of Indiana's champion trees and old-growth forest remnants, Magnificent Trees of Indiana is a celebration of the state's natural beauty. Seventy-four trees are featured as well as twenty old-growth woods. Each has been photographed to illuminate the grandeur of the natural world. Accessible to the outdoor enthusiast, this book details the changes that have occurred over the last two centuries in Indiana's forests, including the landscape geology and physiography. The forest is celebrated as a living community, with highlights including odd forms, curious trees, and unique occurrences-many of which can still be visited today. Magnificent Trees of Indiana makes for a beautiful coffee-table gift book for any Hoosier or nature lover, walking the reader through the geologic past, into early pioneer times, and onward to the present, all while covering the history, value, and economic importance of our hardwood forests.
In this major work on landscape photography, extensively illustrated in colour and black & white, Liz Wells is concerned with the ways in which photographers engage with issues about land, its representation and idealisation. She demonstrates how the visual interpretation of land as landscape reflects and reinforces contemporary political, social and environmental attitudes. She also asks what is at stake in landscape photography now through placing critical appraisal of key examples of work by photographers working in, for example, the USA, in Europe, Scandinavia and Baltic areas, within broader art historical and political concerns. This illuminating book will interest readers in photography and media, geography, art history and travel, as well as those concerned with environmental issues.
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