This volume offers fresh approaches to the material and the subject
matter of late medieval English alabaster sculptures, bringing them
into dialogue with twenty-first-century scholarship on pre-modern
visual culture. The book comprises an introduction by Brantley and
Perkinson; ten essays by scholars trained in the history of
medieval art and/or medieval English literature, including Brantley
and Perkinson; and an afterword by Paul Binski.
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