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Madam Britannia - Women, Church, and Nation 1712-1812 (Hardcover)
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Madam Britannia - Women, Church, and Nation 1712-1812 (Hardcover)
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Madam Britannia: Women, Church, and Nation, 1712-1812 explores the
complex and fascinating relationship between women, Protestantism,
and nationhood. Opening with a history of Britannia, this book
argues that Britannia becomes increasingly popular as a national
emblem from 1688 onwards. Over the eighteenth century, depictions
of Britannia become exemplary as well as emblematic, her behaviour
to be imitated as well as admired. Britannia takes life during the
eighteenth century, stepping out of iconic representation on coins,
out of the pages of James Thomson's poetry, down from the stage of
David Mallett's plays, the frames of Francis Hayman and William
Hogarth's paintings, and John Flaxman's monuments to enter people's
lives as an identity to be experienced.
One of the key strands explored in this book is Britannia's
relationship to female personifications of the Church of England,
which themselves often drew on key Protestant Queens such as
Elizabeth I and Anne. But during the eighteenth century, Britannia
also gained cultural status by being a female figure of nationhood
at a time when Enlightenment historians developed conjectural
histories which placed women at the centre of civilization. Women's
religion, conversation, and social practice thus had a new
resonance in this new, self-consciously civilized age. In this
book, Emma Major looks at how narratives of faith, national
identity, and civilisation allowed women such as Elizabeth Burnet,
Elizabeth Montagu, Catherine Talbot, Anna Laetitia Barbauld, Hester
Lynch Thrale Piozzi, and Hannah More to see themselves as active
agents in the shaping of the nation.
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