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Literatures of Alchemy in Medieval and Early Modern England (Hardcover)
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Literatures of Alchemy in Medieval and Early Modern England (Hardcover)
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Explores the myriad ways in which alchemy was conceptualised by
adepts and sceptics alike, from those with recourse to a fully
functioning laboratory to those who did not know their pelican from
their athanor! The language of alchemy (the art of transmuting
metals and manufacturing pharmaceutical medicine) is defined by
obscure imagery, authorial play and dense knottiness, tempting
curious readers to unpick its impenetrable promises. From the
fourteenth to the seventeenth century, alchemical literature was
read, interpreted and reimagined both by those with recourse to a
fully functioning laboratory and those who did not know their
pelican from their athanor. Recent studies by historians of science
have succeeded in decoding the difficult language of these texts,
revealing the replicable chemical procedures behind their
metaphors. However, as a literary investigation of alchemy, this
book explores more fluid understandings of the art in the period.
Through an analysis of medieval and early modern texts and
manuscript cultures, the volume explores the myriad ways in which
alchemy was conceptualised in this period, by adept and sceptic
alike. From Geoffrey Chaucer's mockery of the impotence of
alchemical 'pryvetee' in The Canterbury Tales, and John Gower's
macrocosmic hope for societal amelioration in the Confessio
Amantis, to Elias Ashmole's angelic alchemy in the Theatrum
chemicum britannicum, it explores the natural philosophy that
underpinned such diverse representations of this 'slidynge
science', proffering a theory of 'alchemical hermeneutics' as a
conspiratorial way of reading that sees alchemy in all.
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