There is extraordinary diversity, depth, and complexity in the
encounter between theatre, performance, and human rights. Through
an examination of a rich repertoire of plays and performance
practices from and about countries across six continents, the
contributors to this volume seek to open the way toward
understanding the character and significance of this encounter.
Divided into three interrelated sections, the book focuses on a
range of critical and timely human rights questions as they relate
to transitional justice, memory politics, citizenship, the 'War on
Terror, ' transnational spectatorship, and the global economic
order. Authors ask what artists, audiences and readers imagine,
expect, and desire from the engagement of theatre and performance
with these crucial questions. Ultimately, this book aims to provide
nuanced, global perspectives on the emerging and transformative
aesthetics, ethics and effects of this encounter at the turn of the
twenty-first century.
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