'The great English novelists are Jane Austen, George Eliot,
Henry James and Joseph Conrad. . .'
So begins what is arguably F. R. Leavis's most controversial
book, The Great Tradition, an uncompromising critical and polemical
survey of English fiction that was first published in 1948. He puts
a powerful case for "moral seriousness" as the necessary criterion
for inclusion in any list of the finest novelists. In the course of
his argument he adds D. H. Lawrence to the pantheon, and singles
out Charles Dickens's Hard Times as the one work of his that has
the strength of 'a completely serious work of art'.
The Great Tradition is full of Leavis's characteristically
austere rejections of styles of fiction that he found lacking in
moral intensity. He dismissed Lawrence Sterne for his
'irresponsible (and nasty) trifling'. Of Henry Fielding he wrote
that he is important 'not because he leads to Mr J. B. Priestley
but because he leads to Jane Austen, to appreciate whose
distinction is to feel that life isn't long enough to permit of
one's giving much time to Fielding or any to Mr Priestley.' Joyce's
Ulysses, he said, was less a new start for fiction than 'a dead
end'.
Fiercely serious, pugnacious and stimulating, The Great
Tradition is an unforgettable defence of 'those creative geniuses
whose distinction is manifested in their being peculiarly alive in
their time'.
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