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Music in Renaissance Magic (Paperback, New edition)
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Music in Renaissance Magic (Paperback, New edition)
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Magic enjoyed a vigorous revival in sixteenth-century Europe,
attaining a prestige lost for over a millennium and becoming, for
some, a kind of universal philosophy. Renaissance music also
suggested a form of universal knowledge through renewed interest in
two ancient themes: the Pythagorean and Platonic "harmony of the
celestial spheres" and the legendary effects of the music of bards
like Orpheus, Arion, and David. In this climate, Renaissance
philosophers drew many new and provocative connections between
music and the occult sciences.
In "Music in Renaissance Magic," Gary Tomlinson describes some of
these connections and offers a fresh view of the development of
early modern thought in Italy. Raising issues essential to
postmodern historiography--issues of cultural distance and our
relationship to the others who inhabit our constructions of the
past --Tomlinson provides a rich store of ideas for students of
early modern culture, for musicologists, and for historians of
philosophy, science, and religion.
"A scholarly step toward a goal that many composers have aimed for:
to rescue the "idea" of New Age Music--that music can promote
spiritual well-being--from the New Ageists who have reduced it to a
level of sonic wallpaper."--Kyle Gann, "Village Voice"
"An exemplary piece of musical and intellectual history, of
interest to all students of the Renaissance as well as
musicologists. . . . The author deserves congratulations for
introducing this new approach to the study of Renaissance
music."--Peter Burke, "NOTES"
"Gary Tomlinson's "Music in Renaissance Magic: Toward a
Historiography of Others" examines the 'otherness' of magical
cosmology. . . . [A] passionate, eloquently melancholy, and
important book."--Anne Lake Prescott, "Studies in English
Literature"
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