In 1636, residents at the convent of Santa Chiara in Carpi in northern Italy were struck by an extraordinary illness that provoked bizarre behavior. Eventually numbering fourteen, the afflicted nuns were subject to screaming fits, throwing themselves on the floor, and falling abruptly into a deep sleep. When medical experts' cures proved ineffective, exorcists ministered to the women and concluded that they were possessed by demons and the victims of witchcraft. Catering to women from elite families, the nunnery suffered much turmoil for three years and, remarkably, three of the victims died from their ills. A maverick nun and a former confessor were widely suspected to be responsible, through witchcraft, for these woes. Based primarily on the exhaustive investigation by the Inquisition of Modena, The Scourge of Demons examines this fascinating case in its historical context. The travails of Santa Chiara occurred at a time when Europe witnessed peaks in both witch-hunting and in the numbers of people reputedly possessed by demons. Female religious figures appeared particularly prone to demonic attacks, and Counter-Reformation Church authorities were especially interested in imposing stricter discipline on convents. Watt carefully considers how the nuns of Santa Chiara understood and experienced alleged possession and witchcraft, concluding that Santa Chiara's diabolical troubles and their denouement -- involving the actions of nuns, confessors, inquisitorial authorities, and exorcists -- were profoundly shaped by the unique confluence of religious, cultural, judicial, and intellectual trends that flourished in the 1630s. Jeffrey R. Watt is professor of history at the University of Mississippi.

Daughters of Hecate unites for the first time research on the problem of gender and magic in three ancient Mediterranean societies: early Judaism, Christianity, and Graeco-Roman culture. The book illuminates the gendering of ancient magic by approaching the topic from three distinct disciplinary perspectives: literary stereotyping, the social application of magic discourse, and material culture.
The volume challenges presumed associations of women and magic by probing the foundations of, processes, and motivations behind gendered stereotypes, beginning with Western culture's earliest associations of women and magic in the Bible and Homer's Odyssey. Daughters of Hecate provides a nuanced exploration of the topic while avoiding reductive approaches. In fact, the essays in this volume uncover complexities and counter-discourses that challenge, rather than reaffirm, many gendered stereotypes taken for granted and reified by most modern scholarship.
By combining critical theoretical methods with research into literary and material evidence, Daughters of Hecate interrogates gendered stereotypes that are as relevant now as for understanding antiquity or the early modern witch hunts.

A TIMES CRIME CLUB STAR PICK and AMAZON and KINDLE BESTSELLER! 'Fantastic. Excellent. Incredible. I could not put this one down for the life of me.' Reader Review 'A stunner! Without a doubt, one of the best crime novels of the year!' - No.1 international bestseller Jeffery Deaver In search of a new life, seventeen-year-old Adriana Clark's family moves to the ancient, ocean-battered Isle of Mull, far off the coast of Scotland. Then she goes missing. Faced with hostile locals and indifferent police, her desperate parents turn to private investigator Sadie Levesque. Sadie is the best at what she does. But when she finds Adriana's body in a cliffside cave, a seaweed crown carefully arranged on her head, she knows she's dealing with something she's never encountered before. The deeper she digs into the island's secrets, the closer danger creeps - and the more urgent her quest to find the killer grows. Because what if Adriana is not the last girl to die? Beautifully haunting with twists and turns you'll never see coming, The Last Girl to Die is your next obsession waiting to happen. Perfect for fans of Stuart MacBride and L.J. Ross. 'Oh my goodness, I absolutely and totally loved this book. Outstanding and compelling, it gave me whiplash from all the twists and turns.' - million-copy bestseller Angela Marsons 'An adroit and highly atmospheric mystery.' - Times Crime Club 'Fields has a knack of keeping you gripped for hours.' - The Sun 'Gloriously dark and twisty.' - Fabulous Readers absolutely LOVE The Last Girl to Die! 'Fantastic. Excellent. Incredible. I could not put this one down for the life of me.' 'What rollercoaster ride this was. I love it when a book shocks me the way this did.' 'Breathtaking. Twists and turns galore. I couldn't put it down, I loved it.' 'A tense, twisty, phenomenal read!' 'Haunting. Breathtaking shocks, unforeseen twists, and an emotionally shattering conclusion.' 'Twisty, unpredictable and kept me guessing the whole time.' 'Breathtakingly brilliant... The ending left me stunned.'

A fascinating and enlightening celebration of mushrooms and the magic of the forest for those who revel in mushroom imagery and lore. Mushrooms--as a decorative element, as a signifier of the mystery of the forest, and as an adorable emblem of witchy cottagecore dreams--have proliferated in the collective consciousness as of late. Mushroom Magick is a whimsical collection of mushroom facts and fables divided into three sections: first, profiles of 22 well-known mushrooms include information on biology and common uses as well as a rundown of their energetic properties and suggestions for incorporating them into spellwork. Section two provides a world-spanning collection of mushroom myths and fables. The final section is a taste of the spells and rituals that you can perform with common mushrooms such as creminis, shiitakes, and portobellos--carved candles, floor washes, teas, and even some yummy meals can improve your love life, super-charge your good fortune, or even cast a well-deserved hex upon your most hated enemy.

A powerfully poignant tale of one of the most turbulent moments in Scotland's history: the North Berwick Witch Trials. IT'S THE 4TH OF DECEMBER 1591. On this, the last night of her life, in a prison cell several floors below Edinburgh's High Street, convicted witch Geillis Duncan receives a mysterious visitor - Iris, who says she comes from a future where women are still persecuted for who they are and what they believe. As the hours pass and dawn approaches, Geillis recounts the circumstances of her arrest, brutal torture, confession and trial, while Iris offers support, solace - and the tantalising prospect of escape. Hex is a visceral depiction of what happens when a society is consumed by fear and superstition, exploring how the terrible force of a king's violent crusade against ordinary women can still be felt, right up to the present day. 'This series has already produced two works of note and distinction. It raises the question - if a country cannot re-tell its history, will it be stuck forever in aspic and condemned to be nothing more than a shortbread tin illustration? Hex and Rizzio are showing the way towards a reckoning, and about time too' - Stuart Kelly, Scotland on Sunday

The end of the eighteenth century saw the end of the witch trials everywhere. This volume charts the processes and reasons for the decriminalisation of witchcraft but also challenges the widespread assumption that Europe has been 'disenchanted'. For the first time surveys are given of the social role of witchcraft in European communities down to the end of the nineteenth century and of the continued importance of witchcraft and magic as topics of debate among intellectuals and other writers

Between the age of St. Augustine and the sixteenth century reformations magic continued to be both a matter of popular practice and of learned inquiry. This volume deals with its use in such contexts as healing and divination and as an aspect of the knowledge of nature's occult virtues and secrets.

WINNER OF THE DESMOND ELLIOTT PRIZE 2021 'Riveting, appalling, addictive' Megan Nolan England, 1643. Puritanical fervour has gripped the nation. In Manningtree, depleted of men since the Civil War began, the women are left to their own devices and Rebecca West chafes against the drudgery of her days. But when Matthew Hopkins arrives, asking bladed questions and casting damning accusations, mistrust and unease seep into the lives of the women. Caught between betrayal and persecution, what must Rebecca West do to survive? 'Deft and witty... dazzling and precise' New Statesman