Historians as well as anthropologists have contributed to this volume of studies on aspects of witchcraft in a variety of cultures and periods from Tudor England to twentieth-century Africa and New Guinea. Contributors include: Mary Douglas, Norman Cohn, Peter Brown, Keith Thomas, Alan Macfarlane, Alison Redmayne, R.G. Willis, Edwin Ardener, Robert Brain, Julian Pitt-Rivers, Esther Goody, Peter Rivi re, Anthony Forge, Godfrey Lienhardt, I.M. Lewis, Brian Spooner, G.I. Jones, Malcolm Ruel and T.O. Beidelman. First published in 1970.

Men and masculinities are still inadequately incorporated into the historiography of early modern witch trials, despite the fact that 20-25% of all accused 'witches' were male. This book redresses this imbalance by making men the focus of the gender analysis and also covers the issue of regional variation in the gendering of witch persecution.

"A fascinating theory about the origins of the witch hunt that is sure to influence future historians. . . . a valuable probe of how myths can feed hysteria." --The Washington Post Book World "An imaginative reconstruction of what might have been Tituba's past." --Times Literary Supplement "A fine example of readable scholarship." --Baltimore Sun In this important book, Elaine Breslaw claims to have rediscovered Tituba, the elusive, mysterious, and often mythologized Indian woman accused of witchcraft in Salem in 1692 and immortalized in Arthur Miller's The Crucible. Reconstructing the life of the slave woman at the center of the notorious Salem witch trials, the book follows Tituba from her likely origins in South America to Barbados, forcefully dispelling the commonly-held belief that Tituba was African. The uniquely multicultural nature of life on a seventeenth- century Barbadan sugar plantation--defined by a mixture of English, American Indian, and African ways and folklore--indelibly shaped the young Tituba's world and the mental images she brought with her to Massachusetts. Breslaw divides Tituba's story into two parts. The first focuses on Tituba's roots in Barbados, the second on her life in the New World. The author emphasizes the inextricably linked worlds of the Caribbean and the North American colonies, illustrating how the Puritan worldview was influenced by its perception of possessed Indians. Breslaw argues that Tituba's confession to practicing witchcraft clearly reveals her savvy and determined efforts to protect herself by actively manipulating Puritan fears. This confession, perceived as evidence of a diabolical conspiracy, was the central agent in the cataclysmic series of events that saw 19 people executed and over 150 imprisoned, including a young girl of 5. A landmark contribution to women's history and early American history, Tituba, Reluctant Witch of Salem sheds new light on one of the most painful episodes in American history, through the eyes of its most crucial participant. Elaine G. Breslaw is Adjunct Professor of History at the University of Tennessee, Knoxville, and author of the acclaimed Tituba, Reluctant Witch of Salem: Devilish Indians and Puritan Fantasies (also available from NYU Press).

Fascinating and highly informative, The Appearance of Witchcraft explores how visual representations of witchcraft contributed to the widespread acceptance of witch beliefs in sixteenth-century Europe and helped establish the preconditions for the widespread persecution of witches.

Focusing on the visual contraction, or figure of the witch, and the activity of witchcraft, Zika places the study in the context of sixteenth-century withcraft and demonological theory, and in the turbulent social and religious changes of the period.

Zika argues that artists and printers used images to relate witchcraft theories, developed by theologians and legitimated by secular authorities, to a whole range of contemporary discourses on women and gender roles, sexuality, peasant beliefs and medical theories of the body. He also examines the role of artist as mediators between the ideas of the elite and the ordinary people.

For students of medieval history or anyone interested in the appearance of witchcraft, this will be an enthralling and invaluable read.

'Intriguing' – Sunday Times 'A rousing read' – Irish Times 'A bright light of Francophone feminism' – New York Times Renowned journalist Mona Chollet recasts the witch as a powerful role model: an emblem of strength, free to exist beyond the narrow limits society imposes on women. Taking three archetypes from historic witch hunts – independent women, women who avoid having children and women who embrace ageing – Chollet examines how women today have the same charges levelled against them. She calls for justice in healthcare, challenging the gender imbalance in science and questioning why female bodies must still controlled by men. Rich with popular culture, literary references and media insights, In Defence of Witches is a vital addition to the cultural conversation around women, witches and the misogyny that has shaped the world they live in. With a foreword by Carmen Maria Machado and translated from French by Sophie R. Lewis.

Historians as well as anthropologists have contributed to this volume of studies on aspects of witchcraft in a variety of cultures and periods from Tudor England to twentieth-century Africa and New Guinea. Contributors include: Mary Douglas, Norman Cohn, Peter Brown, Keith Thomas, Alan Macfarlane, Alison Redmayne, R.G. Willis, Edwin Ardener, Robert Brain, Julian Pitt-Rivers, Esther Goody, Peter Riviere, Anthony Forge, Godfrey Lienhardt, I.M. Lewis, Brian Spooner, G.I. Jones, Malcolm Ruel and T.O. Beidelman. First published in 1970.

Containing ten essays by anthropologists on the beliefs and practices associated with witches and sorcerers in Eastern Africa, the chapters in this book are all based on field research and new information which is studied within its wider social context. First published in 1963.

Katharine Briggs enjoys an unchallenged reputation in the world of folklore studies. The theme of this volume, the witch figure as a malevolent intermediary in folk belief, was chosen to reflect that aspect of Briggs's scholarship exemplified in her study of witchcraft, Pale Hecate's Team. The contributors draw on the disciplines of archaeology, comparative religion, sociology and literature and include: Carmen Blacker, H.R. Ellis Davidson, Margaret Dean-Smith, L.V. Grinsell, Christina Hole, Venetia Newall, Geoffrey Parrinder, Anne Ross, Jacqueline Simpson, Beatrice White, John Widdowson. Originally published in 1973.

Witches and Warlocks of New York is a collection of legends and historical accounts about witches and warlocks from the Empire State. This will be the second in a series (the first being Massachusetts publishing September 1, 2021). New York has a surprisingly rich history of witches and witchcraft. These stories are known locally in the towns where they occurred but have never been collected into one book before. Included are a history and origins of witchcraft in New York State and historical tales of "witches" across the state including Hulda and the thirteen Witches of the Catskills.

Gathering together the vast literature on witchcraft related issues published in the last decade, this six-volume set focuses on issues such as gender, government and law, the culture of religion and the occult. Using approaches from several disciplines, including anthropology and sociology, this source provides a sweeping overview of the occult.

A dazzlingly inventive tale of troubled legacies, desire and unsung power, inspired by The Scarlet Letter. Glasgow, 1829: Isobel, a young seamstress, and her husband Edward set sail for New England, in flight from his mounting debts and addictions. But, arriving in Salem, Massachusetts, Edward soon takes off again, and Isobel finds herself penniless and alone. Then she meets Nathaniel, a fledgling writer, and the two are instantly drawn to each other: he is haunted by his ancestors, who sent innocent women to the gallows during the Salem witch trials - while she is an unusually gifted needleworker, troubled by her own strange talents. Nathaniel and Isobel grow ever closer. Together, they are dark storyteller and muse; enchanter and enchanted. But which is which?

People with eating disorders often make desperate attempts to exert magical control over their bodies in response to the threats they experience in relationships. Mary Levens takes the reader into the realm of magical thinking and its effect on ideas about eating and the body through a sensitive exploration of the images patients create in art therapy, in which themes of cannibalism constantly recur. Drawing on anthropology, religion and literature as well as psychoanalysis, she discusses the significance of these images and their implications for treatment of patients with eating disorders.

The Magical Control of the Body will be of interest to all of those concerned with patients or clients who have troubled relationships, both with others and with their own bodies.

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Spanning from the innauguration of James I in 1603 to the execution of Charles I in 1649, the Stuart court saw the emergence of a full expression of Renaissance culture in Britain. In "Art and Magic in the Court of the Stuarts," Vaughan Hart examines the influence of magic on Renaissance art and how in its role as an element of royal propaganda, art was used to represent the power of the monarch and reflect his apparent command over the hidden forces of nature.Court artists sought to represent magic as an expression of the Stuart Kings' divine right, and later of their policy of Absolutism, through masques, sermons, heraldy, gardens, architecture and processions. As such, magic of the kind enshrined in Neoplatonic philosophy and the court art which expressed its cosmology, played their part in the complex causes of the Civil War and the destruction of the Stuart image which followed in its wake.

See the history of witchcraft, magic and superstition come to life with this spectacular supernatural book! From alchemy and modern Wicca to paganism and shamanism, this enchanting book takes you on a mystical journey that will leave you spellbound. This is the perfect introduction to magic and the occult! This reference book on witchcraft is packed with: - Informative, engaging, and accessible text and lavish illustrations - Special features on aspects of magic, such as oracle bones of ancient China, the Knights Templar, and magic at the movies, and "plants and potions", such as mandrake and belladonna examine topics in great detail - Quick-fact panels that explore magic origins, key figures, key deities, use in spells, structures of religions, and more This indispensable witchcraft book explores the common human fascination with spells, superstition, and the supernatural. It provides you with a balanced and unbiased account of everything from Japanese folklore and Indian witchcraft to the differences between black and white magic and dispelling myths such as those surrounding the voodoo doll and Ouija. Expect the unexpected with A History Of Magic, Witchcraft and the Occult. It will open your eyes to other worlds. Discover forms of divination from astrology and palmistry to the Tarot and runestones. Explore the presence of witchcraft in literature from Shakespeare's Macbeth to the Harry Potter series, and the ways in which magic has interacted with religion. Whether you're a believer or a sceptic, this richly illustrated history book provides a fresh approach to the extensive and complex story of witchcraft, magic and the occult.

Always practise safe hex . . . New York Times bestselling author Rachel Hawkins, writing as Erin Sterling, follows her sensational TikTok hit, The Ex Hex, and casts a spell with a new spine-tingling romance full of wishes, witches, and cursed kisses. 'A spooky romantic comedy treat that had me sighing at one page, laughing out loud at the next' TESSA BAILEY on The Ex Hex Readers ADORED The Ex Hex! 'If Sabrina the Teenage Witch and Gilmore Girls had a book baby, it would be THE EX HEX. And yes, it's just as glorious as it sounds!' 'I loved and adored everything about this book . . . everything I was looking for! 5/5 stars!' 'The vibes were immaculate' 'One of the best rom-coms I've read all year! . . . It's Practical Magic meets Gilmore Girls and I am a hundred percent OBSESSED!' 'Definite Gilmore Girls vibes but with more magic and sex' 'A fantastic romance with more than a touch of magic' 'This book is pitched as Hocus Pocus, but it bangs and it certainly did' ........................................ Magic doesn't always play by the rules. Gwyn Jones is perfectly happy with her life in Graves Glen. She's formed a powerful new coven with her family; she's running a successful witchcraft shop, Something Wicked; and she's mentoring some of the younger witches in town. As Halloween approaches, there's only one problem - Llewellyn 'Wells' Penhallow. Wells has come to Graves Glen for two reasons: to re-establish his family's connection to the town and to make a new life for himself away from his father. But when he opens a magic shop of his own just across the street from Gwyn's, he quickly learns that going up against her won't be as easy as he thought . . . especially after an accidentally magic-inspired - and very hot - kiss. While Gwyn and Wells are fully committed to their witchy rivalry, they soon find themselves thrown together once again to deal with the sudden appearance of a mysterious new coven and Gwyn's growing concern that something - or someone - is messing with her magic . . . ........................................ Praise for The Ex Hex, an unmissable treat! 'Sterling's novel is ultimately crisp and sweet, like biting into the perfect caramel apple . . . will sweep readers up into a world of whimsical magic' Kirkus 'Filled with delightful witchiness and humor . . . a fluffy Halloween treat' Publishers Weekly 'A delightful and witty take on witchy mayhem' PopSugar 'You can't help but smile and laugh while reading The Ex Hex . . . Perfect for anyone who needs more witchy content in their lives' The Nerd Daily

* MINI MORTAR AND PESTLE FOR POTIONS AND COCKTAILS: Whether you're creating a tincture to invite creativity, or creating your own bitters for craft cocktails, this brass-coloured, food-safe ceramic mortar and pestle will bring a touch of magic to rituals, holistic medicine, and at-home mixology. * DELUXE FULLY ILLUSTRATED PACKAGE: This mini set is housed in a vibrant, full-illustrated magnetic closure box, and includes a mortar and pestle (approx. 2" tall), cleansing crystal, and mini book. * INCLUDES RECIPES AND DIYS: A 48-page bonus mini book includes cocktail recipes, and DIY instructions for infusions, tinctures, and home brewed kombucha. * A PERFECT GIFT: This beautiful set is an ideal gift for witches, mixologists, and herbal remedy enthusiasts.

The Malleus Maleficarum is one of the best-known treatises dealing with the problem of what to do with witches. It was written in 1487 by a Dominican inquisitor, Heinrich Institoris, following his failure to prosecute a number of women for witchcraft, it is in many ways a highly personal document, full of frustration at official complacency in the face of a spiritual threat, as well as being a practical guide for law-officers who have to deal with a cunning, dangerous enemy. Combining theological discussion, illustrative anecdotes, and useful advice for those involved in suppressing witchcraft, its influence on witchcraft studies has been extensive. The only previous translation into English, that by Montague Summers produced in 1928, is full of inaccuracies. It is written in a style almost unreadable nowadays, and is unfortunately coloured by his personal agenda. This new edited translation, with an introductory essay setting witchcraft, Institoris, and the Malleus into clear, readable English, corrects Summers' mistakes and offers a lean, unvarnished version of what Institoris actually wrote. It will undoubtedly become the standard translation of this important and controversial late-medieval text. -- .

Belief in magic and particularly the power of witchcraft was once a deep and enduring presence in popular culture. "Diving into Brian Hoggard's Magical House Protection is a remarkable experience... [It] provides an immersive and fascinating read."-Fortean Times People created and concealed many objects to protect themselves from harmful magic. Detailed are the principal forms of magical house protection in Britain and beyond from the fourteenth century to the present day. Witch-bottles, dried cats, horse skulls, written charms, protection marks and concealed shoes were all used widely as methods of repelling, diverting or trapping negative energies. Many of these practices and symbols can be found around the globe, demonstrating the universal nature of efforts by people to protect themselves from witchcraft. From the introduction: The most popular locations to conceal objects within buildings are usually at portals such as the hearth, the threshold and also voids or dead spaces. This suggests that people believed it was possible for dark forces to travel through the landscape and attack them in their homes. Whether these forces were emanations from a witch in the form of a spell, a witch's familiar pestering their property, an actual witch flying in spirit or a combination of all of those is difficult to tell. Additional sources of danger could be ghosts, fairies and demons. People went to great lengths to ensure their homes and property were protected, highlighting the fact that these beliefs and fears were visceral and, as far as they were concerned, literally terrifying.

This book is about other worlds and the supernatural beings, from angels to fairies, that inhabited them. It is about divination, prophecy, visions and trances. And it is about the cultural, religious, political and social uses to which people in Scotland put these supernatural themes between 1500 and 1800. The supernatural consistently provided Scots with a way of understanding topics such as the natural environment, physical and emotional wellbeing, political events and visions of past and future. In exploring the early modern supernatural, the book has much to reveal about how men and women in this period thought about, debated and experienced the world around them. Comprising twelve chapters by an international range of scholars, The supernatural in early modern Scotland discusses both popular and elite understandings of the supernatural. -- .