Historians as well as anthropologists have contributed to this volume of studies on aspects of witchcraft in a variety of cultures and periods from Tudor England to twentieth-century Africa and New Guinea. Contributors include: Mary Douglas, Norman Cohn, Peter Brown, Keith Thomas, Alan Macfarlane, Alison Redmayne, R.G. Willis, Edwin Ardener, Robert Brain, Julian Pitt-Rivers, Esther Goody, Peter Riviere, Anthony Forge, Godfrey Lienhardt, I.M. Lewis, Brian Spooner, G.I. Jones, Malcolm Ruel and T.O. Beidelman. First published in 1970.

Containing ten essays by anthropologists on the beliefs and practices associated with witches and sorcerers in Eastern Africa, the chapters in this book are all based on field research and new information which is studied within its wider social context. First published in 1963.

Katharine Briggs enjoys an unchallenged reputation in the world of folklore studies. The theme of this volume, the witch figure as a malevolent intermediary in folk belief, was chosen to reflect that aspect of Briggs's scholarship exemplified in her study of witchcraft, Pale Hecate's Team. The contributors draw on the disciplines of archaeology, comparative religion, sociology and literature and include: Carmen Blacker, H.R. Ellis Davidson, Margaret Dean-Smith, L.V. Grinsell, Christina Hole, Venetia Newall, Geoffrey Parrinder, Anne Ross, Jacqueline Simpson, Beatrice White, John Widdowson. Originally published in 1973.

Gathering together the vast literature on witchcraft related issues published in the last decade, this six-volume set focuses on issues such as gender, government and law, the culture of religion and the occult. Using approaches from several disciplines, including anthropology and sociology, this source provides a sweeping overview of the occult.

This is a beautiful book filled with stunning illustrations, rituals and potions to help you boost wellbeing and fall in love with yourself through the power of magick! Self-Love Potions is bursting with glorious herbal recipes and rituals to help you make the most of your me time. You deserve it! Beautiful illustrations can be found throughout this sumptuous title, which is packed with ideas from talented moon witch Valeria Kapusta (@cosmicvaleria) to help you mindfully explore your craft. With recipes ranging from teas, tinctures, oils and tonics, to bath mixes and fragrances, it is the the perfect gift to give, either to yourself or a loved one! Recipes include: Heart-soothing lilac-infused honey to ease heartbreak,  Energy cleansing empath bath,  Thyme infusions for courage and self-confidence Dandelion bath salt for inner joy Floral hair rinse to remove creative blocks Violet infused sugar to sweeten gloomy days Develop your self-love practice, enhance your wellbeing, and connect with yourself and nature with this gorgeous, herby handbook. If you enjoyed this book, you might also like Natural Magick and Earth Magick...

• This volume provides a combination of the major schools of thought on the Salem witch trials and incorporates the current scholarship on the subject. Events are presented in a narrative format that delivers the drama of the trials and leaves instructors free to explore specific topics of their choosing in greater depth. An analysis of key issues is provided at the end of each chapter. • The third edition has been significantly updated to include an expanded section on the European origins of witch hunts and an update and expand epilogue which discusses the witch hunts – real and imagined, historical and cultural – since 1692. Allowing students new to the phenomenon of the witch-hunts and trials to better understand their origins and impact upon the national psyche. • The bibliography has been substantially updated, an extensive list of internet resources, sources of primary documents, documentaries, movies, artwork, and resources to assist lecturers with using this book in their classrooms and students to further their studies.

A dazzlingly inventive tale of troubled legacies, desire and unsung power, inspired by The Scarlet Letter. Glasgow, 1829: Isobel, a young seamstress, and her husband Edward set sail for New England, in flight from his mounting debts and addictions. But, arriving in Salem, Massachusetts, Edward soon takes off again, and Isobel finds herself penniless and alone. Then she meets Nathaniel, a fledgling writer, and the two are instantly drawn to each other: he is haunted by his ancestors, who sent innocent women to the gallows during the Salem witch trials - while she is an unusually gifted needleworker, troubled by her own strange talents. Nathaniel and Isobel grow ever closer. Together, they are dark storyteller and muse; enchanter and enchanted. But which is which?

People with eating disorders often make desperate attempts to exert magical control over their bodies in response to the threats they experience in relationships. Mary Levens takes the reader into the realm of magical thinking and its effect on ideas about eating and the body through a sensitive exploration of the images patients create in art therapy, in which themes of cannibalism constantly recur. Drawing on anthropology, religion and literature as well as psychoanalysis, she discusses the significance of these images and their implications for treatment of patients with eating disorders.

The Magical Control of the Body will be of interest to all of those concerned with patients or clients who have troubled relationships, both with others and with their own bodies.

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Spanning from the innauguration of James I in 1603 to the execution of Charles I in 1649, the Stuart court saw the emergence of a full expression of Renaissance culture in Britain. In "Art and Magic in the Court of the Stuarts," Vaughan Hart examines the influence of magic on Renaissance art and how in its role as an element of royal propaganda, art was used to represent the power of the monarch and reflect his apparent command over the hidden forces of nature.Court artists sought to represent magic as an expression of the Stuart Kings' divine right, and later of their policy of Absolutism, through masques, sermons, heraldy, gardens, architecture and processions. As such, magic of the kind enshrined in Neoplatonic philosophy and the court art which expressed its cosmology, played their part in the complex causes of the Civil War and the destruction of the Stuart image which followed in its wake.

Learn the secrets of The Witch of the Forest in this stunning follow-up to Natural Magick, and channel the elemental forces which are all around you to master the practice of earth magick. Earth magick is all about understanding the elements which govern the world around us, connecting with the Earth and using its powers to thrive. From using the four elements - fire, air, water and earth - in spells, to learning about the powers of crystals and mastering the art of divination, this book will teach you everything you know about this ancient form of magick. Discover how to use simple witchcraft to boost your wellbeing, keep yourself grounded in the 21st century, and connect to your own natural 'seasons' in your life as well as in your craft. Perfect for budding beginners new to the spellbinding world of witchcraft, learn about: Casting a circle and ritual basics, Crystals and their magickal properties and uses, Divination techniques such as using runes and divination dice, Connecting with the energies of the four seasons, the four elements, and harnessing their power, Connecting to your own natural 'seasons' in your life through your craft, Reconnecting with your craft after a break, Caring for your magickal energy if you're an empath, or are feeling drained, Embracing your darker energies, and using shadow work for personal growth and transformation, Wellbeing techniques for witches to help you manage your energy ... and more! Suitable for every type of witch and witchling - including those practicing in the broom closet - this book also includes a runes board on the back of the jacket that you can remove to help answer all your questions. The Earth is bursting with magickal energies and lessons to be learnt, and connecting with these can help your relationship with yourself, the people around you, and the natural world, blossom. Discover how to use witchcraft to connect more deeply with yourself, and and learn from the Earth how to bloom and thrive at your own pace! The Witch of the Forest's Guide to... series are a collection of guides to different areas of witchcraft, focusing on the relationship between magic, the natural world and the self. Each book discusses completely different elements of the natural world, and Earth Magick is full of techniques not mentioned in Natural Magick.

Belief in magic and particularly the power of witchcraft was once a deep and enduring presence in popular culture. "Diving into Brian Hoggard's Magical House Protection is a remarkable experience... [It] provides an immersive and fascinating read."-Fortean Times People created and concealed many objects to protect themselves from harmful magic. Detailed are the principal forms of magical house protection in Britain and beyond from the fourteenth century to the present day. Witch-bottles, dried cats, horse skulls, written charms, protection marks and concealed shoes were all used widely as methods of repelling, diverting or trapping negative energies. Many of these practices and symbols can be found around the globe, demonstrating the universal nature of efforts by people to protect themselves from witchcraft. From the introduction: The most popular locations to conceal objects within buildings are usually at portals such as the hearth, the threshold and also voids or dead spaces. This suggests that people believed it was possible for dark forces to travel through the landscape and attack them in their homes. Whether these forces were emanations from a witch in the form of a spell, a witch's familiar pestering their property, an actual witch flying in spirit or a combination of all of those is difficult to tell. Additional sources of danger could be ghosts, fairies and demons. People went to great lengths to ensure their homes and property were protected, highlighting the fact that these beliefs and fears were visceral and, as far as they were concerned, literally terrifying.

Shows students of the history of witchcraft and magic that the beliefs of the seventeenth century continued through the Enlightenment, despite the attempts by philosophers to dismiss magic and its practice, into the nineteenth century. The volume is divided into three sections highlighting different definitions of magic including the concern over the non-material world as found in popular and elite practices, its relationship with science and medicine, and other forms of divination available to the general population. Providing students with a broad view of how magic was engaged with in the eighteenth century to inform their own studies. Explores the relationship between magic, science and medicine providing students with a good understanding of how the emerging fields of science and medicine came into conflict with popular belief in and practice of magic. Allowing students to see why magic still resonated with the general public into the nineteenth century.

First published in 1981. Routledge is an imprint of Taylor & Francis, an informa company.

This book is about other worlds and the supernatural beings, from angels to fairies, that inhabited them. It is about divination, prophecy, visions and trances. And it is about the cultural, religious, political and social uses to which people in Scotland put these supernatural themes between 1500 and 1800. The supernatural consistently provided Scots with a way of understanding topics such as the natural environment, physical and emotional wellbeing, political events and visions of past and future. In exploring the early modern supernatural, the book has much to reveal about how men and women in this period thought about, debated and experienced the world around them. Comprising twelve chapters by an international range of scholars, The supernatural in early modern Scotland discusses both popular and elite understandings of the supernatural. -- .

Belief in magic and particularly the power of witchcraft was once a deep and enduring presence in popular culture. "Diving into Brian Hoggard's Magical House Protection is a remarkable experience... [It] provides an immersive and fascinating read."-Fortean Times People created and concealed many objects to protect themselves from harmful magic. Detailed are the principal forms of magical house protection in Britain and beyond from the fourteenth century to the present day. Witch-bottles, dried cats, horse skulls, written charms, protection marks and concealed shoes were all used widely as methods of repelling, diverting or trapping negative energies. Many of these practices and symbols can be found around the globe, demonstrating the universal nature of efforts by people to protect themselves from witchcraft. From the introduction: The most popular locations to conceal objects within buildings are usually at portals such as the hearth, the threshold and also voids or dead spaces. This suggests that people believed it was possible for dark forces to travel through the landscape and attack them in their homes. Whether these forces were emanations from a witch in the form of a spell, a witch's familiar pestering their property, an actual witch flying in spirit or a combination of all of those is difficult to tell. Additional sources of danger could be ghosts, fairies and demons. People went to great lengths to ensure their homes and property were protected, highlighting the fact that these beliefs and fears were visceral and, as far as they were concerned, literally terrifying.