Witchcraft is rarely mentioned in official documents of the contemporary Roman Catholic church, but ideas about the dangers of witchcraft and other forms of occultism underpin the recent revival of interest in exorcism in the church. This Element examines hierarchical and clerical understandings of witchcraft within the contemporary Roman Catholic church. The Element considers the difficulties faced by clergy in parts of the developing world, where belief in witchcraft is so dominant it has the potential to undermine the church's doctrine and authority. The Element also considers the revival of interest in witchcraft and cursing among Catholic demonologists and exorcists in the developed world. The Element explores whether it is possible for a global church to adopt any kind of coherent approach to a phenomenon appraised so differently across different cultures that the church's responses to witchcraft in one context are likely to seem irrelevant in another.

In this original study of witchcraft, Gibson explores the stories told by and about witches and their 'victims' through trial records, early news books, pamphlets and fascinating personal accounts. The author discusses the issues surrounding the interpretation of original historical sources and demonstrates that their representations of witchcraft are far from straight forward or reliable. Innovative and thought-provoking, this book sheds new light on early modern people's responses to witches and on the sometimes bizarre flexibility of the human imagination.

This is a regional and comparative study of early modern witchcraft. The history of witchcraft continues to attract attention with its emotive and contentious debates. The methodology and conclusions of this book have impacted not only on witchcraft studies but on the approach to social and cultural history with its quantitative and anthropological approach. The book provides a case study on Essex as well as drawing comparisons with other regions of early modern England. The second edition adds a historiographical introduction, placing the book in context in the late 1990s.

This is a regional and comparative study of early modern witchcraft. The history of witchcraft continues to attract attention with its emotive and contentious debates. The methodology and conclusions of this book have impacted not only on witchcraft studies but on the approach to social and cultural history with its quantitative and anthropological approach. The book provides a case study on Essex as well as drawing comparisons with other regions of early modern England. The second edition adds a historiographical introduction, placing the book in context in the late 1990s.

Reading Witchcraft explores the stories told by and about `witches' and their `victims', and questions what can be recovered from their trial records, early news books, pamphlets and personal accounts. In her wide-ranging selection of original sources, Marion Gibson seeks to discover the truthfulness of stories of witchcraft. Who told them and why? How were they recorded? And how they might have been distorted or stereotyped?
Reading Witchcraft looks closely at these legal documents and printed pamphlets and shows that their representations of witchcraft are far from straightforward. Even the simplest story can mask a complex creative process which sometimes led to the deaths of innocent people. We are left with a challenging record of the power of the human imagination.
Reading Witchcraft is an exciting and invaluable study of witchcraft stories. It offers innovative, nuanced discussion of original historical sources and the issues which surround their interpretation.

"Sociologist Victor began his involvement with satanic-cult phenomena by investigating a local panic centered in southwestern New York state. After an introductory section, his book begins with a description of this research, then proceeds with an excellent general review of recent fear about satanic cults in the U.S. He concludes that there is no evidence for the actual existence of organized satanic cults." -- Choice

Tormented girls writhing in agony, stern judges meting out harsh verdicts, nineteen bodies swinging on Gallows Hill. The stark immediacy of what happened in 1692 has obscured the complex web of human passion, individual and organized, which had been growing for more than a generation before the witch trials. Salem Possessed explores the lives of the men and women who helped spin that web and who in the end found themselves entangled in it. From rich and varied sources-many previously neglected or unknown-Paul Boyer and Stephen Nissenbaum give us a picture of the events of 1692 more intricate and more fascinating than any other in the already massive literature on Salem. "Salem Possessed," wrote Robin Briggs in The Times Literary Supplement, "reinterprets a world-famous episode so completely and convincingly that virtually all the previous treatments can be consigned to the historical lumber-room." Not simply a dramatic and isolated event, the Salem outbreak has wider implications for our understanding of developments central to the American experience: the breakup of Puritanism, the pressures of land and population in New England towns, the problems besetting farmer and householder, the shifting role of the church, and the powerful impact of commercial capitalism.

Witchcraft: The Basics is an accessible and engaging introduction to the scholarly study of witchcraft, exploring the phenomenon of witchcraft from its earliest definitions in the Middle Ages through to its resonances in the modern world. Through the use of two case studies, this book delves into the emergence of the witch as a harmful figure within western thought and traces the representation of witchcraft throughout history, analysing the roles of culture, religion, politics, gender and more in the evolution and enduring role of witchcraft. Key topics discussed within the book include: The role of language in creating and shaping the concept of witchcraft The laws and treatises written against witchcraft The representation of witchcraft in early modern literature The representation of witchcraft in recent literature, TV and film Scholarly approaches to witchcraft through time The relationship between witchcraft and paganism With an extensive further reading list, summaries and questions to consider at the end of each chapter, Witchcraft: The Basics is an ideal introduction for anyone wishing to learn more about this controversial issue in human culture, which is still very much alive today.

This title combines detailed archival research and wide-ranging interdisciplinary analyses to develop an innovative interpretation of Early Modern witchcraft and magic and why they eventually declined.This title sheds new light on what witchcraft and magic actually involved and why they declined. It is grounded in a close study of archival records. It puts the archival studies in the context of local history and European witch research. It includes interdisciplinary investigations of cognition, perception, and psychophysical factors in health and disease.This book explores the elements of reality in early modern witchcraft and popular magic through a combination of detailed archival research and broad-ranging interdisciplinary analyses. The book complements and challenges existing scholarship, offering unique insights into this murky aspect of early modern history.

'Romance, mystery, and a family curse - The Ladies of the Secret Circus has it all' Popsugar From the author of A Witch in Time comes a magical story spanning from Jazz Age Paris to modern-day America of family secrets, sacrifice, and lost love set against the backdrop of a mysterious circus. Perfect for fans of The Night Circus and The Invisible Life of Addie LaRue. The surest way to get a ticket to Le Cirque Secret is to wish for it . . . Paris, 1925: To enter the Secret Circus is to enter a world of wonder - a world where women weave illusions, carousels take you back in time, and trapeze artists float across the sky. Bound to her family's circus, it's the only world Cecile Cabot knows until she meets a charismatic young painter and embarks on a passionate affair that could cost her everything. Virginia, 2004: Lara Barnes is on top of the world, but when her fiance disappears on their wedding day every plan she has for the future comes crashing down. Desperate, Lara's search for answers unexpectedly lead to her great-grandmother's journals. Swept into a story of a dark circus and ill-fated love, secrets about Lara's family history come to light and reveal a curse that has been claiming payment from the women in her family for generations. A curse that might be tied to her fiance's mysterious fate . . . Why readers love The Ladies of the Secret Circus . . . 'A spellbinding historical fantasy . . . Fans of Erin Morgenstern's The Night Circus will love this page-turning story of dark magic, star-crossed love, and familial sacrifice' Publishers Weekly (starred review) 'At times decadent and macabre, The Ladies of the Secret Circus is a mesmerizing tale of love, treachery, and depraved magic percolating through four generations of Cabot women' Luanne G. Smith, author of The Vine Witch 'Ambitious and teeming with magic, Sayers creates a fascinating mix of art, The Belle Epoque, and more than a little murder' Erika Swyler, author of The Book of Speculation 'The Ladies of the Secret Circus is a dazzling tale, laced with sinister magic, blood and beauty, love and loss. This is a book that will haunt you long after the last page is turned' Alyssa Palombo, author of The Spellbook of Katrina Van Tassel 'Spellbinding. The Ladies Of The Secret Circus is a dazzling, high-wire feat of storytelling' Catherine Taylor, author of Beyond the Moon 'The Ladies of the Secret Circus is a book to get lost in' BookPage

Though it is clearly an exceptionally important part of popular culture, witchcraft has generated a variety of often contradictory interpretations, starting from widely differing premises about the nature of witchcraft, its social role and the importance of higher theology as well as more popular beliefs. This work offers a conspectus of historical work on witchcraft in Europe, and shows how many trends converged to form the figure of the witch, and varied from one part of Europe to another.

This volume is a collection based on the contributions to witchcraft studies of Willem de Blecourt, to whom it is dedicated, and who provides the opening chapter, setting out a methodological and conceptual agenda for the study of cultures of witchcraft (broadly defined) in Europe since the Middle Ages. It includes contributions from historians, anthropologists, literary scholars and folklorists who have collaborated closely with De Blecourt. Essays pick up some or all of the themes and approaches he pioneered, and apply them to cases which range in time and space across all the main regions of Europe since the thirteenth century until the present day. While some draw heavily on texts, others on archival sources, and others on field research, they all share a commitment to reconstructing the meaning and lived experience of witchcraft (and its related phenomena) to Europeans at all levels, respecting the many varieties and ambiguities in such meanings and experiences and resisting attempts to reduce them to master narratives or simple causal models. The chapter 'News from the Invisible World: The Publishing History of Tales of the Supernatural c.1660-1832' is available open access under a CC BY 4.0 license at link.springer.com.

First published in 1984. Routledge is an imprint of Taylor & Francis, an informa company.

From 1563 to 1736 Scotland put thousands of women to death for witchcraft. Their supposed crimes have much to tell us about attitudes to women in the past, and in the present day. This book introduces sixteen women who lost their lives or lived in the long shadow of the persecutions. 'Witches' who, like MARGARET AITKEN, confessed, implicated others, even aided the hunters before they were burned. Nonconforming women like MARY MACLEOD, who saw their reputations tarnished when they did not bend to society's expectations. Creatures of the imagination, like Robert Burns's NANNY, who embody deep-seated associations between womanhood and the occult. Weaving fiction with the facts where these are known, We Are All Witches invites the reader to explore the forces at work in one of the darkest episodes of Scotland's history and consider their echoes in the present day.

This is a beautiful book filled with stunning illustrations, rituals and potions to help you boost wellbeing and fall in love with yourself through the power of magick! Self-Love Potions is bursting with glorious herbal recipes and rituals to help you make the most of your me time. You deserve it! Beautiful illustrations can be found throughout this sumptuous title, which is packed with ideas from talented moon witch Valeria Kapusta (@cosmicvaleria) to help you mindfully explore your craft. With recipes ranging from teas, tinctures, oils and tonics, to bath mixes and fragrances, it is the the perfect gift to give, either to yourself or a loved one! Recipes include: Heart-soothing lilac-infused honey to ease heartbreak,  Energy cleansing empath bath,  Thyme infusions for courage and self-confidence Dandelion bath salt for inner joy Floral hair rinse to remove creative blocks Violet infused sugar to sweeten gloomy days Develop your self-love practice, enhance your wellbeing, and connect with yourself and nature with this gorgeous, herby handbook. If you enjoyed this book, you might also like Natural Magick and Earth Magick...

THERE IS POWER IN SILENCE East Anglia, 1645. Martha Hallybread, a midwife, healer and servant, has lived peacefully for more than four decades in her beloved Cleftwater. Everyone in the village knows Martha, but no one has ever heard her speak. One bright morning, Martha becomes a silent witness to a witch hunt, led by sinister new arrival Silas Makepeace. As a trusted member of the community, she is enlisted to search the bodies of the accused women for evidence. But whilst she wants to help her friends, she also harbours a dark secret that could cost her own freedom. In desperation, Martha revives a wax witching doll that she inherited from her mother, in the hope that it will bring protection. But the doll's true powers are unknowable, the tide is turning, and time is running out . . . A spellbinding and intoxicating novel inspired by true events, The Witching Tide is a magnificent debut from a writer to watch. 'A beautiful, haunting and utterly transporting novel that takes the reader back to a terrifyingly real witching England' NAOMI WOOD 'I absolutely devoured The Witching Tide. To read this book is to step inside time . . . a powerful, riveting read, each sentence pristine and haunting' ELIZABETH MACNEAL

The fourth edition of The Witch-Hunt in Early Modern Europe, written by one of the leading names in the field, is the ideal resource for both students and scholars of the witch-hunts.For those starting out in their studies of witch-beliefs and witchcraft trials, Brian Levack provides a concise survey of this complex and fascinating topic, while for more seasoned scholars the scholarship is brought right up to date. The Witchcraft Sourcebook, now in its second edition, is a fascinating collection of documents illustrating the development of ideas about witchcraft from ancient times to the eighteenth century along with commentary and background by Brian Levack. Including trial records, demonological treatises and sermons, literary texts, narratives of demonic possession and artistic depiction of witches, the documents show how notions of witchcraft have changed over time, and consider the connection between gender and witchcraft and the nature of the witch's perceived power. Available to purchase as a bundle, together these two books make the perfect collection for students and lecturers of witchcraft and witch-hunts in the early modern period.

To me, Wicca will always be about experiencing the earth, working with what you can find and practising the craft for its true meaning. It promotes equality in all and has brought me many benefits: acceptance, kindness and self-love. Harmony Nice is at the heart of a growing community of modern-day wiccans who practise natural magic to improve their own lives and the world around them. In Wicca she encourages you to explore the positive impact that ritual, meditation and embracing nature can have on your creativity, confidence and sense of self-worth. Discover how to cast spells, start your own Book of Shadows, join a coven and feel empowered to follow a path that feels good and true to you.

Spanning from the inauguration of James I in 1603 to the execution of Charles I in 1649, the Stuart court saw the emergence of a full expression of Renaissance culture in Britain. Hart examines the influence of magic on Renaissance art and how in its role as an element of royal propaganda, art was used to represent the power of the monarch and reflect his apparent command over the hidden forces of nature. Court artists sought to represent magic as an expression of the Stuart Kings' divine right, and later of their policy of Absolutism, through masques, sermons, heraldry, gardens, architecture and processions. As such, magic of the kind enshrined in Neoplatonic philosophy and the court art which expressed its cosmology, played their part in the complex causes of the Civil War and the destruction of the Stuart image which followed in its wake.

H.C. Erik Midelfort has carved out a reputation for innovative work on early modern German history, with a particular focus on the social history of ideas and religion. This collection pulls together some of his best work on the related subjects of witchcraft, the history of madness and psychology, demonology, exorcism, and the social history of religious change in early modern Europe. Several of the pieces reprinted here constitute reviews of recent scholarly literature on their topics, while others offer sharp departures from conventional wisdom. A critique of Michel Foucault's view of the history of madness proved both stimulating but irritating to Foucault's most faithful readers, so it is reprinted here along with a short retrospective comment by the author. Another focus of this collection is the social history of the Holy Roman Empire, where towns, peasants, and noble families developed different perceptions of the Protestant and Catholic Reformations and of the options the religious revolutions of the sixteenth century offered. Finally, this collection also brings together articles which show how Freudian psychoanalysis and academic sociology have filtered and interpreted the history of early modern Germany.

Between the years of 1898 and 1926, Edward Westermarck spent a total of seven years in Morocco, visiting towns and tribes in different parts of the country, meeting local people and learning about their language and culture; his findings are noted in this two-volume set, first published in 1926. Alongside extensive reference material, including Westermarck's system of transliteration and a comprehensive list of the tribes and districts mentioned in the text, the chapters discuss such areas as the influences on and relationship between religion and magic in Morocco, the origins of beliefs and practices, curses and witchcraft. This is the first volume of two dealing with the same subject, and will fascinate any student or researcher of anthropology with an interest in the history of ritual, culture and religion in Morocco.

Containing ten essays by anthropologists on the beliefs and practices associated with witches and sorcerers in Eastern Africa, the chapters in this book are all based on field research and new information which is studied within its wider social context. First published in 1963.

Introducing the first official Harry Potter knitting book - a deluxe guide to creating over 25 authentic Harry Potter knits based on the iconic films. Channel the magic of the Harry Potter films from the screen to your needles with the ultimate knitter's guide to the Wizarding World. Featuring over 25 magical knits, the book includes patterns for clothing, home projects and keepsakes pulled straight from the movies - and even includes a few iconic costume pieces as seen on-screen. With yarn suggestions based on the true colours used in the films, projects ranging from simple patterns like the Hogwarts house scarves to more complex projects like Mrs Weasley's Christmas jumper, knit your own wizarding world. Projects: Crafty Creatures: patterns for Hedwig; Cornish Pixie; Fluffy the Three-Headed Dog. Wizarding Wardrobe: patterns for Mrs Weasley's Home-Knit Christmas jumpers; and Hogwarts' house scarves. Inspired Apparel: clothes and accessories inspired by characters, artefacts and themes from the films such as a Expecto Patronum! mittens and Quidditch socks. Delightful Decor: dress your home with Harry Potter decorative accessories such as Hogwarts House mug cosies and Seven Horcruxes tea towels. A true fan must-have, this book also includes fun facts, original costume sketches, film stills, and other behind-the-scenes treasures. Harry Potter Knitting Magic is sure to have fans everywhere summoning needles, conjuring yarn, and practicing their best knitting wizardry.