By the spring of 1645, civil war had exacted a terrible toll upon England. Disease was rife, apocalyptic omens appeared in the skies, and idolators detected in every shire. In a remote corner of Essex, two obscure gentlemen began interrogating women suspected of witchcraft, triggering the most brutal witch-hunt in English history. Witchfinders is a spellbinding study of how Matthew Hopkins, 'the Witchfinder General', and John Stearne extended their campaign across East Anglia, driven by godly zeal. Exploiting the anxiety and lawlessness of the times, and cheered on by ordinary folk, they extracted confessions of satanic pacts resulting in scores of executions.

'The fables of witchcraft have taken so fast hold and deepe root in the heart of man, that few or none can indure with patience the hand and correction of God.' Reginald Scot, whose words these are, published his remarkable book The Discoverie of Witchcraft in 1584. England's first major work of demonology, witchcraft and the occult, the book was unashamedly sceptical. It is said that so outraged was King James VI of Scotland by the disbelieving nature of Scot's work that, on James' accession to the English throne in 1603, he ordered every copy to be destroyed. Yet for all the anger directed at Scot, and his scorn for Stuart orthodoxy about wiches, the paradox was that his detailed account of sorcery helped strengthen the hold of European demonologies in England while also inspiring the distinctively English tradition of secular magic and conjuring. Scot's influence was considerable. Shakespeare drew on The Discoverie of Witchcraft for his depiction of the witches in Macbeth. So too did fellow-playwright Thomas Middleton in his tragi-comedy The Witch. Recognising Scot's central importance in the history of ideas, Philip Almond places his subject in the febrile context of his age, examines the chief themes of his work and shows why his writings became a sourcebook for aspiring magicians and conjurors for several hundred years. England's First Demonologist makes a notable contribution to a fascinating but unjustly neglected topic in the study of Early Modern England and European intellectual history.

Invite joy and healing into your life using your own magic with this self-help guide from the author of Witchcraft Therapy, Mandi Em. Witchcraft is a practice where everyone can self-soothe and find their alignment again through performance, play, following impulses, and inviting joy into their lives. Beyond spell jars and candle magic, there's a whole world of uncommon ways to inject some childlike wonder and play therapy into your daily practice. Now you can pursue joy, healing, and fun, with this guide to finding happiness through magic, filled with straight-talk self-care advice backed up by magical spells, rituals, recipes, meditations, and more! Happy Witch is an uncommon spell book full of witchy self-care spells and rituals that think outside the box of what a witch's practice usually looks like. From kinetic cloud dough play for moving through your emotions to using dance as a form of manifestation, Happy Witch brings out your inner child to help you undertake your healing through magic. Woven through with BS-free empowering messages, suggestions, and encouragement on how to build your intuitive practice that you love, this self-help guide is your perfect companion for magical healing.

Now you can find love faster than ever with this complete guide to magical matchmaking! The Witch's Book of Love has all the spells and solutions to help you on your quest for love-and shows you how to make your relationship grow and prosper into the love you've always dreamed of! The Witch's Book of Love has all you need to know about attracting the perfect partner with everything from spells and palmistry to astrology and numerology. Check your compatibility and seal your new relationship with charms and other magical mojo so you can make your love last a lifetime.

In Freud's Early Psychoanalysis, Witch Trials and the Inquisitorial Method: The Harsh Therapy, author Kathleen Duffy asks why Freud compared his 'hysterical' patients to the accused women in the witch trials, and his 'psychoanalytical' treatment to the inquisitorial method of their judges. He wrote in 1897 to Wilhelm Fliess: 'I ... understand the harsh therapy of the witches' judges'. This book proves that Freud's view of his method as inquisitorial was both serious and accurate. In this multidisciplinary and in-depth examination, Duffy demonstrates that Freud carefully studied the witch trial literature to develop the supposed parallels between his patients and the witches and between his own psychoanalytic method and the judges' inquisitorial extraction of 'confessions', by torture if necessary. She examines in meticulous detail both the witch trial literature that Freud studied and his own case studies, papers, letters and other writings. She shows that the various stages of his developing early psychoanalytic method, from the 'Katharina' case of 1893, through the so-called seduction theory of 1896 and its retraction, to the 'Dora' case of 1900, were indeed in many respects inquisitorial and invalidated his patients' experience. This book demonstrates with devastating effect the destructive consequences of Freud's nineteenth-century inquisitorial practice. This raises the question about the extent to which his mature practice and psychoanalysis and psychotherapy today, despite great achievements, remain at times inquisitorial and consequently untrustworthy. This book will therefore be invaluable not only to academics, practitioners and students of psychoanalysis, psychotherapy, literature, history and cultural studies, but also to those seeking professional psychoanalytic or psychotherapeutic help.

Strange Histories is an exploration of some of the most extraordinary beliefs that existed in the late Middle Ages through to the end of the seventeenth century. Presenting serious accounts of the appearance of angels and demons, sea monsters and dragons within European and North American history, this book moves away from "present-centred thinking" and instead places such events firmly within their social and cultural context. By doing so, it offers a new way of understanding the world in which dragons and witches were fact rather than fiction, and presents these riveting phenomena as part of an entirely rational thought process for the time in which they existed. This new edition has been fully updated in light of recent research. It contains a new guide to further reading as well as a selection of pictures that bring its themes to life. From ghosts to witches, to pigs on trial for murder, the book uses a range of different case studies to provide fascinating insights into the world-view of a vanished age. It is essential reading for all students of early modern history. .

Most scholarship on sorcery and witch-craft has narrowly focused on specific times and places, particularly early modern Europe and twentieth-century Africa. And much of that research interprets sorcery as merely a remnant of premodern traditions. Boldly challenging these views, "Sorcery in the Black Atlantic" takes a longer historical and broader geographical perspective, contending that sorcery is best understood as an Atlantic phenomenon that has significant connections to modernity and globalization. A distinguished group of contributors here examine sorcery in Brazil, Cuba, South Africa, Cameroon, and Angola. Their insightful essays reveal the way practices and accusations of witchcraft spread throughout the Atlantic world from the age of discovery up to the present, creating an indelible link between sorcery and the rise of global capitalism. Shedding new light on a topic of perennial interest, "Sorcery in the Black Atlantic" will be provocative, compelling reading for historians and anthropologists working in this growing field.

A beautiful and inspirational guide to colour and its magic. Magic can take many forms, whether it be a desire, a wish, or a spell. It can even be a simple act of kindness for friends and family, and importantly for yourself too - like a lovingly hand-made object, a comforting meal or a home-cooked gift. Many people are turning to alternative ways to find connection and meaning. Something as simple as, 'Are you ok?' has great strength, power and empathy. Thoughtfulness is key and this book has kindness at the heart of its magic to create a more forgiving and considerate community. Curated into colour chapters, Sam takes a look at each colour and what it represents. The book brims full of magical spells, poems, charms, rituals, recipes, makes and wishes to create a helpful guide - a comfort, a tonic - something that is available to everyone, whether you feel like you are a witch or not. Chapters are: White, Yellow & Orange, Red, Pink, Violet, Blue, Green, Brown, Black & Grey, Silver & Gold Projects include: Orange blossom spell, Clay incense holder, Lucky red wrist ribbon, Hanging crystal grotto, Witch's knots, Friendship jar spell, Crescent moon and amethyst make, Making a wand, Secret message jewellery, Moon biscuits.

After the execution of the Samuels family - known as the Witches of Warboys - on charges of witchcraft in 1593, Sir Henry Cromwell (grandfather of Oliver Cromwell) used their confiscated property to fund an annual sermon against witchcraft to be given in Huntingdon (Cambridgeshire) by a divinity scholar from Queens' College, Cambridge. Although beliefs about witchery had changed by the eighteenth century, the tradition persisted. Martin J. Naylor (c.1762-1843), a Fellow of Queens' College and the holder of incumbencies in Yorkshire, gave four of the sermons, on 25 March each year from 1792 to 1795. Although he called the subject 'antiquated', he hoped his 'feeble effort, levelled against the gloomy gothic mansion of superstition, may not be entirely without a beneficial effect'. This collection of the four sermons was published in 1795, and appended with an account of the original events in Warboys.

Based on research in the Inquisitorial archives of Northern Italy, The Night Battles recounts the story of a peasant fertility cult centered on the benandanti, literally, "good walkers." These men and women described fighting extraordinary ritual battles against witches and wizards in order to protect their harvests. While their bodies slept, the souls of the benandanti were able to fly into the night sky to engage in epic spiritual combat for the good of the village. Carlo Ginzburg looks at how the Inquisition's officers interpreted these tales to support their world view that the peasants were in fact practicing sorcery. The result of this cultural clash, which lasted for more than a century, was the slow metamorphosis of the benandanti into the Inquisition's mortal enemies-witches. Relying upon this exceptionally well-documented case study, Ginzburg argues that a similar transformation of attitudes-perceiving folk beliefs as diabolical witchcraft-took place all over Europe and spread to the New World. In his new preface, Ginzburg reflects on the interplay of chance and discovery, as well as on the relationship between anomalous cases and historical generalizations.

In "The Specter of Salem", Gretchen A. Adams reveals the many ways that the Salem witch trials loomed over the American collective memory from the Revolution to the Civil War and beyond. Schoolbooks in the 1790s, for example, evoked the episode to demonstrate the new nation's progress from a disorderly and brutal past to a rational present, while critics of new religious movements in the 1830s cast them as a return to Salem-era fanaticism, and during the Civil War southerners evoked witch burning to criticize Union tactics. Shedding new light on the many, varied American invocations of Salem, Adams ultimately illuminates the function of collective memories in the life of a nation.

In early modern Europe, ideas about nature, God, demons, and occult forces were inextricably connected and much ink and blood was spilled in arguments over the characteristics and boundaries of nature and the supernatural. Seitz uses records of Inquisition witchcraft trials in Venice to uncover how individuals across society, from servants to aristocrats, understood these two fundamental categories. Others have examined this issue from the points of view of religious history, the history of science and medicine, or the history of witchcraft alone, but this work brings these sub-fields together to illuminate comprehensively the complex forces shaping early modern beliefs.

"Fascinating and vivid." New Statesman "Thoroughly researched." The Spectator "Intriguing." BBC History Magazine "Vividly told." BBC History Revealed "A timely warning against persecution." Morning Star "Astute and thoughtful." History Today "An important work." All About History "Well-researched." The Tablet On the morning of Thursday 29 June 1682, a magpie came rasping, rapping and tapping at the window of a prosperous Devon merchant. Frightened by its appearance, his servants and members of his family had, within a matter of hours, convinced themselves that the bird was an emissary of the devil sent by witches to destroy the fabric of their lives. As the result of these allegations, three women of Bideford came to be forever defined as witches. A Secretary of State brushed aside their case and condemned them to the gallows; to hang as the last group of women to be executed in England for the crime. Yet, the hatred of their neighbours endured. For Bideford, it was said, was a place of witches. Though ‘pretty much worn away’ the belief in witchcraft still lingered on for more than a century after their deaths. In turn, ignored, reviled, and extinguished but never more than half-forgotten, it seems that the memory of these three women - and of their deeds and sufferings, both real and imagined – was transformed from canker to regret, and from regret into celebration in our own age. Indeed, their example was cited during the final Parliamentary debates, in 1951, that saw the last of the witchcraft acts repealed, and their names were chanted, as both inspiration and incantation, by the women beyond the wire at Greenham Common. In this book, John Callow explores this remarkable reversal of fate, and the remarkable tale of the Bideford Witches.

Daughters of Hecate unites for the first time research on the problem of gender and magic in three ancient Mediterranean societies: early Judaism, Christianity, and Graeco-Roman culture. The book illuminates the gendering of ancient magic by approaching the topic from three distinct disciplinary perspectives: literary stereotyping, the social application of magic discourse, and material culture.
The volume challenges presumed associations of women and magic by probing the foundations of, processes, and motivations behind gendered stereotypes, beginning with Western culture's earliest associations of women and magic in the Bible and Homer's Odyssey. Daughters of Hecate provides a nuanced exploration of the topic while avoiding reductive approaches. In fact, the essays in this volume uncover complexities and counter-discourses that challenge, rather than reaffirm, many gendered stereotypes taken for granted and reified by most modern scholarship.
By combining critical theoretical methods with research into literary and material evidence, Daughters of Hecate interrogates gendered stereotypes that are as relevant now as for understanding antiquity or the early modern witch hunts.

Sir Walter Scott (1771 1832) is best known for his poetry and for historical novels such as Ivanhoe and Rob Roy, but he also had a lifelong fascination with witchcraft and the occult. Following a spell of ill-health, Scott was encouraged by his son-in-law, publisher J. G. Lockhart, to put together a volume examining the causes of paranormal phenomena. This collection of letters, first published in 1830, is notable for both its scope (examining social, cultural, medical and psychological factors in peoples' paranormal experiences) and its clear, rational standpoint. Scott explores the influence of Christianity on evolving views of what is classified as 'witchcraft' or 'evil', and he explains the many (often innocuous) meanings of the word 'witch'. Written with palpable enthusiasm and from a strikingly modern perspective, this volume explores a range of topics including fairies, elves and fortune-telling as well as inquisitions and witch trials.

This book represents the first comprehensive record of all legal documents pertaining to the Salem witch trials, in chronological order. Numerous newly discovered manuscripts, as well as records published in earlier books that were overlooked in other editions, offer a comprehensive narrative account of the events of 1692-93, with supplementary materials stretching as far as the mid - 18th century. The book may be used as a reference book or read as an unfolding narrative. All legal records are newly transcribed, and errors in previous editions have been corrected. Included in this edition is a historical introduction, a legal introduction, and a linguistic introduction. Manuscripts are accompanied by notes that, in many cases, identify the person who wrote the record. This has never been attempted, and much is revealed by seeing who wrote what, when.
Publication made possible with generous support by the National Historical Publications and Records Commission.
http: //www.archives.gov/nhprc/index.html

The confessions of Isobel Gowdie are widely recognised as the most extraordinary on record in Britain. Their descriptive power and vivid imagery have attracted considerable interest on both academic and popular levels. Among historians, the confessions are celebrated for providing a unique insight into the way fairy beliefs and witch beliefs interacted in the early modern mind; more controversially, they are also cited as evidence for the existence of Shamanistic visionary traditions, of pre-Christian origin, in Scotland in this period. On a popular level the confessions of Isobel Gowdie have, above any other British witch-trial records, influenced the formation of the ritual traditions of Wicca. The author's discovery of the original trial records (currently being authenticated by the National Archives of Scotland), deemed lost for nearly 200 years, provides a starting point for an interdisciplinary look at the confessions and the woman behind them. Using historical, psychological, comparative religious and anthropological perspectives this book sets out to separate the voice of Isobel Gowdie from that of her interrogators, and to determine the experiences and beliefs which may have generated her confessions. The book explores: How far did those accused of witchcraft self-consciously practice harmful magic? Did they really believe themselves to have made a Pact with an envisioned Devil? Did they ever participate in ecstatic cult rituals? The author argues that close analysis of Isobel's testimony supports the view that in seventeenth-century Britain popular spirituality was shaped by a deep interaction between Christian teachings and shamanistic visionary traditions, of pre-Christian origin. These findings confirm the value of witchcraft confessions as unique windows into the complexities of the early modern religious imagination.

Just as surely as Haiti is "possessed" by the gods and spirits of vaudun (voodoo), the island "possessed" Katherine Dunham when she first went there in 1936 to study dance and ritual. In this book, Dunham reveals how her anthropological research, her work in dance, and her fascination for the people and cults of Haiti worked their spell, catapulting her into experiences that she was often lucky to survive. Here Dunham tells how the island came to be possessed by the demons of voodoo and other cults imported from various parts of Africa, as well as by the deep class divisions, particularly between blacks and mulattos, and the political hatred still very much in evidence today. Full of the flare and suspense of immersion in a strange and enchanting culture, Island Possessed is also a pioneering work in the anthropology of dance and a fascinating document on Haitian politics and voodoo.

The Witchcraft Reader offers a wide range of historical perspectives on the subject of witchcraft in a single, accessible volume, exploring the enduring hold that it has on human imagination. The witch trials of the late Middle Ages and the sixteenth and seventeenth centuries have inspired a huge and expanding scholarly literature, as well as an outpouring of popular representations. This fully revised and enlarged third edition brings together many of the best and most important works in the field. It explores the origins of witchcraft prosecutions in learned and popular culture, fears of an imaginary witch cult, the role of religious division and ideas about the Devil, the gendering of suspects, the making of confessions and the decline of witch beliefs. An expanded final section explores the various "revivals" and images of witchcraft that continue to flourish in contemporary Western culture. Equipped with an extensive introduction that foregrounds significant debates and themes in the study of witchcraft, providing the extracts with a critical context, The Witchcraft Reader is essential reading for anyone with an interest in this fascinating subject.

Witchcraft in Early Modern England provides a fascinating introduction to the history of witches and witchcraft in England from the sixteenth to the eighteenth century. Witchcraft was a crime punishable by death in England during this period and this book charts the witch panics and legal persecution of witches that followed, exploring topics such as elite attitudes to witchcraft in England, the role of pressures and tensions within the community in accusations of witchcraft, the way in which the legal system dealt with witchcraft cases, and the complex decline of belief in witchcraft. Revised and updated, this new edition explores the modern historiographical debate surrounding this subject and incorporates recent findings and interpretations of historians in the field, bringing it right up-to-date and in particular offering an extended treatment of the difficult issues surrounding gender and witchcraft. Supported by a range of compelling primary documents, this book is essential reading for all students of the history of witchcraft.

Stephen A. Mitchell here offers the fullest examination available of witchcraft in late medieval Scandinavia. He focuses on those people believed to be able-and who in some instances thought themselves able-to manipulate the world around them through magical practices, and on the responses to these beliefs in the legal, literary, and popular cultures of the Nordic Middle Ages. His sources range from the Icelandic sagas to cultural monuments much less familiar to the nonspecialist, including legal cases, church art, law codes, ecclesiastical records, and runic spells. Mitchell's starting point is the year 1100, by which time Christianity was well established in elite circles throughout Scandinavia, even as some pre-Christian practices and beliefs persisted in various forms. The book's endpoint coincides with the coming of the Reformation and the onset of the early modern Scandinavian witch hunts. The terrain covered is complex, home to the Germanic Scandinavians as well as their non-Indo-European neighbors, the Sami and Finns, and it encompasses such diverse areas as the important trade cities of Copenhagen, Bergen, and Stockholm, with their large foreign populations; the rural hinterlands; and the insular outposts of Iceland and Greenland. By examining witches, wizards, and seeresses in literature, lore, and law, as well as surviving charm magic directed toward love, prophecy, health, and weather, Mitchell provides a portrait of both the practitioners of medieval Nordic magic and its performance. With an understanding of mythology as a living system of cultural signs (not just ancient sacred narratives), this study also focuses on such powerful evolving myths as those of "the milk-stealing witch," the diabolical pact, and the witches' journey to Blakulla. Court cases involving witchcraft, charm magic, and apostasy demonstrate that witchcraft ideologies played a key role in conceptualizing gender and were themselves an important means of exercising social control.