In this compact and illuminating history, Georges Minois
examines how a culture's attitudes about suicide reflect its larger
beliefs and values--attitudes toward life and death, duty and
honor, pain and pleasure. Minois begins his survey with classical
Greece and Rome, where suicide was acceptable--even heroic--under
some circumstances. With the rise of Christianity, however, suicide
was unequivocally condemned as "self-murder" and an insult to God.
With the Renaissance and its renewed interest in classical culture,
suicide reemerged as a philosophical issue. Minois finds examples
of changing attitudes in key Renaissance texts by Bacon, Montaigne,
Sidney, Donne, and Shakespeare.
By 1700, the term "suicide" had replaced "self-murder" and the
subject began to interest the emerging scientific disciplines.
Minois follows the ongoing evaluation of suicide through the
Enlightenment and the Romantic periods, and he examines attitudes
that emerge in nineteenth- and twentieth-century science, law,
philosophy, and literature. Minois concludes with comments on the
most recent turn in this long and complex history--the emotional
debate over euthanasia, assisted suicide, and the right to die.
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