In Avant-Garde Canadian Literature, Gregory Betts draws
attention to the fact that the avant-garde has had a presence in
Canada long before the country's literary histories have
recognized, and that the radicalism of avant-garde art has been
sabotaged by pedestrian terms of engagement by the Canadian media,
the public, and the literary critics. This book presents a rich
body of evidence to illustrate the extent to which Canadians have
been producing avant-garde art since the start of the twentieth
century.
Betts explores the radical literary ambitions and achievements
of three different nodes of avant-garde literary activity: mystical
revolutionaries from the 1910s to the 1930s;
Surrealists/Automatists from the 1920s to the 1960s; and Canadian
Vorticists from the 1920s to the 1970s. Avant-Garde Canadian
Literature offers an entrance into the vocabulary of the ongoing
and primarily international debate surrounding the idea of
avant-gardism, providing readers with a functional vocabulary for
discussing some of the most hermetic and yet energetic literature
ever produced in this country.
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