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The Black Avenger in Atlantic Culture (Paperback)
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The Black Avenger in Atlantic Culture (Paperback)
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With the Ta-Nehisi Coates-authored Black Panther comic book series
(2016); recent films Django Unchained (2012) and The Birth of a
Nation (2016), Nate Parker's cinematic imagining of the Nat Turner
rebellion; and screen adaptations of Marvel's Luke Cage (2016) and
Black Panther (2018), violent black redeemers have rarely been so
present in mainstream Western culture. Yet the black avenger has
always been with us: the trope has fired the news and imaginations
of the United States and the larger Atlantic World for three
centuries. The black avenger channeled the fresh anxieties about
slave uprisings and racial belonging occasioned by the European
colonization project in the Americas. Even as he is portrayed as
wholly Other, a heathen and a barbarian, his values?honor, loyalty,
love?reflect his ties to the West. Yet being racially different, he
cannot belong, and his qualities in turn make him an anomaly among
black people. The black avenger is thus a liminal figure defining
racial borders. Where his body lies, lies the color line. Regularly
throughout the modern era and to this day, variations on the trope
have contributed to defining race in the Atlantic World and
thwarting the constitution of a black polity. Gregory Pierrot's The
Black Avenger in Atlantic Culture studies this cultural history,
examining a multicultural and cross-historical network of print
material including fiction, drama, poetry, news, and historical
writing as well as visual culture. It tracks the black avenger
trope from its inception in the seventeenth century to the U.S.
occupation of Haiti in 1915. Pierrot argues that this Western
archetype plays an essential role in helping exclusive, hostile
understandings of racial belonging become normalized in the
collective consciousness of Atlantic nations. His study follows
important articulations of the figure and how it has shifted based
on historical and cultural contexts.
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