In the last ten years, George Tabori (* 1914) has been one of the
dramatic authors most frequently performed this century in Germany
and also one of the most sought-after directors in German-speaking
theatres. This contrasts with the neglect he has been accorded in
literary and drama studies. Only very recently has there been any
notable change in this situation. This volume sets out to record
and contribute to the ongoing discussion of Tabori's achievements,
both his stage productions and his own plays, on the subject of the
shoah. A comparative angle is also taken on his work, examining and
discussing the significance of his theatrical style for
contemporary drama with reference to authors such as Bertolt
Brecht, Samuel Beckett and Peter Weiss.
General
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