As social animals, each of us can only be partly understood
through insights into our individual psychodynamics. There is,
within us, another principle at work: to preserve the group, even
at the expense of the individual.
In this innovative synthesis of classical psychoanalysis and
recent interpersonal and object relations psychology, Harold N.
Boris constructs a necessary bridge between individual
psychodynamics and group dynamics. This bridge rests upon two,
complementary foundations: the egoistically- defined pleasure
principle of The Couple and the socially defined selection
principle of The Pair.
"Unheard Melodies" shows how these two states of mind often
compete, each being a distinct mental state seeking its own
objectives. When analyzed, both mental states reveal their own
characteristic themes and feelings, presences and absences, all of
which are intertwined in the unique, patterned music of
psychoanalysis. To demonstrate the patterning of these mental
states, Boris presents the transcription of a composite analysis,
an astonishing documentation of his own clinical experience,
showing The Couple and The Pair playing together in the analytic
setting. These clinical transcripts, complete with commentary,
provide rare glimpses into the psychoanalytic process that will
interest psychoanalysts, sociologists, and casual students of the
mind and society.
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