This narrative account of three Napoleonic battles adheres rather
closely to the Aristotelian configuration of evolving tragedy. The
historian succeeds in presenting herein events and character not
only in historical reality but also in unities employed by the
artist or tragedian. For a beginning of this lively, military
story, Harold T. Parker chooses a portrayal of Napoleon at the
height of his power, the battle of Friedland. The middle episode is
concerned with Napoleon in his first serious personal check, the
battle of Aspern-Essling. To complete the unity and to conclude the
tragic progression, the author resurveys the episode of Napoleon's
final defeat at the battle of Waterloo.
General
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