"Eros in Mourning" begins with a reading of the "Iliad" that
shows how Homer, not yet influenced by the ideology of
transcendence, analyzes the structure of unassuageable mourning in
a way that is as up-to-date as the latest poststructuralism. Then,
in readings of Dante, "Hamlet, La Princess de Cleves, " "Heart of
Darkness," and Lacan, Staten depicts the "thanato-erotic" hysteria
that is set off by the specter of the dead and decomposing body
that is also the body of sexual love and which, in the
"transcendentalizing" tradition, is more female than male. Yet, St.
John, certain troubadours, and Milton offer glimpses of a more
affirmative relation to "eros in mourning."
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