In traditional semantics, the human body tends to be ignored in
the process of constructing meaning. Horst Ruthrof argues, by
contrast, that the body is an integral part of this hermeneutic
activity. Strictly language-based theories, and theories which
conflate formal and natural languages, run into problems when they
describe how we communicate in cultural settings. "Semantics and
the Body" proposes that language is no more than a symbolic grid
which does not signify at all unless it is brought to life by
non-linguistic signs.
Ruthrof reviews and analyses various 'orthodox' theories of
meaning, from the views of Gottlob Frege at the beginning of the
twentieth century to those of theorists in the postmodern period,
then offers an alternative approach of his own. His theory features
'corporeal semantics, ' and holds that meaning has ultimately to do
with the body and that the meaning of linguistic expressions is
indeterminate without the aid of visual, tactile, olfactory, and
other bodily signs. This approach also remedies what Ruthrof sees
also as a loss of interpretive will in the postmodern era.
Pedagogy in many fields could be enriched by a systemic
integration of non-verbal semiosis into the linguistically
dominated syllabus. Those involved in discourse analysis,
literature, art criticism, film theory, pedagogy, and philosophy
will find the implications of Ruthrof's study considerable.
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