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Music on the Frontline - Nicolas Nabokov's Struggle Against Communism and Middlebrow Culture (Paperback)
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Music on the Frontline - Nicolas Nabokov's Struggle Against Communism and Middlebrow Culture (Paperback)
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The story of Nicolas Nabokov's involvement with the CIA-funded
Congress for Cultural Freedom (CCF) is a story of the politics and
sociology of culture; how music was used for political ends and how
intellectual groups formed and functioned during the Cold War. The
seemingly independent CCF, established to counteractA apparent
Soviet successes in the fields of the arts and intellectual life,
appointed Nabokov (a Russian emigre and minor composer) as its
Secretary General in 1951.A Over the next ten years he gave music a
high profile in theA work of the organisation, producing four
international musical festivals, the first and most ambitious of
which was 1952's L'Oeuvre du XXe Siecle in Paris, an event which
showcased the work of no less than 62 composers. As Ian Wellens
reveals, Nabokov'sA musical involvement with the CCF was in fact a
struggle on two fronts.A Apparently aA defenceA ofA Western
modernism against 'backward', 'provincial' Soviet music, Nabokov's
writings show this to have meshed closely with theA domestic
concernA - shared byA many intellectuals -A that high culture was
being undermined by an increasingly culturally aware middle class.
His attacks on Soviet cultural policy, and his unflattering
assessments of Shostakovich, are seen to be not merely salvos in
the cold war but part of a broader campaign aimed at securing the
authority and prestige ofA intellectuals.
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