Inci Bilgin Tekin's study offers a comparative perspective on
two very challenging contemporary female playwrights, Liz Lochhead
and Cherrie Moraga, and their Scottish and Chicanese adaptations of
myths -- such as the Greek Medea and Oedipus or the Mayan Popul Vuh
-- which address ethnic, racial, gender, and hierarchical
oppression. Her book incorporates postcolonial and feminist
readings of Lochhead's and Moraga's plays while it also explores
different mythologies on the background. Bilgin Tekin not only
introduces an original point of view on Liz Lochhead's and Cherrie
Moraga's plays as adaptations or rewrites, but also calls attention
to the non-canonized Scottish, Aztec, and Mayan mythologies.
Following an innovative approach, she discusses the question in
which ways Lochhead's and Moraga's adaptations of myths are
challenges to the canon and further suggests a feminist version of
Augusto Boal's Theatre of the Oppressed.The study appeals to
readers of mythology, drama, and comparative literature. Those
interested in postcolonial and feminist theories will also gain
valuable new insights.
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