Edna Ferber's Hollywood reveals one of the most influential
artistic relationships of the twentieth century--the four-decade
partnership between historical novelist Edna Ferber and the
Hollywood studios. Ferber was one of America's most controversial
popular historians, a writer whose uniquely feminist, multiracial
view of the national past deliberately clashed with traditional
narratives of white masculine power. Hollywood paid premium sums to
adapt her novels, creating some of the most memorable films of the
studio era--among them Show Boat, Cimarron, and Giant. Her
historical fiction resonated with Hollywood's interest in
prestigious historical filmmaking aimed principally, but not
exclusively, at female audiences.
In Edna Ferber's Hollywood, J. E. Smyth explores the research,
writing, marketing, reception, and production histories of
Hollywood's Ferber franchise. Smyth tracks Ferber's working
relationships with Samuel Goldwyn, Leland Hayward, George Stevens,
and James Dean; her landmark contract negotiations with Warner
Bros.; and the controversies surrounding Giant's critique of
Jim-Crow Texas. But Edna Ferber's Hollywood is also the study of
the historical vision of an American outsider--a woman, a Jew, a
novelist with few literary pretensions, an unashamed middlebrow who
challenged the prescribed boundaries among gender, race, history,
and fiction. In a masterful film and literary history, Smyth
explores how Ferber's work helped shape Hollywood's attitude toward
the American past.
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