Originally published in 1951, this volume covers the transition
period between the years of Renaissance influence and the dawn of
19th Century Romanticism. The book analyses the theories and
judgments of various critics and their bearing on literary
appreciation. The opening chapter concentrates on the account of
French doctrines of the 17th Century which is essential as the
necessary background of English critical activities for the best
part of two centuries. Later chapters discuss the main lines of the
development and the more significant critics.
General
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