"Clay Lancaster was infected by a love of architecture at an
early age, a gentle madness from which he never cared to recover."
-- From the Foreword, by Roger W. Moss It is easy to take for
granted the visual environment that we inhabit. Familiarity with
routes of travel and places of work or leisure leads to
indifference, and we fail to notice incremental changes. When a
dilapidated building is eliminated by new development, it is
forgotten as soon as its replacement becomes a part of our daily
landscape. When an addition is grafted onto the shell of a house
fallen out of fashion or function, onlookers might notice at first,
but the memory of its original form is eventually lost. Also
forgotten is the use a building once served. From historic homes to
livestock barns, each structure holds a place in the community and
can tell us as much about its citizens as their portraits and
memoirs. Such is the vital yet intangible role that architecture
plays in our collective memory. Clay Lancaster (1917-2000) began
during the Great Depression to document and to encourage the
preservation of America's architectural patrimony. He was a pioneer
of American historic preservation before the movement had a name.
Although he established himself as an expert on Brooklyn
brownstones and California bungalows, the nationally known
architectural historian also spent four decades photographing
architecture in his native Kentucky. Lancaster did not consider
himself a photographer. His equipment consisted of nothing more
complex than a handheld camera, and his images were only meant for
his own personal use in documenting memorable and endangered
structures. He had the eye of an artist, however, and recognized
the importance of vernacular architecture. The more than 150
duotone photographs in Clay Lancaster's Kentucky preserve the
beauty of commonplace buildings as well as historic mansions and
monuments. With insightful commentary by James D. Birchfield about
the photographs and about Lancaster's work in Kentucky, the book
documents the many buildings and architectural treasures -- both
existing and long gone -- whose images and stories remain a
valuable part of the state's heritage.
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