Epic Land is a celebration in pictures and words of the arresting beauty of the landscapes of Namibia and of the centrality of land in the culture, history, politics and daily lives of its people. The book seeks to uncover the rare essence that marks the landscape of Namibia apart from all others.

Few countries in the world are richer than Namibia in its canvas of natural beauty. The landscape is one of rich and often harsh contrast with many changing moods. A journey through its landscape is infinitely rewarding. Within this book this progression is depicted. The dramatic scenery of remote deserts, mountains, mystical trees and stormy shores are the equal of any.

Through her captivating photographs and absorbing text, Amy Schoeman shares with the reader the strange beauties of her life’s passion. The superb photographs capture the life of the desert, its forms and colours, and the moods of its ever-changing landscapes.

The safari design aesthetic has yoked hi-tech, high-end architecture with traditional low-tech African craft and fused them in a new genre of highly original, courageous and soulful – even sexy – architecture and interiors. This is design that, while rooted in Africa, possesses an international appeal that is beginning to influence aesthetic ideas the world over.

Safari Style Africa showcases a selection of lodges where these elements of design dialogue beautifully with the environment.

Daar is al soveel oor Jan Smuts geskryf. Smuts is in baie opsigte steeds ’n raaisel, veral wat sy komplekse persoonlikheid betref.

Hierdie chronologiese rangskikking van foto’s uit sy lewe bied ‘n beeld van hom as mens, staatsman, bevelvoerder en politikus.

Dis ’n visuele reis deur die lewe van een van ons grootste staatsmanne.

It has been said that the best-known South Africans outside South Africa is Nelson Mandela and Jan Smuts. Smuts is regarded as the most prominent Afrikaner ever and one of the most influential world leaders of his time. So much and so many books have been written about him, but because of his complex personality, some aspects of his life remains a mystery.

In this photobook his life is captured chronologically in photographs, some never published before. Foreword by Fransjohan Pretorius and background information by Richard Steyn.

When a burning sun dips low enough on the horizon to touch the brown-black earth, that is when South Africa is at its very best – a blazing expanse of broad landscapes of sea and veld, dusty savanna and equally dusty pavements. It is a vast country, extending from pristine coastal plain to rugged mountain passes across wide stretches of semidesert and forest, hills and valleys. Even travelling South Africans are unprepared for the sheer scale and enormous diversity of this grand landscape. Every day, everywhere, there are new sights to behold and new experiences to share – a graceful old Cape Dutch homestead set against lush vineyards, blue-purple mountains, the demure smile of a Zulu bride, a bird on a wire. It is the sun, the sand, the textures, the colours and the sounds that conjure up the spirit of South Africa. This volume is a fine tribute to the country, its people and its land- and cityscapes. This is the face of the nation – the essence of South Africa.

Renowned South African photographer Ranjith Kally captured iconic scenes throughout his career, such as his portrait Umkumbane, which has come to symbolise the shimmering jazz age of African townships in the 1950s.

When Miriam Makeba returned to Maseru, Lesotho, for a concert for black South Africans at the height of apartheid, Ranjith, too ventured to Lesotho and returned home with a remarkable image of an exiled singer poised between joy and heartbreak. And in a series of unflinching portraits, he documented with probity the horror of the forced removals in Natal.

As one of our country’s most prolific photojournalists, Ranjith’s pictures provide us with a glimpse into the tensions of the past and the events that shaped our future.

This book showcases the very best of the photography as judged in the Sustainable Seas Trust 2013/14 competition. The extraordinary, prize-winning photographs are accompanied by illuminating essays from leading scientists, sports people and others whose lives are intimately connected with the seas.

It also serves as a call to create a South African network of Hope Spots, which are special, people-orientated marine conservation areas.

The hope is that, with the close involvement of the communities that live near and depend on the seas, we can safeguard our natural resources.

Africa State of Mind gathers together the work of an emergent generation of photographers from across Africa, including both the Maghreb and sub-Saharan Africa. It is both a summation of new photographic practice from the last decade and an exploration of how contemporary photographers from the continent are exploring ideas of 'Africanness' to reveal Africa to be a psychological space as much as a physical territory - a state of mind as much as a geographical place. Dispensing with the western colonial view of Africa in purely geographic or topographic terms, Ekow Eshun presents Africa State of Mind in four thematic parts: Hybrid Cities; Inner Landscapes; Zones of Freedom; and Myth and Memory. Each theme, introduced by a text by Eshun, presents selections of work by a new wave of African photographers who are looking both outward and inward: capturing life among the sprawling cities and multitudinous conurbations of the continent, turning the legacy of the continent's history into the source of resonant new myths and dreamscapes and exploring questions of gender, sexuality and identity. Each of the photographers seeks to capture the experience of what it means, and how it feels, to live in Africa today.

First published in 1967, Ernest Cole’s House of Bondage has been lauded as one of the most significant photobooks of the twentieth century, revealing the horrors of apartheid to the world for the first time and influencing generations of photographers around the globe.

Reissued for contemporary audiences, this edition adds a chapter of unpublished work found in a recently resurfaced cache of negatives and recontextualizes this pivotal book for our time.

Cole, a Black South African man, photographed the underbelly of apartheid in the 1950s and ’60s, often at great personal risk. He methodically captured the myriad forms of violence embedded in everyday life for the Black majority under the apartheid system—picturing its miners, its police, its hospitals, its schools. In 1966, Cole fled South Africa and smuggled out his negatives; House of Bondage was published the following year with his writings and first-person account.

This edition retains the powerful story of the original while adding new perspectives on Cole’s life and the legacy of House of Bondage. It also features an added chapter—compiled and titled “Black Ingenuity” by Cole—of never-before-seen photographs of Black creative expression and cultural activity taking place under apartheid.

Made available again nearly fifty-five years later, House of Bondage remains a visually powerful and politically incisive document of the apartheid era.

An instant Number One New York Times bestseller, Humans of New York began in the summer of 2010, when photographer Brandon Stanton set out on an ambitious project: to single-handedly create a photographic census of New York City. Armed with his camera, he began crisscrossing the city, covering thousands of miles on foot, all in his attempt to capture ordinary New Yorkers in the most extraordinary of moments. The result of these efforts was "Humans of New York," a vibrant blog in which he featured his photos alongside quotes and anecdotes.

The blog has steadily grown, now boasting nearly a million devoted followers. Humans of New York is the book inspired by the blog. With four hundred colour photos, including exclusive portraits and all-new stories, and a distinctive vellum jacket, Humans of New York is a stunning collection of images that will appeal not just to those who have been drawn in by the outsized personalities of New York, but to anyone interested in the breathtaking scope of humanity it displays.

Heartfelt and moving, Humans of New York is a celebration of individuality and a tribute to the spirit of a city.

Explore the haunted history of Salem, Massachusetts.

Colonial New England was awash in ales, beers, wines, cider and spirits. Everyone from teenage farmworkers to our founding fathers imbibed heartily and often. Tipples at breakfast, lunch, teatime and dinner were the norm, and low-alcohol hard cider was sometimes even a part of children's lives. This burgeoning cocktail culture reflected the New World's abundance of raw materials: apples, sugar and molasses, wild berries and hops. This plentiful drinking sustained a slew of smoky taverns and inns--watering holes that became vital meeting places and the nexuses of unrest as the Revolution brewed. New England food and drinks writer Corin Hirsch explores the origins and taste of the favorite potations of early Americans and offers some modern-day recipes to revive them today.