From ice storms to fire rainbows, this is an A to Z guide to the earth's spectacular weather phenomena. Each entry has been crafted by experts at The Royal Meteorological Society, and many are illustrated with dramatic imagery from their annual Weather Photographer of the Year competition. As well as providing precise scientific and geographic detail, the entries often reveal the folklore that surrounds certain weather events and how they have affected human culture.

In this book, Hong Kong is seen as a labyrinth, a postmodern site of capitalist desires, and a panoptic space both homely and unhomely. The author maps out various specific locations of the city through the intertwined disciplines of street photography, autoethnography and psychogeography. By meandering through the urban landscape and taking street photographs, this form of practice is open to the various metaphors, atmospheres and visual discourses offered up by the street scenes. The result is a practice-led research project informed by both documentary and creative writing that seeks to articulate thinking via the process of art-making. As a research project on the affective mapping of places in the city, the book examines what Hong Kong is, as thought and felt by the person on the street. It explores the everyday experiences afforded by the city through the figure of the flaneur wandering in shopping districts and street markets. Through his own street photographs and drawing from the writings of Byung-Chul Han, Walter Benjamin and Michel de Certeau, the author explores feelings, affects, and states of mind as he explores the city and its social life.

From 1870 to 1920, McIntosh County, Georgia, was one of the most energetic communities on the southern coast. Its county seat, Darien, never had a population of more than 2,000 residents; yet, little Darien was, for a considerable time, the leading exporter of yellow pitch pine timber on the
Atlantic Coast. Burned to ashes during the Civil War, Darien
rose up and, with its timber booms and sawmills, took its place among the leading towns of the "New South" of the late nineteenth century. In this unique photographic retrospective of Darien and McIntosh County, over 200 images evoke generations past of dynamic, hard-working people. Pictured within these pages are timber barons, sawmill workers, railroad builders, and shrimp fishermen. They are depicted among views of the buildings and structures associated with an era that was the most active in the recorded history of the community, which dates back to the earliest days of the Georgia colony in 1736.

Music made in Akron symbolized an attitude more so than a singular sound. Crafted by kids hell-bent on not following their parents into the rubber plants, the music was an intentional antithesis of Top 40 radio. Call it punk or call it new wave, but in a short few years, major labels signed Chrissie Hynde, Devo, the Waitresses, Tin Huey, the Bizarros, the Rubber City Rebels and Rachel Sweet. They had their own bars, the Crypt and the Bank. They had their own label, Clone Records. They even had their own recording space, Bushflow Studios. London's Stiff Records released an Akron compilation album, and suddenly there were "Akron Nights" in London clubs and CBGB was waiving covers for people with Akron IDs. Author Calvin Rydbom of the "Akron Sound" Museum remembers that short time when the Rubber City was the place.