Queen Victoria was the first in a new breed of Cunard Ships: her design is enhanced to give her the ability to cross the North Atlantic. Introduced to service in 2007, Queen Victoria's reign is young; however, she has had a notable career with royal engagements, tandem Atlantic crossings and Gala-World Cruises where she has been welcomed with open arms. Illustrated with stunning colour photographs taken by the authors from every area of the ship, and fully updated after the extensive 2017 refit, this book provides a lasting memento of a voyage aboard Cunard's stately monarch.

Ultimate Toys for Men New Edition is the definitive catalogue for any discerning gentleman. Richly illustrated and meticulously curated, it gathers the best bespoke and luxury products and premium experiences around the globe, anchored in the belief that only top quality is true value for money. Whether a sports car or mega yacht, a weekender bag or a boutique hotel, editor Michael Goermann selects the best the world can offer the modern cosmopolitan man. Age is irrelevant; the boys' toys just get bigger, or more exclusive. The much-anticipated sequel to Ultimate Toys for Men, this updated edition includes a dazzling array of slick new gadgets for guys, handmade beauties, customizable accessories, and all manner of luxuries to rent, buy, and experience. Special features cover the "Best of Mallorca," "Best of London," and the finest collector's items. Text in English and German.

Beirut born and based visual artist and creative director Eli Rezkallah founded the visual arts magazine Plastik in 2009. It was unlike anything that had been produced in the Middle East previously, with photographs of drag queens, nudity, bold colour, dramatic staging, and cutting edge visual stories by himself and other artists. In addition to the magazine, Plastik is now a studio, a gallery, and a social media presence. This book is a best-of celebration of Eli Rezkallah's work from Plastik, capturing his accessible, provocative, and socially astute work in a single volume. "Plastik's gift to the world is beauty, colour, magic and imagination. The gift is more important today than ever before." RuPaul

Now available in a paperback edition, LaToya Ruby Frazier's award-winning first book, The Notion of Family, offers an incisive exploration of the legacy of racism and economic decline in America's small towns, as embodied by her hometown of Braddock, Pennsylvania. The work also considers the impact of that decline on the community and on her family, creating a statement both personal and truly political-an intervention in the histories and narratives of the region. Frazier has compellingly set her story of three generations-her Grandma Ruby, her mother, and herself-against larger questions of civic belonging and responsibility. The work documents her own struggles and interactions with family and the expectations of community, and includes the documentation of the demise of Braddock's only hospital, reinforcing the idea that the history of a place is frequently written on the body as well as the landscape. With The Notion of Family, Frazier knowingly acknowledges and expands upon the traditions of classic black-and-white documentary photography, enlisting the participation of her family, and her mother in particular. In the creation of these collaborative works, Frazier reinforces the idea of art and image-making as a transformative act, a means of resetting traditional power dynamics and narratives-both those of her family and of the community at large.

Highlights from Stieglitz's legendary photo journal (1903-1917)""This has to be the 'must buy' book of the decade--no photographic library will be complete without it. "" - mono, UK
Photographer, writer, publisher, and curator Alfred Stieglitz (1864-1946) was a visionary far ahead of his time. Around the turn of the 20th century, he founded the Photo-Secession, a progressive movement concerned with advancing the creative possibilities of photography, and by 1903 began publishing "Camera Work," an avant-garde magazine devoted to voicing the ideas, both in images and words, of the Photo-Secession. "Camera Work" was the first photo journal whose focus was visual, rather than technical, and its illustrations were of the highest quality hand-pulled photogravure printed on Japanese tissue. This book brings together a broad selection from the journal's 50 issues.

How has the seaside been photographed? From the roaring waves of the nineteenth century through the reportage of the 1960s and the critical documentary of the 80s and 90s, to what is perhaps the more intimate work of the last ten years. No-one can tell it exactly the way it is. We all have a vision of the seaside which is uniquely our own. Memories, false and real, are aided and abetted by photography, a unique, fascinating, but in the end unreliable source of evidence. And time changes everything. What remains are a set of substantial fragments, thoughts along the way, obsessions, records, constructions, journeys. Ours for the taking

The Polaroid Corporation's photography collection is the greatest portfolio of Polaroid images in the world. Begun by Polaroid founder Edwin Land and photographer Ansel Adams, the collection now includes some 23,000 images by hundreds of photographers throughout the world, including pieces by the likes of David Hockney, Andy Warhol, and Jeanloup Sieff. The Polaroid Book dives into these archives, paying tribute to a medium that continues to defy the digital age. Like an oversized Polaroid film pack, this collection curates works by luminaries and unknowns alike, celebrating the boundless possibilities that develop inside the white borders of the original instant photograph. Features: more than 250 works from the Polaroid Collections an essay by Polaroid's Barbara Hitchcock on the beginnings of instant photography and the collection's history a chapter featuring the various types of Polaroid cameras About the series TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program-now more compact, friendly in price, and still realized with the same commitment to impeccable production.

Paolo Ventura's Short Stories are whimsical narratives told through pictures-tales of love, war, and family-where things magically appear or disappear, set in an imaginary past of World War II Italy. Much like in silent films, the drama unfolds with no words or captions. For these works, Ventura constructed life-sized sets, in which he situated himself and members of his family (casting his son, wife, and twin brother as actors), in stories that are at once charming and disquieting. While seemingly simple, Ventura's vignettes come with larger implications: brothers who encounter each other by surprise on the battlefield, jugglers who appear from above, a man who packs himself into his suitcase, a small-town magician who accidently makes his son disappear for real, and many others. Here, Ventura has built a world of realistic proportions and actors, in fantastical tales and against painted backdrops-challenging notions of what is real and what is make-believe. This book collects the entire series of Ventura's Short Stories together for the first time, including three previously unpublished, and offers a glimpse into the artist's extraordinary imagination. Paolo Ventura (born in Milan, 1968) graduated from the Accademia di Belle Arti di Brera in Milan in 1991. His work has been exhibited internationally, including at Forma International Center for Photography, Milan; Rencontres de la Photographie, Arles, France; and Maison Europeenne de la Photographie, Paris. He also created a series of works for the Italian pavilion at the 2011 Venice Biennale. His works have been acquired by prominent collections, including the Museum of Fine Arts, Boston; Library of Congress, Washington, D.C.; and the Margulies Collection, Miami. His monographs include War Souvenir (2006), Winter Stories (Aperture and Contrasto, 2009), and The Automaton (2012).

John Spink provides the photographic evidence of a time that made an enormous impact on all our lives, despite the fact that many parts were very short lived, as they are in every subsequent youth culture. These images take us through the period from dippy hippy drug-induced enlightenment to loads-of-money entitlement, via the punk revolution and new wave and all the other seminal moments the TV documentaries would like to tag us with. Those of you who have picked up this book as a 'historical reference tome' will know that very few night-out photos of this time exist. John Spink had the sense to take his camera with him when he went out. So many of us could have done that but couldn't be arsed. I wasn't a handbag sort of girl so I had to travel light, fags, money, key, oh the heady days before a mobile. Nowhere to put a Kodak instamatic 33 in 1974 and my first SLR Practika in 1979 weighed a ton. John however knew he was experiencing something unique and he set about cataloguing our formative years.

Coal is the commodity that powered the technologies that made the modern world. It also brought about unique communities marked by a high degree of social solidarity and self-help. Mining was central to working class life, drawing rural populations into industrial labour, but it often took place in picturesque landscapes, so that its black spoil heaps became a central symbol of the degradation of pastoral life by the demands of an extractive industry. Throughout Europe and the USA photographers have pictured the characteristic landscapes of the industry, and continue to do so as strip mining devastates huge areas of land. Not only landscape photography but also documentary, portraiture, photojournalism and art photography have been used in order to portray mines and miners. This book presents three interlinked strands of investigation. The first is the way in which the production of coal created paradigmatic communities grounded in particular landscapes. The second concerns the role of photography in exploring, delineating and critiquing mining communities. This in turn involves an examination of the aesthetic and social characteristics of a number of genres of photography. Lastly, it considers the growth and decline of these sites, the geographic shift of the industry to other places, and the re-presentation of traditional localities through the lens of the heritage industry and industrial tourism.

From majestic glaciers to vast frozen plains as far as the eye can see, ice is just as important to the world's ecosystems as water, air, and trees. And yet its presence and vital role on Earth is increasingly threatened by the effects of global warming and population growth-the inspiration behind French photographer Laurent Baheux's latest endeavor, Ice is Black. Through breathtaking black-and-white images, Baheux captures the world's most beautiful icy landscapes and the fascinating animals that inhabit them. We get close to creatures and landscapes that seem to be taken out of time. Taken in such far-flung lands as Norway, Iceland, and Canada, Baheux's images present polar bears and their cubs, foxes frolicking in snow, and seals navigating icy waters. While the photographs convey evocative beauty, they also act as a call to action to protect these magnificent icy lands and the creatures that rely on them.

The vibrancy and diversity of Joburg frame the stark disparities of income and poverty that characterize Africa s richest city. Particular mention is made of the plight of the inner-city poor. Schadeberg s photographs are enhanced with text by Stephan Hofstatter (investigative journalist and writer); Mak Manaka (poet, performer, writer); Lebo Mashile (poet, performer, media personality); Carole Rothlisberger (magazine editor and writer); Colin Jiggs Smuts (novelist, educator and cultural activist); Stuart Wilson (researcher at the Centre for Applied Legal Studies); Gringo Wotshela (writer and film-maker). The book was created in partnership with the Centre for Applied Legal Studies, Wits University."

This new photographic coffee table publication is aimed at providing the reader with an alluring portrait of the premier wildlife and wilderness regions across eight countries throughout Africa. The author has a huge interest in Wildlife and Nature conservation and the daunting environmental challenges and has pro-actively pursued this passion through extensive travel to wilderness areas around the world including the Antarctic, the Arctic, China, India, Canada, Australia, Scandinavia and throughout Africa. Treasures of Africa is a collection and graphical illustration of selected wildlife images and natural scenery in some of the most starkly beautiful and remote wilderness areas in the African continent. The design of the publication has a simplicity consisting of a brief overview of each country’s distinctive wildlife features and best locations, followed by a montage of images and descriptive captions that depicts the beauty, diversity and contrasting habitats in each region represented throughout the book. The publication should be of interest to a broad readership, ranging from first time visitors and international travellers planning to explore different wildlife regions of Africa to the die hard “bush enthusiasts” who are always intrigued with the lure of the wild and keen to explore something different! The countries and regions documented and visually portrayed include Kenya, Tanzania, Rwanda, Zambia, Mozambique, Namibia, Botswana and South Africa. In Treasures of Africa, the author lays out an evocative mosaic of photography, showcasing the signature wildlife, spectacular birdlife, diverse eco- systems and getaway places captured from his travels and journeys across Africa. He postulates that the real riches don’t lie in gold, diamonds and platinum, but it’s the continent’s wildlife and wilderness areas that are the irresistible magnets. But like any imagery associated with treasure, it is always open to the scheming and plundering from unscrupulous people and international syndicates, motivated by commercial greed and exploitation. It is a sobering reality that this collection of “natural riches” in almost every National park and private game reserve across the continent is continuously at risk to the scourge of poaching that is impacting Africa’s wildlife legacy. The author has weaved into the introduction some of the harsh facts and figures relating to the escalating “scorecard” of poaching and chronicles the devastating statistics of rhino and elephant poaching in a number of regions. The publication is primarily a photographic collection of African wildlife, but there is an underlying appeal that one must never lose sight of the colossal protective efforts, strategies and global awareness required to preserve Africa’s heritage from the criminal world of poachers and opportunistic mercenaries.

A chance meeting in 1936 gave Lisa and Jimmy Sheridan the opportunity of a lifetime. Keen amateur photographers, their company Studio Lisa was engaged by the then Duke and Duchess of York to take casual photographs of their family, including the Princesses Elizabeth and Margaret, at their homes Royal Lodge and at 145 Piccadilly, London. At a time of traditional formality, when it was unheard of for mere unknowns to be given such an opportunity, the hiring of Studio Lisa proved to be a revolutionary and popular move on the part of the royals as it humanised them in the eyes of their subjects. They soon struck up an unlikely friendship with Lisa and Jimmy - a friendship that would span over 30 years and yield 13 separate photographic sessions, the last of which included Queen Elizabeth's young children. This volume charts the story of Studio Lisa, from its humble beginnings right through to the granting of two Royal Warrants. For the first time Studio Lisa's cache of remarkable royal photographs is brought together, producing a marvellous collector's item and a treasure thankfully preserved for posterity.

Like its predecessors, "Once Upon a Time" and "A Place in the Sun", "Poolside with Slim Aarons" offers images of jet-setters and the wealthy, of beautiful, glittering people living the glamorous life. Yet this new collection of stunning photographs of the rich and well-connected 'doing attractive things' in their favourite playgrounds has a new twist. The main character is pools and everything that goes with them - magnificent, suntanned bodies, well-oiled skin, bikini-clad women, yachts, summer cocktails, sumptuous buffets, spectacular locations and most of all fun. "Poolside with Slim Aarons" is not so much a Who's Who of society, aristocracy and celebrity - although C. Z. Guest, Lily Pulitzer, Cheryl Tiegs, Peter Beard and many who have appeared in the previous books are here - as it is about leisure time and how the rich make use of it. This is a more intimate peek into very private lives, to which Slim Aarons was given unprecedented access in the fifties, sixties, seventies and eighties. From the Caribbean to Italy and Mexico to Monaco, "Poolside with Slim Aarons" whisks the reader away to an exclusive club where taste, style, luxury and grandeur prevail.

San Diego Then and Now pairs up fascinating archive pictures of the city from its Spanish old town origins, to the bright and shining metropolis of today Known to its residents as "America's Finest City," San Diego has a mild, inviting climate and stunning coastal scenery. San Diego Then and Now looks at how the city developed from a small village settled by early Franciscan missionaries and the Spanish military. It came under U.S. rule in 1846, but it was not until 1867 when San Francisco speculator and businessman Alonzo E. Horton acquired 960 acres of waterfront land and promoted it as "New Town" that San Diego really began to take off. San Diego Then and Now pairs archival photographs with modern views of the same scene to illustrate the city's growth since these humble beginnings. It shows how the city's architecture still reflects and preserves its Spanish heritage but also incorporates modern glass skyscrapers and Victorian mansions. Sites include: Horton Plaza, U.S. Grant Hotel, Stingaree District, Speckels Theatre, Fifth Avenue, Seaport Village, Embarcadero, Star of India, Coronado, Hotel del Coronado, Santa Fe Depot, Carnegie Library, El Cortez Hotel, Long-Waterman Mansion, Villa Montezuma, The Prado, San Diego Zoo, Old Globe Theatre, San Diego High School, Hillcrest, City Heights, Kensington, La Casa de Estudillo, Casa de Bandini, Whaley House, Junipero Serra Museum, Ballast Point, Point Loma, Ocean Beach and Pacific Beach.

Milton H. Greene (1922-1985), famous for his fashion photography and celebrity portraits from the golden age of Hollywood, met Marilyn Monroe on a photo shoot for Look magazine in 1953. The pair developed an instant rapport, quickly becoming close friends and ultimately business partners. In 1954, after helping her get out of her studio contract with 20th Century Fox, they created Marilyn Monroe Productions, Inc. Milton and Marilyn were much more then business partners, Marilyn became a part of the Greene family. By the time their relationship had ended in 1957, the pair had produced two feature films, in addition to more than 5,000 photographs of the iconic beauty. There was magic in Milton and Marilyn's working relationship. The trust and confidence they had in each other's capabilities was on full display in each photo. Greene passed in 1985, thinking his life's work was succumbing to the ravages of time. His eldest son, Joshua, began a journey to meticulously restore his father's legacy. A photographer himself, Joshua spent years researching ways to restore his father's photographs as well as cataloguing and promoting Milton's vast body of work all over the world. After spending nearly two decades restoring his father's archive, Joshua Greene and his company are widely regarded as one of the leaders in photographic restoration and have been at the forefront of the digital imaging and large-format printing revolution. Now Joshua Greene, in conjunction with Iconic Images, presents The Essential Marilyn Monroe: Milton H. Greene, 50 Sessions. With 280 photographs, including many never-before published and unseen images, newly scanned and restored classics, as well as images that have appeared only once in publication, Greene's Marilyn Monroe archive can finally be viewed as it was originally intended when these pictures were first produced more than 60 years ago. These classic sessions - 50 in all - cover Monroe at the height of her astonishing beauty and meteoric fame. From film-sets to the bedroom, at home and at play, Joshua has curated a lasting tribute to the work of a great photographer and his greatest muse. Poignant and powerful, joyful and stunning - these breath-taking images of an icon stand above all the rest. The Essential Marilyn Monroe: Milton H. Greene, 50 Sessions is sure to be a book that will become the platinum standard in photography monographs. Numbered to only 250 copies, this deluxe edition will be produced with the highest quality paper and cloth binding, packaged in a stunning cloth clamshell presentation case. Each book will come with a limited edition estate-stamped print, measuring 355 x 279mm, from Marilyn's 'Negligee Sitting', which will be hand numbered, and a letter of authenticity from the Milton Greene estate.

JUNGLE features exotic animals in vivid colour and vibrant motion: A tree frog blinks his big red eyes. A tiger stalks his prey. A blue leaf monkey scratches his back. A tarantula scurries across the ground. A butterfly drinks from a tropical flower. A whipsnake darts its tongue. A nocturnal tarsier scans for food. A vividly patterned macaw comes in for a landing.

Harry Benson began photographing Paul McCartney in 1964, when the Beatles took America by storm, toured the world, and made their movie debut with A Hard Day's Night. The legendary photojournalist was on hand to document it all. When the Fab Four came to an end, it was Benson who had intimate access to Paul and his wife Linda, as Paul forged a new path, creatively and personally. Featuring more than 100 color and black-and-white images, this collection is a window into the life of one of the world's best-known recording artists, one who has remained enigmatic despite a lifetime in the limelight. Through Benson's lens, Paul traces the evolution of its namesake from performer to icon, father and husband. We see the young musician at the height of his fame with the Beatles, in the recording studio with Linda and their band Wings, with the family, behind the scenes and on stage during the 1975-76 "Wings Over America" tour, partying with the stars, and at the couple's quiet farm in the UK in the early 1990s. On the occasion of Sir Paul's 80th birthday, Paul gives an all-access look at a life spent making the world's most popular music. A must for any music fan.